Worshipping Walt


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Profiles some of Whitman's most ardent followers, individuals who revered his work and saw the poet as an enlightened prophet, describing each person's relationship with Whitman and how the poet's influence inspired each person's career.







The Prophet


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LEAVES OF GRASS


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Minor Prophecy


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Many of Walt Whitman's earliest readers hailed him as a religious prophet. For them, Leaves of Grass was more than literary art; it was sacred scripture. Recent scholarship has, however, dismissed those early enthusiasts as naive, if not crazy. David Kuebrich's new study of Whitman corrects that academic oversight by giving the early Whitmanites their due as the critics who most clearly perceived the nature and purpose of the poet's labors—to begin a new religion. Kuebrich's thorough, intelligent study, based squarely on textual evidence, offers a revisionist interpretation of America's great poet, returning religious vision and spirituality to the center of Whitman studies.




Poems by Walt Whitman


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Walt Whitman is widely regarded as one of the masters of American poetry. Here are collected his finest poems, a perfect companion for any fan of Whitman's work.




The Cambridge Introduction to Walt Whitman


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Walt Whitman is one of the most innovative and influential American poets of the nineteenth century. Focusing on his masterpiece Leaves of Grass, this book provides a foundation for the study of Whitman as an experimental poet, a radical democrat, and a historical personality in the era of the American Civil War, the growth of the great cities, and the westward expansion of the United States. Always a controversial and important figure, Whitman continues to attract the admiration of poets, artists, critics, political activists, and readers around the world. Those studying his work for the first time will find this an invaluable book. Alongside close readings of the major texts, chapters on Whitman's biography, the history and culture of his time, and the critical reception of his work provide a comprehensive understanding of Whitman and of how he has become such a central figure in the American literary canon.




Walt Whitman and the Persian Poets


Book Description

Where did Walt Whitman get his religious ideas? This book follows in detail the similarities of the religious beliefs of the American writer/humanist and two major classical Persian poets, Hafez and Rumi. Other books have tried to explain Whitman's religion, but none so far has done justice to the topic. Some critics have labelled Whitman a pantheist and let it go at that. Others have dismissed the topic of religion in Whitman's poems as posturing to gain a readership. This work contends that Whitman took religion very seriously. His poems are full of religious references. He knew the Bible well. He also had read Emerson on the poets of the East as well as some of the same poets in translation. This book postulates that the counterparts of Whitman's ideas about religion are best found in the Orient and that his ideas on religion have much in common with those of the Sufis. The book focuses on the works of the three poets. Lines from Whitman are quoted and compared with lines from Rumi and Hafez to illustrate that the three poets conveyed their message through very human actions and emotions. Their message, which is mystical, is conveyed through a secular language, and their symbolism is unconventional. They attract the reader through their humanness and in doing so attempt to lead the reader to recognition of the divine existing both inside and outside of themselves. Like Whitman, Rumi and Hafez realise that God is both transcendent and immanent and as a result encourage their readers to seek the Divine everywhere, especially within themselves. Man's "true home", they contend, is his Divine origin. Man is infinitely bound up with God, is never separate from God. Whitman's long poem titled "Song of Myself" has created much controversy over the years, and Whitman has often been labelled an extreme egotist. Walt Whitman and the Persian Poets illustrates that all three poets see their egotism as a result of their complete faith in God's omnipresence and their ability to recognise Him in every aspect of creation. As did Emerson, all three hold a belief in the simultaneous transcendence and immanence of God. In short, they see themselves as God-intoxicated, as reflections of God in the phenomenal world. Therefore, as do the Sufi poets, Whitman sees man and God as one.







Walt Whitman and the Making of Jewish American Poetry


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Walt Whitman has served as a crucial figure within the tradition of Jewish American poetry. But how did Whitman, a non-Jewish, American-born poet, become so instrumental in this area of poetry, especially for poets whose parents, and often they themselves, were not “born here?” Dara Barnat presents a genealogy of Jewish American poets in dialogue with Whitman, and with each other, and reveals how the lineage of Jewish American poets responding to Whitman extends far beyond the likes of Allen Ginsberg. From Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, Alicia Suskin Ostriker, and Gerald Stern, this book demonstrates that Whitman has been adopted by Jewish American poets as a liberal symbol against exclusionary and anti-Semitic elements in high modernist literary culture. The turn to Whitman serves as a mode of exploring Jewish and American identity.