Where Dragon Veins Meet


Book Description

In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving. Stephen Whiteman draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, Where Dragon Veins Meet illuminates the court’s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions. Art History Publication Initiative




Where Dragon Veins Meet


Book Description

Inroduction: Historicizing the Early Qing Landscape -- Recovering the Kangxi Landscape. Excerpt from "Record of Traveling at the Invitation of the Emperor" by Zhang Yushu -- Reconstructing Kangxi -- Allegories of Empire. Mountain Veins -- "Record of the Mountain Estate to Escape the Heat" by the Kangxi Emperor -- Only Here in Rehe -- Space and Pictoriality. Painting and the Surveyed Site -- Paper Gardens -- The Metonymic Landscape. Touring the Rear Park -- Conclusion: The Landscape of the Emperor.




Parallel Modernism


Book Description

This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.




Fire in His Veins: A Post-Apocalyptic Dragon Romance


Book Description

Liam has wanted Andrea ever since the moment he saw her, but she's human and he is drakoni. He must keep his mental walls strong by giving up everything that makes him a dragon. That means no telepathy, no fire breathing and no battle form, and he certainly can't take a mate. When Andrea's brother escapes the fort, though, she needs help tracking him down. That means Liam will be alone with her, breathing in her scent, and it may be too much for him to control.







What the Emperor Built


Book Description

One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built is the first book-length study devoted to the architectural projects of a single Chinese emperor. Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time. Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.




The Fortune-teller Next to the Beauty


Book Description

The fortune-teller went down the hill. All sorts of beautiful ladies came forward together to change their fate, borrowing heaven-defying luck to come rolling over. Beautiful women, please wait a moment, I see that you don't look too good, there's a big barrier of evil, I'll help you find a bone to help you, there's definitely a way to save you.




Crouching Tiger, Forbidden Vampire


Book Description

New York Times bestselling author Kerrelyn Sparks delivers the exciting conclusion in the Love at Stake series, where a Marine-turned-vampire finds love with the shifter princess forbidden to him. Russell wakes from a coma to find he's become a vampire. Now he has a thirst for revenge. Determined to hunt down the master vampire who turned him, he's used to working alone - until he meets Jia. She is after the same vampire for murdering her parents and insists she can help Russell on this mission. Reluctantly, he agrees, and sets up some ground rules: Rule #1: Their partnership is strictly business. If he holds her a little too close . . . if she looks at him with those exotic eyes . . . well, that has to stop. Rule #2: He's in charge. Jia isn't used to taking orders and questions every move he makes. So he stops her the only way he knows how. Rule #3: Don't fall in love. But the kiss that was supposed to quiet her awakens something else in him . . . something forbidden. Because Jia is engaged. To someone else.




Knowing Manchuria


Book Description

"Knowing Manchuria places the creation of knowledge about nature at the center of our understanding of one of the world's most contested borderlands. At the intersection of China, Russia, Korea, and Mongolia, Manchuria is known as a site of war and environmental extremes, where projects of political control intersected with projects designed to make sense of Manchuria's multiple environments. Covering over 500,000 square miles (comparable in size to all the land east of the Mississippi) Manchuria's landscapes included temperate rain forests, deserts, prairies, cultivated plains, wetlands, and Siberian taiga. Ruth Rogaski reveals how paleontologists and indigenous shamans, and many others, made sense of the Manchurian frontier. She uncovers how natural knowledge and thus "the nature of Manchuria" itself changed over time, from a sacred "land where the dragon arose" to a global epicenter of contagious disease; from a tragic "wasteland" to an abundant granary that nurtured the hope of a nation"--




Landscape and Authority in the Early Modern World


Book Description

Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court. In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos. The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments. Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O'Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.