Author : William A. Dyrness
Publisher : Baker Academic
Page : 196 pages
File Size : 35,55 MB
Release : 2001-11
Category : Art
ISBN : 0801022975
An intriguing, substantive look into the relationship between the church and the world of art.
Author : Robin Margaret Jensen
Publisher : Liturgical Press
Page : 256 pages
File Size : 14,9 MB
Release : 2009
Category : Art
ISBN : 9780814653999
At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.
Author : Chloë R. Reddaway
Publisher :
Page : 0 pages
File Size : 28,15 MB
Release : 2015
Category : Art and religion
ISBN : 9782503565545
How can pictures help people to relate to God, and what can historical Christian images offer the viewer today? A compelling theological encounter between Renaissance frescoes and the modern viewer. Transformations in Persons and Paint looks at images from the viewer's position, standing in a series of Florentine chapels, surrounded by frescoes, and discovering their powerful capacity to communicate what it means to live in a post-Resurrection world. Proving that there is still plenty to say about works by Giotto, Taddeo Gaddi, Masolino, Masaccio, Fra Angelico, and Ghirlandaio, this book uncovers previously overlooked theological content, and demonstrates the rewards of attentive interaction between a modern viewer and historical images. Within the growing body of work on theology and the arts, this is a rare example of what can happen when a theological gaze is turned towards some of the classics in the canon of Christian art, while speaking directly to the modern viewer. Chloe Reddaway offers a new model of theological viewing, inhabiting both period and modern perspectives, and reinvigorating our understanding of the incarnational nature of Christian art by taking account of the particular physicality of images, especially as it is experienced through sacred space within and around them. Through close and imaginative encounters with images, a series of critical-devotional interpretations transforms beautiful artefacts into living explorations of the Incarnation and its consequences, the transformation and transfiguration that it enables, the particularity and interconnectedness of the created world, the generative capacity of liminal and (apparently) empty spaces, and the nature of vocation and conformity to Christ.
Author : Makoto Fujimura
Publisher : Yale University Press
Page : 184 pages
File Size : 48,46 MB
Release : 2021-01-05
Category : Religion
ISBN : 0300255934
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Author : Tim Challies
Publisher :
Page : 0 pages
File Size : 47,59 MB
Release : 2016
Category : Religion
ISBN : 9780310520436
We live in a visual culture. Today, people increasingly rely upon visuals to help them understand new and difficult concepts. The rise and stunning popularity of the Internet infographic has given us a new way in which to convey data, concepts and ideas. But the visual portrayal of truth is not a novel idea. Indeed, God himself used visuals to teach truth to his people. The tabernacle of the Old Testament was a visual representation of man's distance from God and God's condescension to his people. Each part of the tabernacle was meant to display something of man's treason against God and God's kind response. Likewise, the sacraments of the New Testament are visual representations of man's sin and God's response. Even the cross was both reality and a visual demonstration. As teachers and lovers of sound theology, Challies and Byers have a deep desire to convey the concepts and principles of systematic theology in a fresh, beautiful and informative way. In this book, they have made the deepest truths of the Bible accessible in a way that can be seen and understood by a visual generation.
Author : Murray Rae
Publisher :
Page : 0 pages
File Size : 27,50 MB
Release : 2017
Category : Architecture
ISBN : 9781481307673
The dynamic relationship between art and theology continues to fascinate and to challenge, especially when theology addresses art in all of its variety. In Architecture and Theology: The Art of Place, author Murray Rae turns to the spatial arts, especially architecture, to investigate how the art forms engaged in the construction of our built environment relate to Christian faith. Rae does not offer a theology of the spatial arts, but instead engages in a sustained theological conversation with the spatial arts. Because the spatial arts are public, visual, and communal, they wield an immense but easily overlooked influence. Architecture and Theology overcomes this inattention by offering new ways of thinking about the theological importance of space and place in our experience of God, the relation between freedom and law in Christian life, the transformation involved in God's promised new creation, biblical anticipation of the heavenly city, divine presence and absence, the architecture of repentance and remorse, and the relation between space and time. In doing so, Rae finds an ample place for theology amidst the architectural arts.
Author : Michael Ridgwell Austin
Publisher : Routledge
Page : 189 pages
File Size : 45,78 MB
Release : 2016-04-08
Category : Religion
ISBN : 113494859X
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.
Author : Hans Alma
Publisher : LIT Verlag Münster
Page : 166 pages
File Size : 37,59 MB
Release : 2009
Category : Art and religion
ISBN : 3825807088
Images have caused uproar, violence and even casualties in the meeting of religions and cultures during the last years. Iconoclasm and iconolatry are on the agenda once more. Late Modern Culture is dominated by images and is understood in concepts such as aestheticization and symbolisation. Theological debate is likewise performed through images, symbols and rituals rather than through doctrines and beliefs. In this book, authors from various research backgrounds seek to clarify the terms of reference, and explore the diversity and disagreements in their use from a Christian perspective.
Author : John Dillenberger
Publisher : Wipf and Stock Publishers
Page : 294 pages
File Size : 18,40 MB
Release : 2004-10-19
Category : Religion
ISBN : 1592449581
For most of history, argues John Dillenberger, the visual arts were, for better or worse, part of the very fabric of the life and thought of the church. But with the Reformation and the Counter-Reformation a major change took place. Protestant rejection of the visual was matched in Roman Catholicism by the reduction of its formative power. While the visual arts dropped out of the lives of Protestant churches, they became a memory rather than a source of ennoblement or power in the Roman Catholic Church. Thus, in different but allied ways, Protestants and Catholics lost the power of the visual. Part art history, part historical theology, and part theological reflection, this book is both an argument and a program for the recovery of the visual arts in the life of the church, for reclaiming seeing as part of religious perception. It offers a theological understanding of the visual and provides a basis upon which the visual arts may again be incorporated into Protestantism and reinvigorated in Roman Catholicism. The first part is devoted to historical reconstruction, exploring those moments in Western history in which the relation between religion and the arts was in ferment. Part 2 is given to contemporary delineation and analysis: of spiritual perceptions in modern American painting and sculpture, of modern church art and architecture, and of the changing views of contemporary theologians toward the visual arts. Citing David Tracy, Karl Rahner, Langdon Gilkey, and others as examples, Dillenberger argues that contemporary theology is moving away from the modern rationalistic understanding of theological analogy to one far closer to the arts. Part 3 is constructive, developing a theological perspective that demands and includes the visual arts, and suggesting ways in which this can be accomplished in pastoral and theological education. The world of art, says Professor Dillenberger, is more aware of the role of religion in the arts than the world of religion is of art. Thus it is time for the church to resume its historic association with the visual arts, albeit in analogous rather than repristinating ways.
Author : John W. De Gruchy
Publisher : AFRICAN SUN MeDIA
Page : 186 pages
File Size : 31,35 MB
Release : 2014-09-01
Category : Religion
ISBN : 1920689435
John de Gruchy is one of the greatest and most respected South African theologians of the past five decades. His work has left an indelible mark on both the South African and international theological landscapes. In this book he describes his theological journey, revisiting core themes, periods and sources. This is an enriching read, as De Gruchy engages with some of the greatest theologians in the history of the church ? notably John Calvin, Karl Barth, Karl Rahner, Dietrich Bonhoeffer and Reinhold Niebuhr ? as well as with a wide selection of his fellow South African theologians.ÿ?ÿCas Wepener
