Vilhelm Hammershøi, 1864-1916


Book Description

Danish painter Vilhelm Hammershoi (1864-1916), whose work is frequently compared to Vermeer's, has been overlooked for nearly a century. The catalogue for an exhibition that received wide acclaim at the Musee d'Orsay, Paris, and that opens at the Solomon R. Guggenheim Museum, New York, in June 1998, this handsome book presents 80 of Hammershoi's distinctive and intimate portraits, landscapes, and interiors.Hammershoi exhibited extensively throughout Europe and was recognized by his peers as the premier Danish painter; critics often included him among the French Impressionists. His reputation diminished after his death, however, and he remained relatively unknown until his recent rediscovery.Today's art lovers will immediately respond to Hammershoi's extraordinary use of line, light, and shadow, and to his interiors and landscapes punctuated with a mood of concentrated absence. His portraits, too, are compelling psychological studies, often reflecting the isolation of the long Scandinavian winter. This book restores Hammershoi's rightful place in the history of art.




Vilhelm Hammershøi and Danish Art at the Turn of the Century


Book Description

Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.







Vilhelm Hammershøi, 1864-1916


Book Description

This book - the catalogue accompanying a widely acclaimed exhibition at Ordrupgaard, Copenhagen, the Musee d'Orsay, Paris, and the Solomon R. Guggenheim Museum, New York - reveals the mysterious, melancholy world evoked in Hammershoi's works. Hammershoi's originality was recognized by his peers, but his work was too controversial to gain much support in Denmark during his lifetime. However, it was appreciated by collectors and institutions in England, France, Germany, and Italy, where it became known in exhibitions from the 1890s until his death. Frequently compared to Vermeer in his extraordinary use of line, light, and shadow, Hammershoi punctuates his hallmark interiors and landscapes with a mood of concentrated solitude. His remarkable portraits of friends and family become psychological studies, often revealing the isolation and loneliness of long, dark Scandinavian Winters.




Hammershøi


Book Description

This comprehensive survey, published to coincide with a major exhibition, explores the work of the Danish painter Vilhelm Hammersh�i (1864-1916). In haunting interior scenes, Hammersh�i dispensed with anecdotal detail, transforming his apartment into a series of disturbingly empty spaces. The same strange stillness can be seen in his portraits, landscapes, and city views of his native Copenhagen and of London, in all of which the passage of time appears to have been inexplicably suspended. Expertly produced, Hammersh�i explores the singularity of the artist’s vision, placing his achievement in the context of ?n-de-si�cle Symbolist art and examining his links with Dutch masters of the seventeenth century. Widely revered in Europe during his lifetime, Hammersh�i is now ripe for rediscovery.




Vilhelm Hammershøi


Book Description




Hammershøi, Vilhelm, 1864-1916


Book Description

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.







Hammershøi


Book Description

Showcasing the best works by the acclaimed Nordic master of light and solitude, this is the first major book on the artist since 1998. The paintings of Vilhelm Hammershøi (1864–1916) have become increasingly popular due their almost contemporary aesthetic. Admired and celebrated during his lifetime, Hammershøi gradually fell into oblivion before being rediscovered in the 1990s. He is now recognized as the iconic painter of Nordic light and solitude. This newly researched monograph presents the artist’s best works, many drawn from rarely seen private collections. Enigmatic and subtle, his paintings feature empty interiors, shades of gray, and the silhouette of a lone figure. Reminiscent of Edward Hopper, Hammershøi has an impassioned following who will appreciate this new volume. Multiple scholarly texts and an illustrated chronology shed new light on Hammershøi’s art and explore links with contemporary artists highlighting Hammershøi’s singular genius and more radical aesthetic, which still engages and surprises us today.