Vietnam Veterans Memorial (eBook)


Book Description

The Vietnam conflict was one of the most controversial engagements in the history of the United States. The effects of U.S. involvement, the impact of an individual's participation, political decisions and the politics of decision-making are still felt. The memorial itself, was a topic of intense debate. And yet, it is one of the most visited sited in Washington, D.C.







Carried to the Wall


Book Description

On May 9, 1990, a bottle of Jack Daniels, a ring with letter, a Purple Heart and Bronze Star, a baseball, a photo album, an ace of spades, and a pie were some of the objects left at the Vietnam Veterans War Memorial. For Kristin Hass, this eclectic sampling represents an attempt by ordinary Americans to come to terms with a multitude of unnamed losses as well as to take part in the ongoing debate of how this war should be remembered. Hass explores the restless memory of the Vietnam War and an American public still grappling with its commemoration. In doing so it considers the ways Americans have struggled to renegotiate the meanings of national identity, patriotism, community, and the place of the soldier, in the aftermath of a war that ruptured the ways in which all of these things have been traditionally defined. Hass contextualizes her study of this phenomenon within the history of American funerary traditions (in particular non-Anglo traditions in which material offerings are common), the history of war memorials, and the changing symbolic meaning of war. Her evocative analysis of the site itself illustrates and enriches her larger theses regarding the creation of public memory and the problem of remembering war and the resulting causalities—in this case not only 58,000 soldiers, but also conceptions of masculinity, patriotism, and working-class pride and idealism.




Vietnam Veterans Since the War


Book Description

War is hell, and the return to civilian life afterwards can be a minefield as well, especially for veterans of a “bad war.” Soldiers coming home from Vietnam faced unique challenges as veterans of a controversial war whose divisiveness permeated every step of the re-entry and readjustment process. In his balanced and highly readable account, Vietnam Veterans since the War, sociologist Wilbur J. Scott tells the story of how the veterans and their allies organized to articulate their concerns and to win concessions from a reluctant Congress, federal agencies, and courts. Scott draws on published records, hours of personal interviews with veterans, and his experience as an infantry platoon leader in Vietnam to explore the major social movements among his fellow veterans in the crucial years from 1967 to 1990, including the antiwar movement, the successful effort to win recognition of post-traumatic stress disorder (PTSD) by the American Psychiatric Association, the establishment of veterans’ outreach centers, the controversy over the defoliant Agent Orange and its long-term effects, and the struggle to create the National Vietnam Veterans Memorial in Washington, D.C. His new afterword brings the story up to date and demonstrates that while the United States’ involvement in Vietnam continues to be controversial, many of the tensions engendered by the war have been overcome.




Letters on the Wall


Book Description

Since its creation in 1982, the Vietnam Veterans Memorial has become the most visited National Park Services site. Each year, 4.5 million people come to the Wall. Many of them leave letters or other special objects. Every night, park rangers collect and inventory these mementos—now numbering well over 90,000—and put them into government storage. Michael Sofarelli, the son of a Vietnam War veteran, has combed through the archives searching for the most gripping letters and objects: a mother awaiting word of her missing son, a former comrade recounting a battle story, a pair of well-worn ballet slippers, and a collection of cigars. These items are not only a tribute to the fallen soldiers; they pay tribute as well to the families and friends who waited at home and the comrades who have never forgotten their brothers. They tell the story of a war that is still being fought by many who served and a conflict that changed the lives of many Americans forever.




The Vietnam Veterans Memorial


Book Description

An introduction to the Vietnam Veterans Memorial including how it came to be, who was behind it, and what you will see when you visit it.




Dear America


Book Description

More than 25 years after the official end of the Vietnam War, "Dear America" allows readers to witness the war firsthand through the eyes of the men and women who served there. Excerpt in "Time" magazine.




Healing Wounds


Book Description

In 1983, when Evans came up with the vision for the first-ever memorial on the National Mall to honor women who’d worn a military uniform, she wouldn’t be deterred. She remembered not only her sister veterans, but also the hundreds of young wounded men she had cared for, as she expressed during a Congressional hearing in Washington, D.C.: “Women didn’t have to enter military service, but we stepped up to serve believing we belonged with our brothers-in-arms and now we belong with them at the Vietnam Veterans Memorial. If they belong there, we belong there. We were there for them then. We mattered.” In the end, those wounded soldiers who had survived proved to be there for their sisters-in-arms, joining their fight for honor in Evans’ journey of combating unforeseen bureaucratic obstacles and facing mean-spirited opposition. Her impassioned story of serving in Vietnam is a crucial backstory to her fight to honor the women she served beside. She details the gritty and high-intensity experience of being a nurse in the midst of combat and becomes an unlikely hero who ultimately serves her country again as a formidable force in her daunting quest for honor and justice.




Creating the Vietnam Veterans Memorial


Book Description

Since its dedication in 1982, the Vietnam Veterans Memorial has become an American cultural icon symbolizing the war in Vietnam--the defining experience of the Baby Boom generation. The black granite wall of names is one of the most familiar media images associated with the war, and after three decades the memorial remains one of the nation's most visited monuments. While the memorial has enjoyed broad acceptance by the American public, its origins were both humble and contentious. A grassroots effort launched by veterans with no funds, the project was completed in three and a half years. But an emotional debate about aesthetics and the interpretation of heroism, patriotism and history nearly doomed the project. Written from an insider's perspective, this book tells the complete story of the memorial's creation amid Washington politics, a nationwide design competition and the heated controversy over the winning design and its creator.




Boundaries


Book Description

Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.