Louise Pound


Book Description

Louise Pound (1872?1958) was a distinguished literary scholar, renowned athlete, accomplished musician, and devoted women?s sports advocate. She is perhaps best remembered for her groundbreaking work in the field of linguistics and folklore and for her role as the first woman president of the Modern Language Association. A member of a distinguished Nebraska family that included her brother, the prominent legal scholar Roscoe Pound, Louise completed her undergraduate education at the University of Nebraska. When American universities wouldn?t admit her for graduate study, she went on to obtain a PhD in Heidelberg, Germany. She returned to the University of Nebraska?Lincoln to teach in the English department for the next forty-five years. ø As a scholar Louise crusaded for the serious study of American English and founded the field?s leading journal, demolished a powerfully defended approach to the study of American folk song, and fought tirelessly to open athletic and professional opportunities for women. She was, in short, what one admirer called a ?universal wonder.? She befriended and played an influential role in the life of the young Willa Cather during Cather?s years at the University of Nebraska;øH. L. Mencken praised her extravagantly; and scholars of literature, folklore, and dialect studies elevated her to the presidency of their professional societies. Readers of varied interests will find her story compelling.




Church and Worship Music


Book Description

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.




Avant-garde Jazz Musicians


Book Description




Public Worship, Private Faith


Book Description

The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.




“Yet with a Steady Beat”


Book Description

This collection of essays exemplifies new directions being taken by biblical scholars using new literary, historical, and sociological critical tools to explore issues of concern to their communities and thus poses a challenge to others in the discipline to broaden the canons of interpretation and sources. The essays, from the generation of scholars following the writers of the historic Stony the Road We Trod: African American Biblical Interpretation (Fortress, 1991), address issues of cultural criticism, utilization of Black religious sources such as the Negro spirituals and sermons, histories of struggles of Afro-diasporan peoples, and ideological criticism in interpreting the biblical text. This collection of essays exemplifies new directions being taken by biblical scholars using new literary, historical, and sociological critical tools to explore issues of concern to their communities and thus poses a challenge to others in the discipline to broaden the canons of interpretation and sources. The essays, from the generation of scholars following the writers of the historic Stony the Road We Trod: African American Biblical Interpretation (Fortress, 1991), address issues of cultural criticism, utilization of Black religious sources such as the Negro spirituals and sermons, histories of struggles of Afro-diasporan peoples, and ideological criticism in interpreting the biblical text.




New Directions in American Religious History


Book Description

The eighteen essays collected in this book originate from a conference of the same title, held at the Wingspread Conference Center in October of 1993. Leading scholars were invited to reflect on their specialties in American religious history in ways that summarized both where the field is and where it ought to move in the decades to come. The essays are organized according to four general themes: places and regions, universal themes, transformative events, and marginal groups and ethnocultural "outsiders." They address a wide range of specific topics including Puritanism, Protestantism and economic behavior, gender and sexuality in American Protestantism, and the twentieth-century de-Christianization of American public culture. Among the contributors are such distinguished scholars as David D. Hall, Donald G. Matthews, Allen C. Guelzo, Gordon S. Wood, Daniel Walker Howe, Robert Wuthnow, Jon Butler, David A. Hollinger, Harry S. Stout, and John Higham. Taken together, these essays reveal a rapidly expanding field of study that is breaking out of its traditional confines and spilling into all of American history. The book takes the measure of the changes of the last quarter-century and charts numerous challenges to future work.




Old Ship of Zion


Book Description

This book retraces the African origins of African-American forms of worship. During a five-year period in the field, Pitts played the piano at and recorded numerous worship services in black Baptist churches throughout rural Texas. His historical comparisons and linguistic analyses of this material uncover striking parallels between "Afro-Baptist" services and the religious rituals of Western and Central Africa, as well as other African-derived rituals in the United States Sea Islands, the Caribbean, and Brazil. Pitts demonstrates that African and African-American worship share an underlying binary ritual frame: the somber melancholy of the first frame and the high emotion of the second frame. Pitts's revealing perspective on this often misunderstood aspect of African-American religion provides an investigative model for the study of diaspora cultural practices and the residual influence of their African sources.




America's Music, from the Pilgrims to the Present


Book Description

A history of American music, its diversity, and the cultural influences that helped it develop.




The Expansion of Evangelicalism


Book Description

John Wolffe provides an authoritative account of evangelicalism from the 1790s to the 1840s, making extensive use of primary sources. A compelling book, rich in detail, that will excite history buffs, students and professors, and any reader interested in the development of evangelicalism.