What Can a Woman Do


Book Description




What Can a Woman Do: Or, Her Position in the Business and Literary World


Book Description

First published in 1893, this pioneering work by M.L. Rayne provides a fascinating glimpse into the debates around women's rights in the late nineteenth century. Rayne's plea for greater opportunities for women in the business and literary world is both powerful and inspiring, and remains relevant to the present day. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




WHAT CAN A WOMAN DO


Book Description




What Can a Woman Do


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




What Can a Woman Do?


Book Description

Noting that 50 years earlier, only seven industries were open to women, this book details the massive expansion in opportunities for women in both the business and the literary world. This explores through inspirational accounts the careers open to women in all professions from journalism to music to medicine to beekeeping, dressmaking, gardening, engraving, government clerks, home-makers, poets - everything from the law and medicine to stenography and the profession of elocution. Martha Louise Rayne (1836-1911) established the world's first school of journalism in Detroit in 1886. She was born in Halifax, Nova Scotia and began a career in newspapers in the early 1860's. By 1870 she had reached Chicago, freelancing for the Chicago Tribune. In 1870 she became editor of the Chicago Magazine of Fashion, Music and Home Reading. She interviewed Mary Todd Lincoln when she was confined to a mental institution at Batavia, Illinois. Mrs. Lincoln had refused to talk to male reporters and Rayne's published interview with her led to her release. By 1878, Rayne moved to Detroit to work for the Detroit Free Press. Rayne's book is divided into two primary sections. The first, " Women in the Business World," provides detailed introductions to the career opportunities then open to women, as well as biographical sketches of those women in the respective fields and is still one of the most important contemporary sources for this biographical information. Of the authors in the second (the literary) section, some of these authors remain canonical (George Eliot; Letitia E. Landon; Elizabeth Barrett Browning), while others have long since disappeared from college syllabi. As such, the volume is important for its contemporary compendium of quite a few now-lost voices, as well as an indicator of the author's tastes and her contemporaries' aspirations.




What Can a Woman Do; Or, Her Position in the Business and Literary Worl


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










Working Women in American Literature, 1865–1950


Book Description

Working Women in American Literature, 1865–1950 consists of eight original essays by literary, historical, and multicultural critics on the subject of working women in late-nineteenth- to mid-twentieth-century American literature. The volume examines how the American working woman has been presented, misrepresented, and underrepresented in American realistic and naturalistic literature (1865–1930), and by later authors influenced by realism and naturalism. Points explored include: the historical vocational realities of working women (e.g., factory workers, seamstresses, maids, teachers, writers, prostitutes, etc.); the distortions in literary representations of female work; the ways in which these representations still inform the lives of working women today; and new perspectives from queer theory, immigrant studies, and race and class analyses. These essays draw on current feminist thought while remaining mindful of the historicity of the context. The essayists discuss important women writers of the period (for instance, Ellen Glasgow, Charlotte Perkins Gilman, Rachel Crothers, Willa Cather, and the understudied Ann Petry), as well as canonical writers like Theodore Dreiser, Henry James, and William Dean Howells. The discussions touch on a variety of literary and artistic genres: novels, short stories, other forms of fiction, biographies, dramas, and films. In the introductory essay and throughout the collection, the term “working women in the United States” is deconstructed; the historical and cultural definitions of “work,” and the words “work in America” are redefined through the lens of genders.




Emily Dickinson and Her Contemporaries


Book Description

An interdisciplinary examination of the poet, her milieu, and the ways she and her contemporaries freed their work from cultural limitations.