No Tomorrow


Book Description

A Bilingual New York Review Books Original Vivant Denon's No Tomorrow is one of the masterpieces of eighteenth-century French libertine literature, a book to set beside Choderlos de Laclos' Les Liaisons dangereuses, except that where Laclos' icy novel tells of hellish depravity, Denon's ravishing novella is a paradisal diversion. This tale of seduction is itself a seduction, with a plot that could be said to slowly unveil itself before arriving at last at an unexpected consummation. Summoned by Madame de T—— to her country house, the young hero of Denon's novella is taken on a tour of the grounds, only the beginning of a night that not only will be full of unanticipated delights but will give rise to unforeseen, perhaps unanswerable, questions. Lydia Davis's definitive translation of Denon's slim masterpiece is accompanied by the French text. Peter Brooks's illuminating introduction explores the mysteries of No Tomorrow's original publication and the subtleties of Denon's ethics of pleasure.




Baron Dominique Vivant Denon (1747-1825)


Book Description

Takes a scholarly approach to bring Denon to life and to the attention of contemporary readers. To make his acquaintance is to recapture the aristocracy and the world of art and letters at the turn of the 19th century in several European capitals.










Discovery of Egypt


Book Description

Dominique-Vivant Denon was a lover of the Empress Josephine, a compulsive collector, the first director of the Louvre museum and Bonaparte's adviser on artistic matters. Indeed, Denon was known as 'Napoleon's eye'. But the man who impressed the emperor with his courteous manners and his talent for pornographic drawing was also the primary force behind revealing Egypt's civilisation to an astonished Europe. Invited to accompany Bonaparte during the French Expedition to Egypt - a staging post in Napoleon's campaign to wrest India from the British - Denon was forcibly struck by Egypt's architecture. With often only a few minutes to record the scene before him, he would sketch under fire. On one occasion he worked for sixteen hours, while the windblown sand caused his eyelids to bleed. Upon his return to France, Denon published Travels in Upper and Lower Egypt. His insightful and deeply humane volume became an instant bestseller. Hitherto no one had suspected that Egypt's rich and mature civilisation existed. In this book Terence M. Russell unfolds Denon's colourful, extraordinary and contradictory character. While Denon was the first to present to Europe a true and honest image of ancient Egypt and the first European traveller to spend months exploring the desert and recording the monuments he found there, he was also a hard-headed collector. Throughout his travels he made plans for the wonders of Egypt to be crated up and shipped back to Paris.The Discovery of Egypt is a story of heroic endurance and accomplishment set against a bloody military campaign. Illustrated with Vivant Denon's incomparable drawings and the works of others who accompanied Napoleon to the deserts of Egypt, it gives an insight into the mind of one of the first Egyptologists: an adventurer, an artist of consummate ability and a compulsive collector.




No Tomorrow


Book Description

Point de lendemain (No Tomorrow) is the English translation of a French 18th century masterpiece, Point de Lendemain by Dominique Vivant Denon. Written in 1777 and re-edited in 1812, Point de Lendemain is a record of the initiation of a young man and a member of a secret society. Giovanna Summerfield's preface and notes will offer a new way of reading Point de Lendemain, marginalizing the triviality of sex and the love triangle, which has been thus far seen as a physical need rather than as an expression of supremacy and challenge of God.




Napoleon's Sorcerers


Book Description

During Napoleon's rule, Freemasonic circles in France invented rituals that allegedly first took place in the temple structures of ancient Egypt. This book looks at the cultural environment and intellectual background of one such pseudo-Egyptian secret society, the Sacred Order of the Sophisians.




Christian-Muslim Relations. A Bibliographical History Volume 21. South-western Europe (1800-1914)


Book Description

Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering South-western Europe in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and established scholars, CMR 21, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations. Section Editors: Ines Aščerić-Todd, Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha T. Frederiks, David D. Grafton, Stanisław Grodź, Alan M. Guenther, Vincenzo Lavenia, Arely Medina, Diego Melo Carrasco, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.




The Zodiac of Paris


Book Description

The clash of faith and science in Napoleonic France The Dendera zodiac—an ancient bas-relief temple ceiling adorned with mysterious symbols of the stars and planets—was first discovered by the French during Napoleon's campaign in Egypt, and quickly provoked a controversy between scientists and theologians. Brought to Paris in 1821 and ultimately installed in the Louvre, where it can still be seen today, the zodiac appeared to depict the nighttime sky from a time predating the Biblical creation, and therefore cast doubt on religious truth. The Zodiac of Paris tells the story of this incredible archeological find and its unlikely role in the fierce disputes over science and faith in Napoleonic and Restoration France. The book unfolds against the turbulence of the French Revolution, Napoleon's breathtaking rise and fall, and the restoration of the Bourbons to the throne. Drawing on newspapers, journals, diaries, pamphlets, and other documentary evidence, Jed Buchwald and Diane Greco Josefowicz show how scientists and intellectuals seized upon the zodiac to discredit Christianity, and how this drew furious responses from conservatives and sparked debates about the merits of scientific calculation as a source of knowledge about the past. The ideological battles would rage until the thoroughly antireligious Jean-François Champollion unlocked the secrets of Egyptian hieroglyphs—and of the zodiac itself. Champollion would prove the religious reactionaries right, but for all the wrong reasons. The Zodiac of Paris brings Napoleonic and Restoration France vividly to life, revealing the lengths to which scientists, intellectuals, theologians, and conservatives went to use the ancient past for modern purposes.




Inventing the Louvre


Book Description

A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.