Violent Sensations


Book Description

The year 1900, fin de siecle, in Europe evokes polar thoughts: on the one hand, sensational slashers and femmes fatales, destitute and dangerous new urban districts, criminal violence and sexual excess; on the other, science and reason triumphant, a near arrogant confidence in progress, the emergence of new expert knowledge. The tensions between these poles take on the character of a single myth, a story of origins, essences, and destinies that Scott Spector tells through a focus on Vienna and Berlin. Together, these two cities stand for the New Metropolis, crucial sites in the development of modern conceptions of gender and sexuality, also of political emancipation movements these conceptions inspired. Vienna and Berlin witnessed the birth of the science of sexology, the earliest articulations of homosexuality as an identity, the concomitant movement to abolish persecution of sexual minorities, and the first-wave feminisms of the turn of the century. These cities also, and simultaneously became host to fantasies of violence associated with liminal figures: the pervasive image of the dangerous and erotic femme fatale, reports and fictions of sexual murder, along with the violent underworld of prostitution, and the surprising and forceful reemergence of the blood libel, representations of homosexual rings or secret associations. Spector shows how these prurient fantasies were given life in high culture (literature and philosophy), science (especially sexology, urban sociology, and criminology), and popular culture (including pulp novels as well as sensational court cases reported in the popular press). Among the characters populating Spector s account are Karl Heinrich Ulrichs (homosexual emancipation leader), Karl Kraus (playwright, poet, satirist), Otto Weininger (misogynist, anti-Semitic medical philosopher), Robert Musil (master novelist of violent fantasy), Rosa Mayreder, and other feminists, and Georg Simmel (sociologist of the city). As a contribution to modernist studies and European cultural history, Spector s book will win awards, and as a contribution to the history of sexuality, criminology, psychology, and ideas, it will find classroom use eventually. It s pathbreaking, and it s great reading."




Radical Sensations


Book Description

The significant anarchist, black, and socialist world-movements that emerged in the late nineteenth century and early twentieth adapted discourses of sentiment and sensation and used the era's new forms of visual culture to move people to participate in projects of social, political, and economic transformation. Drawing attention to the vast archive of images and texts created by radicals prior to the 1930s, Shelley Streeby analyzes representations of violence and of abuses of state power in response to the Haymarket police riot, of the trial and execution of the Chicago anarchists, and of the mistreatment and imprisonment of Ricardo and Enrique Flores Magón and other members of the Partido Liberal Mexicano. She considers radicals' reactions to and depictions of U.S. imperialism, state violence against the Yaqui Indians in the U.S.-Mexico borderlands, the failure of the United States to enact laws against lynching, and the harsh repression of radicals that accelerated after the United States entered the First World War. By focusing on the adaptation and critique of sentiment, sensation, and visual culture by radical world-movements in the period between the Haymarket riots of 1886 and the deportation of Marcus Garvey in 1927, Streeby sheds new light on the ways that these movements reached across national boundaries, criticized state power, and envisioned alternative worlds.




Violence and American Cinema


Book Description

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.




Sexual Violence, Dissociation, and Inequality


Book Description

Sexual Violence, Dissociation, and Inequality is a book about traumatic memory—or how lived trauma is repeated by victims as if happening again. The author, internationally renowned psychiatrist Muriel Salmona, lays out a convincing argument for the ways in which victims are neurologically compelled to relive trauma and how, with proper treatment, they can fully heal. Informed by decades of clinical practice, research, and activism, Salmona explains how victims’ behaviors are rooted in neurology as normal responses to abnormal situations. In contrast to a climate of victim-blaming denial, Salmona explains how grave the violation of victims’ human rights truly is and what to do about it in terms of care and prevention. She explains in clear language how to reconstruct victims’ narratives, which are often clouded by traumatic amnesia, and thereby reconnect parts of the brain that were severed during the traumatic event. This is a guide for professionals who work with survivors, for survivors themselves, and for anyone committed to understanding and reducing violence and inequality.







