Reading Piers Plowman and The Pilgrim's Progress


Book Description

Centering her discussion on two historical "ways of reading"--Which she calls the Protestant and the lettered - Barbara A. Johnson traces the development of a Protestant readership as it is reflected in the reception of Langland's Piers Plowman and Bunyan's Pilgrim's Progress. Informed by reader-response and reception theory and literacy and cultural studies, Johnson's ambitious examination of these two ostensibly literary texts charts the cultural roles they played in the centuries following their composition, roles far more important than their modern critical reputations can explain. The reception of these two works, revealing as it does changing ideas concerning the nature and status of books as well as the stature of authors, documents the means by which a culture shapes and is shaped by texts. Johnson argues that much more evidence exists about how earlier readers read than has hitherto been acknowledged. The reception of Piers Plowman, for example, can be inferred from references to the work, the apparatus its Renaissance printer inserted in his editions, the marginal comments readers inscribed both in printed editions and in manuscripts, and the apocryphal "plowman" texts that constitute interpretations of Langland's poem. Conditioned more by religious, historical, and economic forces than literary concerns, Langland's poem became a part of the reformist tradition that culminated in Bunyan's Pilgrim's Progress. By understanding this tradition, Bunyan's place in it, and the way the reception of The Pilgrim's Progress illustrates the beginning of a new more realistic fictional tradition, Johnson concludes, we can begin to delineate a more accurate history of the ways literature and society intersect, a history of readers reading.







Reception Histories


Book Description

In his earlier Rhetorical Power, Steven Mailloux presented an innovative and challenging strategy for combining critical theory and cultural studies. That book has stimulated wide-ranging discussion and debate among diverse audiences—students and specialists in American studies, speech communications, rhetoric/composition, law, education, biblical studies, and especially literary theory and cultural criticism. Reception Histories marks a further development of Mailloux's influential critical project, as he demonstrates how rhetorical hermeneutics uses rhetoric to practice theory by doing history. Reception Histories works out in detail what rhetorical hermeneutics means in terms of poststructuralist theory (Part One), nineteenth-century U.S. cultural studies (Part Two), and the contemporary history of curricular reform within the so-called Culture Wars (Part Three). Mailloux situates, defends, and elaborates the theory he first proposed in Rhetorical Power, and he exemplifies it with a new series of provocative reception histories. He also both critiques and reconceptualizes the version of reader response criticism he developed in his first book, Interpretive Conventions. Throughout Reception Histories, Mailloux demonstrates his distinctive blend of neopragmatism and cultural rhetoric study. By tracing the rhetorical paths of thought, this book offers a new way to read the current volatile debates over higher education and contributes its own original proposals for shaping the future of the humanities.




William Langland's "Piers Plowman"


Book Description

"A gifted poet has given us an astute, adroit, vigorous, inviting, eminently readable translation. . . . The challenging gamut of Langland's language . . . has here been rendered with blessed energy and precision. Economou has indeed Done-Best."—Allen Mandelbaum




Lit


Book Description




Pilgrimage in Medieval English Literature, 700-1500


Book Description

The meaning of pilgrimage and its development over 800 years, reflected in contemporary writings.




The Tough Alchemy of Ben Okri


Book Description

Winner of the Booker Prize for The Famished Road, Ben Okri is widely regarded as one of the most important contemporary writers writing today. Featuring a substantial new interview with Ben Okri himself, a full bibliography of his creative work and covering his complete works, this is the first in-depth study of Okri's themes and artistic vision. Rosemary Gray explores Okri's career-long engagement with myth, Nigerian politics and culture, and with the environmental crisis in the age of the Anthropocene.




British Writers: William Langland to the English Bible


Book Description

Contains essays that provide information about authors who have made significant contributions to English literature, each containing a brief biography, a survey of principal writings, an assessment of the subject's work as a whole, and a bibliography.







Weltanschauung and Apologia


Book Description

This book allows us to accompany C. S. Lewis on his intellectual and spiritual journey from atheism to pantheism and eventually to Christianity. It analyzes key elements of Lewis’s Christian worldview and identifies challenges leveled against it from alternative worldviews. It examines Lewis’s apologetic methodology, highlighting how it was shaped by his worldview, and provides an analysis of Lewis’s specific responses to a number of objections. The project also serves as a comparative analysis of worldviews, particularly as they relate to truth claims of the Christian faith. The notion of worldview is critical to the formulation of views. One’s worldview determines how reality is perceived. It’s characterized as a set of glasses through which we view our surroundings and interpret experiences. It accounts for the perspective we bring to every event in life and helps explain why different people “see” things differently when looking at the same data. The same evidence may lead one person to reject a particular conclusion, while moving another to embrace what the other rejected. Lewis’s major works are explored at length in this book. Although much has been written about Lewis, Hofer’s examination of the influence of worldview on his work is unique.