Walter Scott At 250


Book Description

At 250, Walter Scott points toward our possible futures. Scott, although we necessarily look on his times as past, of course experienced them as present. His times were times of crisis. Scott, then, has much to share in the experience, narration, anticipation and response to change as a condition of life - a condition our era, with its existential challenges to climate, to public health, to civilization knows only too well. In Scott at 250, major scholars foreground the author as theorist of tomorrow - as the surveyor of the complexities of the present who also gazes, as we do, toward an anxious and hopeful future.




Scott-land


Book Description

No writer has ever been as famous as Sir Walter Scott once was; and no writer has ever enjoyed such huge acclaim followed by such absolute neglect and outright hostility. But Scotland would not be Scotland except for Scott. All the icons of Scottishness have their roots in Scott's novels, poems, public events and histories. It's a legacy both inspiring and constraining, and just one of the ironies that fuse Scott and Scotland into Scott-land. In this book Stuart Kelly reveals Scott the paradox: the celebrity unknown, the nationalist unionist, the aristocrat loved by communists, the forward-looking reactionary. Part literary study, part biography, part travelogue, part surreptitious autobiography, Scott-land unveils a complex, contradictory man and the complex contradictory country he created. Insightful, accessible, witty and melancholy, this is a 'voyage around my fatherland' like no other.




Walter Scott and Fame


Book Description

Robert Mayer presents a study of correspondences between Walter Scott and socially and culturally diverse readers of his work in the English-speaking world in the early nineteenth century. He explores Scott's original constructions of authorship, reading strategies, and versions of fame in these revealing letters.




Walter Scott's Books


Book Description

Scott's Books is an approachable introduction to the Waverley Novels. Drawing on substantial research in Scott's intertextual sources, it offers a fresh approach to the existing readings where the thematic and theoretical are the norm. Avoiding jargon, and moving briskly, it tackles the vexed question of Scott's 'circumbendibus' style head on, suggesting that it is actually one of the most exciting aspects of his fiction: indeed, what Ian Duncan has called the 'elaborately literary narrative', at first sight a barrier, is in a sense what the novels are primarily 'about'. The book aims to show how inventive, witty, and entertaining Scott's richly allusive style is; how he keeps his varied readership on board with his own inexhaustible variety; and how he allows proponents of a wide range of positions to have their say, using a detached, ironic, but never cynical narrative voice to undermine the more rigid and inhumane rhetoric. The Introduction outlines this approach and sets the book in the context of earlier and current Scott criticism. It also deals with some practical issues, including forms of reference and the distinctive use of the term 'Authorial'. The four chapters are designed to zoom in progressively from the general to the particular. 'Resources' explores the printed material available to Scott in his library and gives an overview of the way he uses it in his fiction. 'Style' confronts objections to the 'circumbendibus' Scott and shows how his Ciceronian style with its penchant for polysyllables enables him to embrace a wide range of rhetoric relayed in a detached but not cynical Authorial voice. 'Strategies' explores how he keeps his very wide audience on board by a complex bonding between characters, readers, and Author, and stresses the extraordinary variety of exuberant inventiveness with which he handles intertextual allusions. 'Mottoes' examines the most remarkable of Scott's intertextual devices, the chapter epigraphs, bringing into play the approaches developed in the previous chapters. The brief concluding 'Envoi' moves out again to the widest possible perspective, suggesting how readers should now be able to move on to, or return to, the novels and the critical conversation, with an appreciation of the central importance of the ludic for an appreciation of Scott in a world once again threatened by inhumane and humorless rigidities.










Peveril of the Peak


Book Description




Rob Roy


Book Description







The Tolstoy Estate


Book Description

Epic in scope, ambitious and astonishingly good, The Tolstoy Estate proclaims Steven Conte as one of Australia's finest writers. From the winner of the inaugural Prime Minister's Literary Award, Steven Conte, comes a powerful, densely rich and deeply affecting novel of love, war and literature 'Grave, moving, engaging ... full of the flash and fire of dramatic incident, but also full of real feeling, humour and poignancy, and equipped with plenty of panache ... It deserves the widest possible readership.' The Saturday Paper In the first year of the doomed German invasion of Russia in WWII, a German military doctor, Paul Bauer, is assigned to establish a field hospital at Yasnaya Polyana - the former grand estate of Count Leo Tolstoy, the author of the classic War and Peace. There he encounters a hostile aristocratic Russian woman, Katerina Trubetzkaya, a writer who has been left in charge of the estate. But even as a tentative friendship develops between them, Bauer's hostile and arrogant commanding officer, Julius Metz, becomes erratic and unhinged as the war turns against the Germans. Over the course of six weeks, in the terrible winter of 1941, everything starts to unravel... From the critically acclaimed and award-winning author, Steven Conte, The Tolstoy Estate is ambitious, accomplished and astonishingly good: an engrossing, intense and compelling exploration of the horror and brutality of conflict, and the moral, emotional, physical and intellectual limits that people reach in war time. It is also a poignant, bittersweet love story - and, most movingly, a novel that explores the notion that literature can still be a potent force for good in our world. Shortlisted for the 2021 Walter Scott Prize Shortlisted for the Age Book of the Year Award 2021 Longlisted for the 2021 ARA Historical Novel Prize Longlisted for the 2021 Colin Roderick Award Longlist Longlisted for the 2021 Indie Book Awards 'Breathtaking ... an intelligent cinematic blockbuster. celebrating the power of literature to dissolve barriers and forge connections.' The West Australian 'Reading a book that is such a complete world, evoked in such fine detail, is almost wickedly satisfying ... Elegant, intelligent, utterly engrossing and immersive ... He reminds us that travel is always possible in the imagination even when reality goes dark and that literature always leads us towards the light.' Caroline Baum 'Steven Conte has written a sweeping historical saga spanning the second world WAR and the frigid decades of PEACE that followed; an essential novel about essential things - love's triumphs and failures, the redoubtable human spirit, and the power of literary art itself. Tolstoy, of course, is at the novel's heart, and in its very soul.' Luke Slattery, author, journalist, Books Editor of Australian Financial Review 'A riveting story of war, love and literature - Conte's prose does not miss a beat.' Jane Gleeson-White, award-winning author of Classics and Double Entry