War in the Poetry of George Seferis
Author : K. Kaprē-Karka
Publisher :
Page : 244 pages
File Size : 18,7 MB
Release : 1985
Category : Literary Criticism
ISBN :
Author : K. Kaprē-Karka
Publisher :
Page : 244 pages
File Size : 18,7 MB
Release : 1985
Category : Literary Criticism
ISBN :
Author : George Seferis
Publisher :
Page : 490 pages
File Size : 30,7 MB
Release : 1969
Category : English poetry
ISBN : 9780224616508
Author : George Seferis
Publisher :
Page : 212 pages
File Size : 19,22 MB
Release : 2016
Category : Greek poetry, Modern
ISBN : 9786185048433
Often compared during his lifetime to T.S. Eliot, whose work he translated and introduced to Greece, George Seferis is noted for his spare, laconic, dense and allusive verse in the Modernist idiom of the first half of the twentieth century. At once intensely Greek and a cosmopolitan of his time (he was a career-diplomat as well as a poet), Seferis better than any other writer expresses the dilemma experienced by his countrymen then and now: how to be at once Greek and modern. The translations that make up this volume are the fruit of more than forty years, and many are published here for the first time.
Author : Roderick Beaton
Publisher : Yale University Press
Page : 556 pages
File Size : 20,40 MB
Release : 2003-01-01
Category : Biography & Autobiography
ISBN : 9780300101355
Biografie van de Griekse dichter (1900-1971).
Author : George Seferis
Publisher :
Page : 92 pages
File Size : 28,76 MB
Release : 1948
Category : Greek poetry
ISBN :
Author : Kimon Friar
Publisher : Simon & Schuster
Page : 774 pages
File Size : 31,66 MB
Release : 1973
Category : Literary Criticism
ISBN :
Digte.
Author : George Seferis
Publisher :
Page : 100 pages
File Size : 28,80 MB
Release : 1969
Category : Greek poetry, Modern
ISBN :
Poetry by the winner of the 1963 Nobel Prize for literature.
Author : Glyn Maxwell
Publisher : Harvard University Press
Page : 116 pages
File Size : 11,97 MB
Release : 2016-11-21
Category : Literary Criticism
ISBN : 0674265874
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Author : George Seferis
Publisher :
Page : 104 pages
File Size : 13,77 MB
Release : 1990
Category : Greek diaries
ISBN :
Author : Adam Nicolson
Publisher : Henry Holt and Company
Page : 318 pages
File Size : 12,31 MB
Release : 2014-11-18
Category : History
ISBN : 1627791809
"Adam Nicolson writes popular books as popular books used to be, a breeze rather than a scholarly sweat, but humanely erudite, elegantly written, passionately felt...and his excitement is contagious."—James Wood, The New Yorker Adam Nicolson sees the Iliad and the Odyssey as the foundation myths of Greek—and our—consciousness, collapsing the passage of 4,000 years and making the distant past of the Mediterranean world as immediate to us as the events of our own time. Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the poems themselves and their metaphors of life and trouble. Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts." The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean. The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.