Essays on French History and Historians


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J.S. Mill's deep interest in French intellectual, political, and social affairs began in 1820 when, in his fourteenth year, he went to France to live for a year with the family of Sir Samuel Bentham. French became his second language, and France his second home, where he died and was buried in 1873. His interest in history began even earlier when, as a child of seven, he tried to imitate his father's labours on the History of British India; though he never wrote a history in his maturity, study of the past remained a passion and helped shape the philosophy of history that informed his views of society and ethics. His intense interest in contemporary French politics also led him to seek connections between historical developments and present trends, both seen by his from a Radical perspective approproate to what he believed to be an age of transition. The English historians of France, including Walter Scott and Thomas Carlyle, as well as the French, some of whom were themselves political figures, are judged by their historical methods, but those methods are seen as having practical effects in shaping as well as revealing the mind of the times. This volume brings together for the first time the essays, running from 1826 to 1849, that meld these abiding interests. They give as well insights into Mill's personal aspirations, his developing view of comparative politics and sociology, his concern for freedom, and his feminism. During these years Mill worked on a published his System of Logic, Book VI of which shows in condensed form the results of the speculations here developed; reading these essays with that work, which made his reputation as a philosopher, enables one to see the effects of romanticism on analytic thought in a way not as clearly evident even in Mill's Autobiography. Independently important, then, the essays in this volume also enable us to interpret anew the practical and theoretical concerns fundamental to his formative years and maturity. John C. Cairns' Introduction demonstrates how the essays reveal, through their reactions to the Revolutions of 1789, 1830, and 1848, and to French historiography, politics, and thought, the effect of France on Mill's ideas, and also the way in which his other concerns influenced his reactions to France. The texts, with the variants and notes that are the hallmark of this edition, are described in John M. Robson's Textual Introduction, which explains the editorial principles and methods.













General Catalogue of Printed Books


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The Bodleian Library at Oxford (Classic Reprint)


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Excerpt from The Bodleian Library at Oxford (All readers must at their first coming be entered in the Admission Registers and make the usual declaration.) The Bodleian Library was founded in 1602, and for size and importance (together) ranks first among University libraries, second among English-speaking peoples, and about eighth in the world. Readers are therefore requested to use it, not for trivial purposes, but for study and research. The Old Reading Room (O.R.R.) and Upper Reading Room (U.R.R.) are open from 9 a.m. to 3 p.m. in Jan. Nov. Dec.; to 4 p.m. in Feb. Mar. Aug. Sept. Oct.; to 5 p.m. in Apr. May, June, July. The Camera Reading Room is open from 10 a.m. to 10 p.m. The Camera contains most books printed since 1883, except Bibliography, Law, Music, English Drama, British Topography and Antiquities, with a few other sections. At Bodley there is a Reference library (books marked R and ), and at the Camera a large Select and Reference library (marked S). General Catalogue of Printed Books. There is a copy in the U.R.R (Bodley), and at the Camera. Catalogues of MSS. The official copies are in the O.R.R.: working copies are also in the O.R.R. and in the Cam. R.R. Forms for ordering Books and MSS. are in each Reading Room. Seats. Any unoccupied desk may be taken by a reader, except that twelve desks at the Selden End are assigned by the Librarian. The number of seats is, in O.R.R. 63, in U.R.R. 24, in Cam. R.R. 74 (+12 for Music students and 12 in the Science Room). Reserving books. MSS. and rare books should be used in the O.R.R. and cannot be reserved, but should be given up each time that the reader leaves. An ordinary book or an orderly pile of books, if reserved by a slip of paper bearing name and date, is left, in O.R.R. 3 days at seat, 7 days more in an adjacent reserve (but at Selden End, 10 days at seat): in U.R.R. 3 days at seat, 7 in reserve: in the Cam. R.R. books to be reserved should be brought to the Assistant's table (each work with the reserving slip), and will there be reserved for 7 days. Unreserved books and all Reference and Select books are cleared away daily. A reasonable limit for reserved books is in general twenty volumes. Tracing and painting need special permission. Photography is undertaken by the Clarendon Press: order forms are supplied on application. For further information see a Manual for Readers, supplied gratis on application. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




De Compendiosa Doctrina


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Satires


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In the ancient world, the Satires belonged to a small class of works which remained in constant circulation. They were read in the schools, were commented upon by scholars, and were forever the subject of controversy. This translation boasts several advantages over previous English versions : it is the work of a poet rather than a Latinist, and it offers a faithful rendering of Persius' franker passages which the Victorians never dared to translate fully.




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