Violin Concerto, No. 1, Op. 19


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Violin concerto no. 1 in D


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Violin concerto no. 1 in D major, op. 19


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Developed from a single movement into a three-part concerto for violin and orchestra, this longtime audience favorite begins and ends in meditative, lyrical moods with a lively scherzo in between.




Violin Concerto No. 1, Op. 19


Book Description

Sergei Prokofiev (1891-1953) began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera, The Gambler. He returned to the concerto in the summer of 1917. It premiered on October 18, 1923 at the Paris Opera with Marcel Darrieux playing the violin part and the Paris Opera Orchestra conducted by Serge Koussevitzky. Igor Stravinsky made his debut as conductor at the same concert, conducting the first performance of his own Octet for Wind Instruments. Despite the events leading to the abdication of Tsar Nicholas II of Russia and eventually the October Revolution, 1917 became Prokofiev's most productive year compositionally. Along with this concerto he completed the Classical" Symphony, the Third and Fourth Piano Sonatas, and the Visions Fugitives for piano. He also began the cantata Seven, They Are Seven, based on Chaldean texts, and worked on the Third Piano Concerto. Nevertheless, Prokofiev continued his habit of incorporating previously composed sections in the violin concerto (something he would also do in the Third Piano Concerto). He composed the concerto's opening melody in 1915, during his love affair with Nina Mescherskaya. The remaining movements were partly inspired by a 1916 Saint Petersburg performance of Karol Szymanowski's Myths by Polish violinist Paul Kochanski. Movements: 1. Andantino, 2. Scherzo: Vivacissimo, 3. Moderato - Allegro moderato. Detailed instrumentation: Violin Solo: 2(2dPicc).2.2.2: 4.2.0.1. Timp.Perc(2).Hp: Str (9-8-7-6-5 in set)."













The Violin Conspiracy


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GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.