War Memoirs


Book Description




War Memoirs of David Lloyd George


Book Description

Reviews: v 1 R E Journal, Dec 1933 p 674-676; Naval Review, Nov 1933 p 796-806; Revue d'Histoire de la Guerre Mondiale, Jan 1934 p 84-88; Army Quarterly, v 30 p 298-301; v 2 R E Journal, Mar 1934 p 154-156; Naval Review, Feb 1934 p 154-160; v 3 R E Journal, Dec 1934 p 621 -625; Naval Review, Nov 1934 p 773-781; Revue d'Histoire de la Guerre Mondiale, July 1935 p 278-281; v 4 Army Quarterly, Jan 1935 p 196-197; Naval Review, Feb 1935 p 15 4-165; R E Journal, Mar 1935 p 120-124; Revue Militaire Francaise, Jan 1935 p 123-124; v 5 Naval Review, Nov 1936 p 705-708; R E Journal, Dec 1946 p 625-631; Militar Wochenblatt, 5th Feb 1937 p 1701-1706; v 6 Naval Review, Feb 1937 p 163-170; R E Journal, Mar 1937 p 137-142 Includes bibliographical references and index Vol 1 only held.







David Lloyd George


Book Description

Actor Joseph Gordon-Levitt makes his feature directorial debut with this funny yet earnest psychological comedy-drama about a womanizer named Jon Martello (Gordon-Levitt) who earns the nickname "Don Jon" for his ability to charm beautiful women, but remains unable to forge a meaningful connection with the opposite sex due to his all-consuming Internet porn addiction. Meanwhile, as Jon struggles to free himself from the realm of virtual debauchery, he connects with two disparate women (Scarlett Johansson and Julianne Moore), who separately try to teach him the true value of intimacy. ~ Jason Buchanan, Rovi







Lloyd George at War, 1916-1918


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'Lloyd George at War, 1916-1918' refutes the traditional view that Lloyd George was the person most responsible for winning the Great War. Cassar's careful analysis shows that while his work on the home front was on the whole good, he was an abysmal failure as a strategist and nearly cost Britain the war.




The Locomotive of War


Book Description

An innovative exploration of the origins, impact, and consequences of the First and Second World Wars, from Peter Clarke, one of our foremost historians. "War is the locomotive of history," claimed Trotsky, a remark often thought to acknowledge the opportunity that the First World War offered the Bolsheviks to seize power in Russia 1917. Here, Peter Clarke broadens the application of this provocative suggestion in order to explore how war, as much as socioeconomic forces or individuals, is the primary mover of history. Twentieth-century warfare, based on new technologies and vast armies, saw the locomotive power of war heightened to an unprecedented level. Through the unique prism of this vast tragedy, Peter Clarke examines some of the most influential figures of the day, on both sides of the Atlantic. In Britain, David Lloyd George, without the strains of war, would never have become prime minister in 1916; Winston Churchill, except for the war crisis of 1940, would have been unlikely to be recalled to office; and John Maynard Keynes likewise would hardly have seen his own economic ideas and authority so suddenly accepted. In different ways, the shadow of the great nineteenth-century Liberal leader Gladstone hung over these men - as it did also over Woodrow Wilson in the United States, seeing his presidency transformed as he faced new issues of war and peace. And it was Franklin Roosevelt who inherited much of Wilson's unfulfilled agenda, with a second chance to implement it with greater success. By following the trajectories of these influential lives, Peter Clarke illuminates many crucial issues of the period: not only leadership and the projection of authority, but also military strategy, war finance and the mobilization of the economy in democratic regimes. And the moral dimension of liberalism, with its Gladstonian focus on guilt, is never forgotten. The Locomotive of War is a fascinating examination of the interplay between key figures in the context of unprecedented all-out warfare, with new insight on the dynamics of history in an extraordinary period.




Political Memoir


Book Description

The genre of political memoir has a long history, from its origins in classical times through its popularity in the age of courts and cabinets to its ubiquity in modern mass cultures where retired politicians increasingly attract large and eager readerships for their revelations. Yet there is virtually no scholarly criticism which treats this complex form of literature as a distinct genre, fusing autobiographical, historical and political elements. The essays in this book draw together the collaborative findings of a team of British, European, American and Canadian scholars to present a pioneering historical and critical study of the genre of political memoir, analysing the development of its distinct functions and assessing leading memoirists in European, American, Canadian, Indian and Japanese societies. The editor, George Egerton, introduces the volume and surveys the principal features of the genre over its long history. Otto Pflanze analyses the memoirs of Bismarck; Robert Young, Milton Israel, Joshua Mostow and Robert Bothwell study the memoir literature of France, India, Japan and Canada respectively. Barry Gough and Tim Travers look at naval and military memoirists, while Zara Steiner, B.J.C. McKercher and Valerie Cromwell assess the memoirs of diplomats and their families. Leonidas Hill examines the memoirs of leading Nazis. John Munro, Francis Heller and Robert Ferrell convey inside information on the making of memoirs - notably by the Canadian Prime Ministers Diefenbaker and Pearson and the American President Truman. Stephen Ambrose assays Nixon as memoirist, while Janos Bak portrays the status of memoirists under totalitarian regimes. Wesley Wark and John Naylor analyse theproliferation of intelligence memoirs and government efforts to protect official secrets from the revelations of the candid memoirist. The principal findings reached by the contributors in their study of this problematic but influential genre are set out by the editor in the concluding chapter.







Lloyd George


Book Description

A biography of the Liberal British Prime Minister, 'Who Won the War'.