Victorian Cosmopolitanism and English Catholicity in the Mid-Century Novel


Book Description

Victorian Cosmopolitanism and English Catholicity in the Mid-Century Novel argues that the Creedal doctrines of “the communion of saints” and the “holy Catholic Church” provided Victorian novelists—both Roman Catholic and Protestant—with a means of exploring religious forms of cosmopolitanism. Building on research exploring the divisions between Roman Catholicism and Protestantism in Victorian literature and culture, Teresa Huffman Traver considers the extent to which anti-Catholicism, domesticity, and national identity were linked. Huffman Traver connects this research with cosmopolitan theory, and analyzes how the conception of Catholicity could be used to reach beyond national identity towards a transnational community. Investigating the idea of a “rooted” cosmopolitanism, grounded in the local and limited in scope, this Pivot book offers a new angle on how religion, domesticity, and national identity were constructed in nineteenth-century British culture.




Faithful Fictions


Book Description

Catholic writers have made a rich contribution to British fiction, despite their minority status. Evelyn Waugh, Graham Greene, and Muriel Spark are well-known examples, but there are many other significant novelists whose work has a Catholic aspect. This is the first book to survey the whole range of this material and examine whether valid generalizations can be made about it. In charting such fiction from its development in the Victorian period through to the work of contemporaries such as David Lodge, the author analyses its complex relationships with changes in British society and the international Church. There is more than one way of being a Catholic, as Woodman shows, but he also demosntrates that many of these writers share common themes and a distinctive perspective. They often wish in particular to use their religion as a weapon against what they portray as a complacent Protestant or secular society. Their consciousness of writing in the midst of such a society gives a special edge to their treatments of the perennial Catholic themes of suffering, sin and sex. It also has implications for literary form and relates to what has been seen as the extremist mode of Catholic fiction. The final question that Woodman puts is whether the changes in the Church since the Second Vatican Council must inevitably lead to the loss of this distinctive Catholic contribution to the novel.




Mobility in the Victorian Novel


Book Description

Mobility in the Victorian Novel explores mobility in Victorian novels by authors including Charles Dickens, Charlotte Brontë, Elizabeth Gaskell, George Eliot and Mary Elizabeth Braddon. With focus on representations of bodies on the move, it reveals how journeys create the place of the nation within a changing global landscape.




Desire and Time in Modern English Fiction: 1919-2017


Book Description

Beginning with Somerset Maugham’s innovative, sexually dissident South Seas novel and tales and Alfred Hitchcock’s gay-inflected revisiting of the Jack the Ripper sensation in silent film, this book considers the continuing presence of the past in future-oriented work of the 1930s and the Second World War by Sylvia Townsend Warner, Virginia Woolf, George Orwell, and the playwright and novelist, Patrick Hamilton. The final three chapters carry the discussion to the present in analyses of works by lesbian, postcolonial, and gay authors such as Sarah Waters, Amitav Ghosh, and Alan Hollinghurst. Focusing on questions about temporality and changes in gender and sexuality, especially gay and lesbian, straight and queer, following the rejection of the Victorian patriarchal marriage model, this study examines the continuing influence of late Victorian Aestheticist and Decadent culture in Modernist writing and its permutations in England.




The Palgrave Encyclopedia of Victorian Women's Writing


Book Description

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.




British Romanticism and the Catholic Question


Book Description

The debate over extending full civil rights to British and Irish Catholics not only preoccupied British politics but also informed the romantic period's most prominent literary works. This book offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period's most contentious issues.




The Encyclopedia of Christian Literature


Book Description

The written word is one of the defining elements of Christian experience. As vigorous in the 1st century as it is in the 21st, Christian literature has had a significant function in history, and teachers and students need to be reminded of this powerful literary legacy. Covering 2,000 years, The Encyclopedia of Christian Literature is the first encyclopedia devoted to Christian writers and books. In addition to an overview of the Christian literature, this two-volume set also includes 40 essays on the principal genres of Christian literature and more than 400 bio-bibliographical essays describing the principal writers and their works. These essays examine the evolution of Christian thought as reflected in the literature of every age. The companion volume also features bibliographies, an index, a timeline of Christian Literature, and a list of the greatest Christian authors. The encyclopedia will appeal not only to scholars and Christian evangelicals, but students and teachers in seminaries and theological schools, as well as to the growing body of Christian readers and bibliophiles.




Communities of Care


Book Description

What we can learn about caregiving and community from the Victorian novel In Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care. In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Brontë, Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer’s sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives. Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.




The English Cult of Literature


Book Description

What constitutes reading? This is the question William McKelvy asks in The English Cult of Literature. Is it a theory of interpretation or a physical activity, a process determined by hermeneutic destiny or by paper, ink, hands, and eyes? McKelvy seeks to transform the nineteenth-century field of "Religion and Literature" into "Reading and Religion," emphasizing both the material and the institutional contexts for each. In doing so, he hopes to recover the ways in which modern literary authority developed in dialogue with a politically reconfigured religious authority.The received wisdom has been that England's literary tradition was modernity's most promising religion because the established forms of Christianity, wounded in the Enlightenment, inevitably gave up their hold on the imagination and on the political sphere. Through a series of case studies and analysis of a diverse range of writing, this work gives life to a very different story, one that shows literature assuming a religious vocation in concert with an increasingly unencumbered freedom of religious confession and the making of a reading nation. In the process the author shifts attention away from the idea of the literary critic in favor of considering the historic role of religious professionals in shaping and contesting the authority of print.Indebted to recent findings of book history and newer historiographies at odds with conventional secularization theory, this work makes an interdisciplinary contribution to revising the existing models for understanding change in Britain during the eighteenth and nineteenth centuries.




Current Literature


Book Description