Encyclopedia of Media Violence


Book Description

Via 134 signed entries, this encyclopedia provides students, researchers, and the general public with an accessible, comprehensive, and well-balanced eviddence-based examination of theory, research and debates related to media violence. Entries conclude with Cross-References and Suggestions for Further Readings to guide users to related entries and resources for further research, and a thematic Reader’s Guide in the front matter groups related entries by topic to make it easier for users to locate related entries of interest.




Desire, Violence, and Divinity in Modern Southern Fiction


Book Description

In this groundbreaking study, Gary M. Ciuba examines how four of the South's most probing writers of twentieth-century fiction -- Katherine Anne Porter, Flannery O'Connor, Cormac McCarthy, and Walker Percy -- expose the roots of violence in southern culture. Ciuba draws on the paradigm of mimetic violence developed by cultural and literary critic René Girard, who maintains that individual human nature is shaped by the desire to imitate a model. Mimetic desire may lead in turn to rivalry, cruelty, and ultimately community-sanctioned -- and sometimes ritually sanctified -- victimization of those deemed outcasts. Ciuba offers an impressively broad intellectual discussion that gives universal cultural meaning to the southern experience of desire, violence, and divinity with which these four authors wrestled and out of which they wrote. In a comprehensive analysis of Porter's semiautobiographical Miranda stories, Ciuba focuses on the prescribed role of women that Miranda imitates and ultimately escapes. O'Connor's The Violent Bear It Away reveals three characters whose scandalous animosity caused by religious rivalry leads to the unbearable stumbling block of violence. McCarthy's protagonist in Child of God, Lester Ballard, appears as the culmination of a long tradition of the sacred violence of southern religion, twisted into his own bloody faith. And Percy's The Thanatos Syndrome brings Ciuba's discussion back to the victim, in Tom Moore's renunciation of a society in which scapegoating threatens to become the foundation of a new social regime. From nostalgia for the old order to visions of a utopian tomorrow, these authors have imagined the interrelationship of desire, antagonism, and religion throughout southern history. Ciuba's insights offer new ways of reading Porter, O'Connor, McCarthy, and Percy as well as their contemporaries who inhabited the same culture of violence -- violence desired, dreaded, denied, and deified.




Crimes of Violence by Mentally Abnormal Offenders


Book Description

A detailed and systematic 1973 account of the extent to which mentally abnormal offenders are likely to commit violent crimes, based upon a study of all the 533 men and women in the Federal German Republic from 1955 to 1964 who were detained in hospitals after committing homicide or near-homicide.




America the Beautiful and Violent


Book Description

Widespread media narratives portray an epidemic of neighborhood violence in urban areas—often ignoring the structural explanations advanced by community organizers fighting violence and activists such as those in the Movement for Black Lives. In this book, Dexter R. Voisin provides a compelling and social-justice-oriented analysis of current trends in neighborhood violence in light of the historical and structural factors that have reproduced entrenched patterns of racial and economic inequality. America the Beautiful and Violent is built around the powerful voices and insights of black youth in Chicago and their parents and communities. Voisin interweaves their narratives with data, research findings, and historical accounts that provide context for their experiences. He highlights the broad historical, political, economic, and racial factors that shape the construction, concentration, and narratives of violence in black neighborhoods. Voisin explores these forces and the violence they produce; the behavioral health consequences of repeated exposures to neighborhood violence; and the ways youth, families, and communities cope with such traumas. America the Beautiful and Violent offers a set of practice and policy recommendations to address the patchwork inequality that leads to concentrated violence and to support children and adolescents struggling with the precarious conditions and threat of violence in their daily lives.




Intimate Violence and Victorian Print Culture


Book Description

Suzanne Rintoul identifies an important contradiction in Victorian representations of abuse: the simultaneous compulsion to expose and to obscure brutality towards women in intimate relationships. Through case studies and literary analysis, this book illustrates how intimate violence was both spectacular and unspeakable in the Victorian period.