We Belong Dead


Book Description

A look at the Frankenstein Monster in film.




WE BELONG DEAD


Book Description




We Belong Dead


Book Description




Karloff


Book Description

Boris Karloff was the most famous of all horror actors. His memorable portrayal of the Frankenstein monster added a new word to English dictionaries. This, the first and only biography, reveals that Karloff (whose real name was William Henry Pratt) was not born at Dulwich, London, as stated in all the reference books. People have been traced who remember young 'W H P', as he liked to call himself, when he played his first stage part, and in this fascinating story there are many delightful examples of the quiet, unassuming and lovable Billy Pratt before he received a legacy from his mother and tossed a sixpence to see whether he would emigrate to Canada or Australia. Canada won. In 1909 he sailed from Liverpool. The book tells of his hard, impoverished life in Canada before answering a chance advertisement (for 'an experienced character actor') in the name of Boris Karloff, Karloff being a distant family name, and of his eventual touring of western Canada and the northern States of America. In 1917 he found himself in Los Angeles - in a district with the magic name of Hollywood. We follow Karloff's career from stage work to his early films. We learn of his classic creation of the screen monster Frankenstein: the origin of the story; the casting of Karloff; the conception of the unforgettable monster make-up; the filming; the preview (to which Karloff was not invited) and the overwhelming success of this most famous of all horror films. Then came the aftermath of Frankenstein and the success story of Karloff in such memorable films as The Mummy, The Mask of Fu Manchu, the banned Devil's Island and the haunting The Body Snatchers: scores of films of all kinds with little-known facts and side-lights on many of them, right up to the moving performance he gave in Targets. His later stage, radio and television work are all examined in close detail. This work, the result of over four years' research, includes a Discography of recordings made by Karloff, and a unique Appendix, giving a full, chronological record of one hundred and sixty-three films in which he appeared. It also contains many striking photographs.




Why We Belong


Book Description

Denominations. The mention of the word is often enough to spark strong reactions, regardless of whether one is for or against them. This hopeful new volume, made up of contributions from prominent evangelical leaders, argues for the importance of denominations, highlighting their significant strengths while acknowledging potential weaknesses. Contributors from a variety of backgrounds (Anglican, Presbyterian, Baptist, Pentecostal, Lutheran, and Methodist) share their own personal stories related to why they identify with a particular tradition and yet still maintain a robust sense of evangelical unity across denominational lines. Far from merely highlighting differences, this book celebrates the unity that believers enjoy in the gospel for the purpose of fostering productive dialogue and increased understanding within the fragmented landscape of modern evangelicalism.




We Belong


Book Description

An extraordinarily beautiful novel-in-verse, this important debut weaves a dramatic immigrant story together with Pilipino mythology to create something wholly new. Stella and Luna know that their mama, Elsie, came from the Philippines when she was a child, but they don't know much else. So one night they ask her to tell them her story. As they get ready for bed, their mama spins two tales: that of her youth as a strong-willed middle child and immigrant; and that of the young life of Mayari, the mythical daughter of a god. Both are tales of sisterhood and motherhood, and of the difficult experience of trying to fit into a new culture, and having to fight for a home and acceptance. Glorious and layered, this is a portrait of family and strength for the ages.




Tales from the Nightside


Book Description

New York Times bestselling author Simon R. Green returns to the Nightside with this landmark collection of short fiction. Welcome to the Nightside. It's the secret heart of London, beating to its own rhythm, pumping lifeblood through the veins of its streets and alleys hidden in eternal darkness, where creatures of the night congregate and where the sun is afraid to shine. It's the place to go if you're looking to indulge the darker side of your nature--and to hell with the consequences. Tales from the Nightside presents ten macabre mysteries that shine a dim beam into the neighborhood's darkest corners to reveal things that should never come to light. Take a walk with such deadly and dangerous denizens of the Nightside as Razor Eddie, Dead Boy, and Larry Oblivion as they encounter things even more inhuman and inhumane than they are. And join John Taylor, the PI with a knack for finding lost things, as he confronts Sir Francis Varney, King of the Vampires, in a novella-length adventure. There may be nothing to be afraid of in the dark, but there's plenty to be afraid of in the Nightside...




Horror and the Horror Film


Book Description

Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. ‘Horror and the Horror Film’ conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.




Postnaturalism


Book Description

»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.




Sword & Planet


Book Description

John Carter and Dejah Thoris, Flash Gordon and Dale Arden, the Lensmen, the Galactic Patrol, where are you now? This anthology sets out to revive the spirit of former days of planetary romance, of square jawed rocketeers and raiders of the spaceways, killer robots and space princesses, beastmen and barbarians; from the desert cities of Mars to the reptile infested jungles of lost worlds that time forgot...