Virgil's Fourth Eclogue in the Italian Renaissance


Book Description

This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.




The Renaissance Battle for Rome


Book Description

The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient Rome—a battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domains—power, morality, cityscape and literature—in which ancient Rome represented a particularly powerful example, this book traces the contours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves in their work, acting both as "spin doctors" and "new Romans", while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture as a constant negotiation between appropriating and contesting the idea and ideal of "Rome."




The Reception of Vergil in Renaissance Rome


Book Description

Roman humanists appropriated Vergilian themes and language to articulate a vision for Rome in the early Cinquecento. This particular brand of Vergilianism became the language of the discourse of papal Rome, demonstrating Vergilian interpretation and application varied based on locale.




The Cambridge Companion to Virgil


Book Description

Presents stimulating chapters on Virgil and his reception, offering an authoritative overview of the current state of Virgilian studies.




Neo-Latin Literature and Literary Culture in Early Modern Scotland


Book Description

Neo-Latin Literature and Literary Culture in Early Modern Scotland is the first detailed examination of the vibrant culture of literature written by Scots in Latin in the late-sixteenth and seventeenth centuries. The essays in this collection draw on several recent ground-breaking research projects to examine a wide variety of aspects of Scottish Latin culture, including: Scottish participation in Latinate humanist circles across Europe, particularly in France and England; scientific, philosophical and didactic Latin culture in Scotland prior to the Scientific Revolution; and the reception of classical literature in Scotland, particularly Virgil, Horace, and Ovid. It also features in-depth examinations and translated excerpts of several key works, including the Delitiae Poetarum Scotorum (Amsterdam, 1637) and The Muses' Welcome (Edinburgh, 1618). Contributors are: Alexander Broadie, Robert Cummings, Alexander Farquhar, Roger Green, L.B.T. Houghton, Miles Kerr-Peterson, Ralph McLean, David McOmish, Gesine Manuwald, William Poole, and Steven J. Reid.




New Worlds and the Italian Renaissance


Book Description

This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in the history of European intellectual culture. The authors engage in an interpretative conversation with thinkers such as Jacob Burckardt, Ernst Cassirer, Eugenio Garin, Paul Oskar Kristeller, whose works have influenced critical discourse on modernity and Renaissance Humanism over the last one hundred and fifty years. The studies presented in this collection contribute to this discussion from a variety of perspectives: scientific, theological, political, and literary. The result is a multifaceted illumination of the intellectual history of the Italian Renaissance.




Virgil in the Renaissance


Book Description

The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry.




The Banishment of Beverland


Book Description

In 1679 Hadriaan Beverland (1650-1716) was banished from the province of Holland. Why was this humanist scholar exiled from one of the most tolerant parts of Europe in the seventeenth century? To answer this question, this book places Beverland’s writings on sex, sin, and scholarship in their historical context for the first time. Beverland argued that sexual lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His audacious works hit a raw nerve: Dutch theologians accused him of atheism, he was abandoned by his humanist colleagues, and he was banished by the University of Leiden. By positioning Beverland’s extraordinary scholarship in the context of the seventeenth-century Dutch Republic, this book examines how his radical studies challenged the intellectual, ecclesiastical, and political elite, providing a fresh perspective upon the Dutch Republic in the last decades of its Golden Age.




Virgil's Eclogues


Book Description

Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire—a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the Aeneid, he wrote two other collections of poems: the Georgics and the Bucolics, or Eclogues. The Eclogues were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the Georgics and culminates in the Aeneid, they are no less elegant in style or less profound in insight than the later, more extensive works. These intricate and highly polished variations on the idea of the pastoral poem, as practiced by earlier Greek poets, mix political, social, historical, artistic, and moral commentary in musical Latin that exerted a profound influence on subsequent Western poetry. Poet Len Krisak's vibrant metric translation captures the music of Virgil's richly textured verse by employing rhyme and other sonic devices. The result is English poetry rather than translated prose. Presenting the English on facing pages with the original Latin, Virgil's Eclogues also features an introduction by scholar Gregson Davis that situates the epic in the time in which it was created.




Horace across the Media


Book Description

This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace.