Pressing Toward the Mark


Book Description

E. Hammond Oglesby offers a new method of moral discourse that can speak to ongoing critical issues in the black community, such as the AIDS pandemic, an absence of young-adult participation in many black churches, and a continuing battle against racism. In 'Pressing Toward the Mark,' he demonstrates that ordinary people of faith become ethical not by chance but by choice. He also helps readers understand the importance of Christian ethics in light of the deep spiritual and cultural roots of the black church in America. Through stories, theological reflection, and case studies meant to encourage small-group discussion, Oglesby builds a case that Christian ethics begins--in the rhythmic flux of the black religious experience--with a love of freedom, because no child of God can be fully Christian without being free (Galatians 5:1).




Vision Or Villainy


Book Description

Seventy-five years ago the growing city of Los Angeles, amid considerable conflict, appropriated water from a rural area 250 miles away. Still unresolved, the controversy surrounding the Owens Valley-Los Angeles Aqueduct has long since moved from the personal, even violent level fictionalized in the movie Chinatown to the dry realm of court proceedings, injunctions, and environmental impact reports. But water remains a problem in California, and the questions raised by these events--the rights of a rural area versus a growing metropolitan area, environmental issues, and levels of government responsibility--are of recognized national importance today. Much of the history of the controversy has been incompletely or imperfectly reported. Conventional accounts have focused on city versus valley, overlooking the role of the federal government. Others espouse the conspiracy theory popularized in Chinatown, dealing in plots and personalities. Relying on primary sources, many unused until now, Dr. Hoffman demonstrates how the utilitarian views of Theodore Roosevelt and his agents in the Geological Survey, the Reclamation Service, and the Bureau of Forestry helped determine the future of Los Angeles and the fate of Owens Valley. A model of historical reporting, this book redresses the balance in a record that too often has been oversimplified, usually at the expense of the city and often in terms of heroes and villains.




The Strand Magazine


Book Description




What Really Happens in Vegas


Book Description

What happens in Vegas stays in Vegas—until now. James Patterson shows the real Vegas in a dazzling journey through “lively tales of those who labor and dream in Sin City" (Kirkus). “Wild and wonderful…The magic of Sin City doesn’t just happen. Patterson and Seal tell its secrets in beautifully presented snippets that often overlap not just surprisingly, but charmingly too.” —Telegraph (UK) Las Vegas is on Luxury Standard Time: every clock in the airport is a Rolex. No dream is too big, no wish is too small—the VIP hosts in Vegas fulfill guests’ every (legal) desire. Jackpots hit when least expected. The Nevada Gaming Control Board has days to find a man who unknowingly won over $200,000 at the slots. “I love love”: the inventor of the Elvis impersonator wedding and the drive-thru wedding has performed hundreds of marriages—and believes in them all. Glamorous yogis take a helicopter across the desert to the Valley of Fire, where they perform sun salutations to the glory of Las Vegas. A gambling VIP “whale” loses $1 million at the casinos, yet still leaves saying, "Had a great time. I'll be back." ​ In What Really Happens in Vegas, full of surprises for both newcomers and Las Vegas regulars, James Patterson and Vanity Fair contributing editor Mark Seal transport readers from the thrill of adrenaline-fueled vice to the glitter of A-list celebrity and entertainment.




The Dark Angel: Gothic Elements in Shelley's Works


Book Description

By establishing a relationship between Shelley's works and the Gothic tradition, this study offers a new way of approaching the center of Shelley's thought. Consideration of Shelley's application of the Gothic mode as an agency for psychological analysis is preceded by a brief introduction to Gothic sensibility.




Write Great Fiction Revision And Self-Editing


Book Description

Don't let the revision process intimidate you any longer. Discover how to successfully transform your first draft into a polished final draft readers won't be able to forget. In Write Great Fiction: Revision & Self-Editing, James Scott Bell draws on his experience as a novelist and instructor to provide specific revision tips geared toward the first read-through, as well as targeted self-editing instruction focusing on the individual elements of a novel like plot, structure, characters, theme, voice, style, setting, and endings. You'll learn how to: • Write a cleaner first draft right out of the gate using Bell's plotting principles • Get the most out of revision and self-editing techniques by honing your skills with detailed exercises • Systematically revise a completed draft using the ultimate revision checklist that talks you through the core story elements Whether you're in the process of writing a novel, have a finished draft you don't know what to do with, or have a rejected manuscript you don't know how to fix, Revision & Self-Editing gives you the guidance you need to write and revise like a pro.




The Strand Magazine


Book Description




Lair: Radical Homes and Hideouts of Movie Villains


Book Description

Winner of the AIGA'S International Competition for Notable Graphic Design. “It’s both an architecture and movie fan’s dream.” - Los Angeles Times "Strikingly designed." - Publishers Weekly “Explores the cinematic tradition of antiheroes with architecturally significant private spaces." - Architectural Digest “A fascinating gift for that highbrow nerd in your life.” - Syfy Wire Why do bad guys live in good houses? From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains often live in architectural splendor. From a design standpoint, the villain’s lair, as popularized in many of our favorite movies, is a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. Lair: Radical Homes and Hideouts of Movie Villains, celebrates and considers several iconic villains’ lairs from recent film history. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes and in Lair, which features buildings from fifteen films, including: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Star Wars The Incredibles Blade Runner 2049 You Only Live Twice The Ghost Writer Body Double North by Northwest Edited by acclaimed architect Chad Oppenheim with Andrea Gollin, Lair includes interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, David Scheunemann, Gregg Henry, and Mark Digby. Contributors include director Michael Mann, cultural critic Christopher Frayling, museum director Joseph Rosa, and architect Amy Murphy. Architectural illustrations and renderings by Carlos Fueyo provide multiple in-depth views of these spaces.




The Vision of Rubeta


Book Description




Visionary Dreariness


Book Description

Visionary Dreariness: Readings in Romanticism’s Quotidian Sublime undertakes a reconceptualization of the theoretical and experiential framework of the Romantic sublime by shifting the focus from Burke’s and Kant’s prescriptions of natural vastness and grandeur to the narrower but no less wondrous spaces, objects and experiences of everyday life. This shift is defined as a descent from mountaintops to an encounter, in William Blake’s terms, with 'a World in a Grain of Sand.' The purpose of this book is to sift the literature of the Romantic everyday, both prose and poetry, canonical and noncanonical, for such grains. In order to define the inherently amorphous and subsumptive sphere called 'everyday life,' the author draws upon two main theoretical threads: the first, based on the phenomenological poetics of Gaston Bachelard, serves to elucidate the depth and diversity of everyday household space; the second, comprising the work of Henri Lefebvre and Michel de Certeau, defines the generative potential, what de Certeau glosses as the 'everyday creativity,' of some of the most basic human activities such as walking, reading and washing, to name but a few. The role of the everyday in Romantic literature has in recent years received greater scholarly attention, particularly from critics dissatisfied with the perpetuation of what Karina Williamson characterizes as a 'debased Romanticism which rules there is a category of experience and expression which is poetic and all the rest is ordinary and inadmissible.' The present study serves to map the intersections of these categories of experience and expression—the sublime and the quotidian—and thereby to challenge our assumptions about the aesthetic value of the everyday not only in the Romantic period but also in our own.