Weapons and Tools in Rock Art


Book Description

Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction. The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.




Weapons and Tools in Rock Art


Book Description

Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction. The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.




Post-Palaeolithic Filiform Rock Art in Western Europe


Book Description

This session focuses on Filiform rock art which appears as a spontaneous technique, more simple and immediate than pecking, good either for autonomous strands of expression, or for sketches and first drafts regarding works of painting or pecking.




Storied Stone


Book Description

Provides a look at the history of the Black Hills country over the last ten thousand years through rock art, which illustrates the rich oral traditions, religious beliefs, and sacred places of the Lakota, Cheyenne, Kiowa, Mandan, and Hidatsa Indians who once lived there. Original




Rocks and Minerals


Book Description

Become an eyewitness to the rocks and minerals beneath your feet, covering everything from volcanic rocks and shiny gemstones to ancient marble and fallen meteorites. Did you know that every rock is a combination of one or more minerals? Or that marble was first used in ancient Greece but still forms deep underground as you read this? Unearth the hidden treasures of the earth’s surface, and find out how they all came to be here. Almost 20,000 meteorites land on our planet every year, but what does a space rock actually look like? Find out how to spot and identify minerals and fossils, discover how crystals grow, and what you need to start your own collection. Loved and trusted for over 30 years, Eyewitness has a new look and even more content: • A bite-sized formula of text with images that kids love! • Fully revised and fact-checked by subject specialists • Packed with facts, infographics, statistics, and timelines • Updated with brand new eyewitness accounts from experts in the field Eyewitness Rocks & Minerals uses a groundbreaking visual layout that makes learning fun for kids aged 9-12. From rough rocks to glittering crystals and everything in between, this stunning collection of facts and photos leaves no stone unturned. Eyewitness content approved by -ologists! DK’s Eyewitness kids books are updated and fact-checked by subject specialists, with brand new first-hand eyewitness accounts throughout from experts in the field. A best-selling series known and trusted for generations, with a fresh new look and up-to-date content. What will you Eyewitness next? Join the journey to combat climate change with Eyewitness Climate Change or travel back in time to when dinosaurs roamed the earth with Eyewitness Dinosaur. Do you think you’ve found your topic of interest? DK has even more rocks and minerals books for kids and adults alike find them all by searching for “DK rocks and minerals books”.




Federal Register


Book Description




Rock Art Studies: News of the World V


Book Description

This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive.




A Comparative Study of Rock Art in Later Prehistoric Europe


Book Description

The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.




Indian Rock Art and Its Global Context


Book Description

This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct dating results on rock art, a glossary of keywords related to spatial, temporal, technological, managerial categories, and an index, this volume blends precise, dispassionate descriptions with eloquent evocations. It blends conclusions distilled from rigorous, hard headed field research with penetrating criticism and assessment of the evidence. It combines a ruthless brevity and density with extraordinary felicity and clarity of language. Above all, it is an wonderful attempt at dealing with the problems of understanding, which dog human attempts to comprehend the meaning and shape of human creativity.




Ambiguous Images


Book Description

What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.