Catalog of Copyright Entries


Book Description




The Song of the Lark


Book Description

Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg. In creating Thea’s character, Cather was inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad, although Thea’s early life also has much in common with Cather’s own. Set from 1885 to 1909, the novel traces Thea’s long journey from her fictional hometown of Moonstone, Colorado, to her source of inspiration in the Southwest, and to New York and the Metropolitan Opera House. As she makes her own way in the world from an unlikely background, Thea distills all her experiences and relationships into the power and passion of her singing, despite the cost. The Song of the Lark presents Cather’s vision of a true artist. The Willa Cather Scholarly Edition includes a historical essay providing fresh insight into the novel and Cather’s writing process, photographs and maps, and explanatory notes providing a full range of biographical and historical information. The novel, edited according to standards set by the Committee on Scholarly Editions of the Modern Language Association, presents a clean, authoritative text of the first edition and charts the subsequent drastic revisions.







Catalog of Copyright Entries. New Series


Book Description




Catalogue of the library


Book Description




Beyond the Art of Finger Dexterity


Book Description

Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.




40 Daily Exercises


Book Description

The specific feature of '40 Daily Exercises' the extraordinary density of musical examples and specific technical problems in this small edition. In mostly one-bar formulas, Czerny, with his almost inexhaustible didactic imagination, maps out a cosmos of technical training material which virtually condenses the idioms of the classical and early Romantic piano music between Haydn and Czerny's pupil Franz Liszt. Each study deals with a particular musical-technical problem which varies in appearance and is usually edited for both hands. All individual expressions expand and deepen the basic skills to be practised so that each individual number offers considerable learning potential.