Virgil in the Renaissance


Book Description

The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry.




Virgil and Renaissance Culture


Book Description

Brings together studies by scholars from a range of academic disciplines to assess the central position of Virgil in the intellectual, artistic, and political lives of the Renaissance. This collection of essays presents a variety of case studies of Virgils impact on different branches of Renaissance culture, covering the crucial areas of education and court culture, the visual arts, music history, philosophy, and Neo-Latin and vernacular literature. It brings together established scholars and younger researchers from a range of different academic disciplines. The studies included here will be of particular interest to students of Renaissance social, intellectual, and literary history, to art historians, and to those working on the reception of classical literature; some offer new perspectives on well-known material, while others investigate examples of Renaissance engagement with the Virgilian corpus which have received little or no previous attention. Building on recent scholarship on the Virgilian tradition, the collection opens up new avenues for research on the reception of both Virgil and other classical authors, and addresses questions of fundamental importance to historians of this period not least the perennial debate over the nature and definition of the Renaissance itself.




Printing Virgil


Book Description

In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance, transforming his work into poetry that was both classical and postclassical.




Virgil's Fourth Eclogue in the Italian Renaissance


Book Description

This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.




Virgil and Renaissance Culture


Book Description

The poetry of Virgil occupied a central position in the intellectual, artistic, and political lives of the Renaissance. This volume brings together studies by scholars from a range of academic disciplines, covering the crucial areas of education and court culture, the visual arts, music history, philosophy, and Neo-Latin and vernacular literature. In addition to offering new perspectives on some familiar texts and artifacts, the essays collected here present a wealth of material that has received little or no previous scholarly attention.




Maphaeus Vegius and His Thirteenth Book of the Aeneid


Book Description

A fascinating and almost fantastic chapter in the history of Virgil's reception concerns the 'Thirteenth Book of the Aeneid' written at Pavia in 1428 by Maphaeus Vegius, then a mere lad of twenty-two. For a century and a half after the invention of printing, this book was invariably placed alongside the Aeneid as though an integral part of it, but much more rarely thereafter and now it is seldom available in print. In it the Rutulians surrender to Aeneas; Latinus returns Turnus' body to his father, who performs the burial with due ceremony; Aeneas marries Lavinia and founds a city named after her; he succeeds eventually to Latinus' kingdom; and in the end receives from his mother Venus the gift of apotheosis among the stars. This edition, originally published in 1930, has a substantial introduction, Latin text faced by the English translation of Thomas Twyne (1584), Sebastian Brant's six illustrative woodcuts (1502) and Gavin Hamilton's translation into Scots dialect (1553). Bibliography is provided and succinct annotation, mostly devoted to Vegius' echoes of Virgil's own poetry.




Virgil's Schoolboys


Book Description

An examination of the ways in which Virgil's poems were received and employed in the schoolrooms of 16th- and 17th-century England. Andrew Wallace argues that the Roman poet is an original theorist of the nature and mechanics of instruction.




Traditional Oil Painting


Book Description

"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.




The Virgilian Tradition II


Book Description

The Virgilian Tradition II brings together thirteen essays by historian Craig Kallendorf. The essays present a distinctive approach to the reception of the canonical classical author Virgil, that is focused around the early printed books through which that author was read and interpreted within early modern culture. Using the prefaces, dedicatory letters, and commentaries that accompanied the early modern editions of Virgil's Eclogues, Georgics, Aeneid, and Appendix Virgiliana, they demonstrate how this paratextual material was used by early readers to develop a more nuanced interpretation of Virgil's writings than twentieth-century scholars believed they were capable of. The approach developed throughout this volume shows how the emerging field of book history can enrich our understanding of the reception of Greek and Latin authors. This book will appeal to scholars and students of early modern history, as well as those interested in book history and cultural history.




Virgil and the Myth of Venice


Book Description

This book, which is the first comprehensive study of its subject, shows that the Roman poet Virgil played an unexpectedly significant role in the shaping of Renaissance Venetian culture. Drawing on reception theory and the sociology of literature, it argues that Virgil's poetry became a best-seller because it sometimes challenged, but more often confirmed, the specific moral, religious, and social values of the Venetian readers.