S.T. Gill & His Audiences


Book Description

Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art. There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries. In association with the State Library of Victoria.




We Two


Book Description

NEW YORK TIMES BESTSELLER "[A] delectable double bio . . . Talk about Victoria’s secret. . . . A fascinating portrait of a genuine love match, but one in which the partners dealt with surprisingly modern issues.” —USA Today It was the most influential marriage of the nineteenth century—and one of history’ s most enduring love stories. Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later. As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years—each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic—and informed by revealing excerpts from the pair’s journals and letters—We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend. BONUS: This edition contains a reader's guide.




Paintings of S.T. Gill


Book Description




Guide to the Collections


Book Description




BUCKLEY, BATMAN & MYNDIE: Echoes of the Victorian culture-clash frontier


Book Description

The first white intruders in the area north of the Great Divide to the Murray River drained by the Goulburn, Loddon and Wimmera rivers were cattle and sheep ‘overlanders’ from the Sydney-side searching for green pastures in drought-affected NSW and a route to South Australia. Echo 76: THE NORTHERN CONQUEST – Drover’s accounts of overlanding sets the scene for the later Echo 83: REVIEWING THE FAITHFULL MASSACRE, WANGARATTA AND SCOURING THE OVENS. With a military escort, the wife of the Governor of VD Land Lady Jane Franklin wrote travel diaries and letters of her visit to Melbourne and ‘tour’ of Australia Felix in 1839. Sounding 5 introduces the journals of Protector Dredge camping with the Goulburn clans and is followed by Echo 79: THE HUTTON & MUNRO AFFAIRS, being the invasion of Djadja Wurrung country as revealed in Chief Protector Robinson’s journal for January 1840. This leads into Parker’s Mount Franklin Protectorate Station combined with shire history snippets of Maryborough, Avoca and Boort before a section on the Djadja Wurrung who survived colonization. Another group of shire histories cover Kyabram, Shepparton, Murchison, Benalla, Tallangatta, Benambra and Bendigo areas before Ian D Clark’s depiction of the box-ironbark forests and pre-1840s Aboriginal land tenure in north-central Victoria. Included here is an ecological section on ‘fire-stick farming’ replaced by agri-business. The fate of the Goulburn tribe, the Taungurong clans, and pioneer Carter’s early days on the Wimmera lead to echo 87: ORIENTING THE WERGAIA WIMMERA-MALLEE CLANS and then to EBENEZER – archaeology of an Aboriginal Mission Station. Sounding 5 closes with an echo on the bush-life experiences of battler William Kyle and for contrast reveals the dispossession role played by wealthy land speculators in echo 90: BEN BOYD – Royal Yacht Squadron Slaver.




Invisible


Book Description




Catalogue


Book Description




Gold


Book Description

Throughout history, gold has been the stuff of legends, fortunes, conflict and change. The discovery of gold in Australia150 years ago precipitated enormous developments in the newly settled land. The population and economy boomed in spontaneous cities. The effects on both the environment and indigenous Aboriginal peoples have been profound and lasting. In this book, a team of prominent historians and curators have collaborated to produce an innovative cultural history of gold and its impact on the development of Australian society.




A Forester's Log


Book Description

A Forester's Log is a unique forest story, told from a forester's viewpoint-the view of John La Gerche, one of the first generation of foresters in Victoria, who managed the Ballarat-Creswick State Forest in the late nineteenth century. La Gerche's Letter Books and Pocket Books have survived to provide a rare insight into a bailiff-forester's burdens in the 1880s and 1890s. As a bailiff, he daily had to confront prop cutters and woodcarters, 'scamps and vagabonds' who constantly defied forest regulations. His pioneering work helped shape today's forested landscape around the Central Victorian goldfields town of Creswick, 'the home of forestry'. In the detailed correspondence between this amateur forester and his bureaucratic masters lies the human story of an ordinary yet remarkable man, endeavouring to strike a fair balance between the competing demands of local woodcutters and distant officials. Angela Taylor reads between the lines to create a beautifully perceptive portrait of a vanishing character type-the truly committed public servant. A Forester's Log is an illuminating and charming book which will appeal to a wide range of readers, both urban and rural, including those interested in conservation and landscape heritage.




Maria's Island


Book Description

A dramatic and moving story set in the same world as the international bestseller The Island from the celebrated novelist Victoria Hislop. The absorbing story of the Cretan village of Plaka and the tiny, deserted island of Spinalonga - Greece's former leper colony - is told to us by Maria Petrakis, one of the children in the original version of The Island. She tells us of the ancient and misunderstood disease of leprosy, exploring the themes of stigma, shame and the treatment of those who are different, which are as relevant for children as adults. Gill Smith's rich, full-colour illustrations will transport the reader to the timeless and beautiful Greek landscape and Mediterranean seascape.