Fictions of Authority


Book Description

Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.




Voices of Women Writers


Book Description

This book investigates the practice of writing and self - translating phenomenon of self-translation within the context of mobility, through the analysis of a corpus of narratives written by authors who were born in Italy and then moved to English-speaking countries. Emphasizing writing and self-translating As practices, which exists in conjunction with a process of redefinition of identity, the book illustrates how these authors use language to negotiate and voice their identity in (trans)migratory contexts.




War's Other Voices


Book Description

This book challenges the assumption that men write of war, women of the hearth. The Lebanese war has seen the publication of many more works of fiction by women than by men. Miriam Cooke has termed these women the Beirut Decentrists, as they are decentered or excluded from both literary canon and social discourse. Although they may not share religious or political affiliation, they do share a perspective which holds them together. Cooke traces the transformation in consciousness that has taken place among women who observed and recorded the progress towards chaos in Lebanon. During the so-called "two year" war of 1975-76 little comment was made about those (usually men in search of economic security) who left the saturnalia of violence, but with time attitudes changed. Women became aware that they had remained out of a sense of responsibility for others and that they had survived. Consciousness of survival was catalytic: the Beirut Decentrists began to describe a society that had gone beyond the masculinization normal in most wars and achieved an almost unprecedented feminization. Emigration, the expected behavior for men before 1975, became the sin qua non for Lebanese citizenship. The writings of the Beirut Decentists offer hope of an escape from the anarchy. If men and women could espouse the Lebanese women's sense of responsibility, the energy that had fueled the unrelenting savagery could be turned to reconstruction. But that was before the invasion of 1982.




Fictions of Authority


Book Description

Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"—including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig—she finds innovative strategies that challenge the conventions of Western narrative.




Veils and Words


Book Description

This is the first book in any language about the writing of women in Iran. For centuries any sense that there could be a literary tradition among women was suppressed. Since the middle of the 19th century, however, a number a of pioneering women have defied the traditional order to produce poetry and novels of the highest quality; but many of them have paid for their courage with accusations of immorality, promiscuity, heresy and even lunacy.




The Light Above


Book Description

The Light Above is a memoir told through the unfolding stories of two proud daughters of New England—Margaret Fuller, American transcendentalist, women’s rights champion, and public intellectual, alive in the first half of the nineteenth century; and Maria Dintino, the author, daughter of a first-generation Italian American and longtime New Hampshirite. A literary enthusiast, Dintino encounters Fuller and discovers that her stories shed light on her own. Fuller becomes Dintino's guide and teacher, and Dintino gradually deepens in understanding and trust of her own life story. A memoir that reveals the impact of shared stories, extending beyond the limits of time and place.




100 Voices


Book Description




Wild Women, Wild Voices


Book Description

Write to Celebrate, Heal, and Free the Wild Woman Within In her years as a writing coach, Judy Reeves has found twin urges in women: they yearn to reclaim a true nature that resides below the surface of daily life and to give it voice. The longing to express this wild, authentic nature is what informs Reeves’s most popular workshop and now this workshop in a book. Here, you will explore the stages that make up your life, from wild child, daughter/sister/mother, and loves and lovers, to creative work, friendships, and how the wise woman encounters death. Both intuitive and practical, Wild Women, Wild Voices responds to women’s deep need for expression with specific and inspiring activities, exercises, and writing prompts. With true empathy, Reeves invites, instructs, and celebrates the authentic expression — even the howl — of the wild in every woman.




Voices from the Asylum


Book Description

Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes a crucial contribution to the feminist project of writing women back into literary history. It brings to light the hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir.




The Power of a Woman's Voice in Medieval and Early Modern Literatures


Book Description

The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres and could present themselves as authorities in the public eye. Mystic texts by Hildegard of Bingen, Marie de France and Margery Kempe, the medieval conduct poem known as Die Winsbeckin, the Devout Books of Sisters composed in convents in South-West Germany, but also quasi-historical documents such as the memoirs of Helene Kottaner or Anna Weckerin's cookery book, demonstrate that far more women were in the public gaze than had hitherto been assumed and that they possessed the self-confidence to establish their positions with their intellectual and their literary achievements.