Wild Tongues Can't Be Tamed


Book Description

Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can’t Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.




The New Kid Has Fleas


Book Description

From bestselling author Ame Dyckman and illustrator Eda Kaban, The New Kid Has Fleas is a hilarious picture book about a new kid in school who appears to have been raised by wolves. There's a new kid in class, and they're . . . different. They dress different. Talk different. Eat different. And the word on the playground is: they have fleas. But, one of their classmates wonders, what if we got to know the new kid? Visited their home (wolves' den)? Met their parents (wolves)? Shared a snack (squirrels)? Maybe then the new kid wouldn't be so bad after all. School’s in session for a howlingly fun “lesson” in preconceptions, differences, rumors, karma, and not just being the new kid, but befriending them.




Merci Suárez Can't Dance


Book Description

In Meg Medina's follow-up to her Newbery Medal-winning novel, Merci takes on seventh grade, with all its travails of friendship, family, love--and finding your rhythm.




Borderlands


Book Description

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta




Take What You Can Carry


Book Description

An aspiring photographer follows her dreams and faces her fears in a poignant novel about finding beauty, promise, and love amid the chaos of war-torn Kurdistan. It's 1979. Olivia Murray, a secretary at a Los Angeles newspaper, is determined to become a photojournalist and make a difference with her work. When opportunity arrives, she seizes it, accompanying her Kurdish boyfriend, Delan, to northern Iraq for a family wedding, hoping to capture an image that lands her a job in the photo department. More important, though, the trip is a chance to understand Delan's childhood and bridge the differences of their pasts. Yet when the return home proves less safe than Delan believed, Olivia is confronted with a reality she had not expected, and is awakened to the dangers of a town patrolled by Iraqi military under curfew and constant threat. But in this world torn apart by war, there are intoxicating sights and scents, Delan's loving family, innocence not yet compromised, and small acts of kindness that flourish unexpectedly. All of it will be tested when Olivia captures a shattering, tragic moment on film, one that upends all their lives and proves that true bravery begins with an open heart.




You Can't Say That!


Book Description

What happens when freedom of expression comes under threat? In frank and wide-ranging interviews, historian and critic Leonard S. Marcus probes the experience of thirteen leading authors of books for young people. A powerful photo essay on transgender teens is called anti-religious and anti-family. A meticulously researched primer on sex education stirs up accusations of pornography and child abuse. Picture books about two mommies (or two penguin daddies) set off a hue and cry. Two hugely popular children’s series run afoul of would-be censors, one for its scatological humor, the other because it’s deemed too scary. Kids’ books that touch on race, sex, LGBTQ matters, the occult, “coarse language,” and more have found themselves under the scrutiny of those who challenge First Amendment rights. Tune in as thirteen top children’s and young adult authors speak out about what it’s like to have your work banned or challenged in America today. Prompted by Leonard S. Marcus’s insightful questions, they discuss why their books have faced censorship—both blatant and “soft”—how the challenges have or haven’t affected their writing, and why some people feel they have the right to deny access to books. In addition, Leonard S. Marcus puts First Amendment challenges in a historical context and takes a promising look at the vibrant support network that has risen up to protect and defend young people’s rights. Authors interviewed include: Matt de la Peña Robie H. Harris Susan Kuklin David Levithan Meg Medina Lesléa Newman Katherine Paterson Dav Pilkey Justin Richardson and Peter Parnell Sonya Sones R. L. Stine Angie Thomas.




The Unseen Photos of Street Gang: How We Got to Sesame Street


Book Description

The official companion book to the feature-length documentary Street Gang: How We Got to Sesame Street, featuring previously unpublished photographs from the earliest seasons of Sesame Street and interviews with cast and crew This official tie-in book to the documentary Street Gang: How We Got to Sesame Street supplements the film’s exploration of the origins and legacy of Sesame Street with exclusive interviews and unseen photographs from the earliest seasons of the globally beloved series. Author Trevor Crafts, who was given unprecedented access to archival footage and photography, presents 150 of photographer David Attie’s behind-the-scenes images of Jim Henson, Frank Oz, Matt Robinson, Big Bird, Oscar the Grouch, Bert and Ernie, and dozens of other pioneering puppeteers, animators, actors, and Muppets. Crafts uses Attie’s photos to expand upon the film’s story of how show creator Joan Ganz Cooney, along with Sesame Workshop co-founder Lloyd Morrisett, director Jon Stone, and Muppet creator Jim Henson, took the values and goals of the civil rights movement and revolutionized children’s television. The Unseen Photos of Street Gang is a tribute to the enduring achievements of a rebellious group of artists, educators, and freethinkers who believed that the values of equality, education, and inclusion should not just be championed but also made available to all—a dream that Sesame Street has carried forward for more than fifty years.




Stealing Home


Book Description

A story about baseball, family, the American Dream, and the fight to turn Los Angeles into a big league city. Dodger Stadium is an American icon. But the story of how it came to be goes far beyond baseball. The hills that cradle the stadium were once home to three vibrant Mexican American communities. In the early 1950s, those communities were condemned to make way for a utopian public housing project. Then, in a remarkable turn, public housing in the city was defeated amidst a Red Scare conspiracy. Instead of getting their homes back, the remaining residents saw the city sell their land to Walter O'Malley, the owner of the Brooklyn Dodgers. Now LA would be getting a different sort of utopian fantasy -- a glittering, ultra-modern stadium. But before Dodger Stadium could be built, the city would have to face down the neighborhood's families -- including one, the Aréchigas, who refused to yield their home. The ensuing confrontation captivated the nation - and the divisive outcome still echoes through Los Angeles today.




Evelyn Del Rey Is Moving Away


Book Description

From Newbery Medalist Meg Medina comes the bittersweet story of two girls who will always be each other’s número uno, even though one is moving away. A big truck with its mouth wide open is parked at the curb, ready to gobble up Evelyn’s mirror with the stickers around the edge . . . and the sofa that we bounce on to get to the moon. Evelyn Del Rey is Daniela’s best friend. They do everything together and even live in twin apartments across the street from each other: Daniela with her mami and hamster, and Evelyn with her mami, papi, and cat. But not after today—not after Evelyn moves away. Until then, the girls play amid the moving boxes until it’s time to say goodbye, making promises to keep in touch, because they know that their friendship will always be special. The tenderness of Meg Medina’s beautifully written story about friendship and change is balanced by Sonia Sánchez’s colorful and vibrant depictions of the girls’ urban neighborhood.




Pale


Book Description

“Some things just don’t keep well inside this house ...” The summer of 1966 burned hot across America but nowhere hotter than the cotton fields of Mississippi. Finding herself in a precarious position as a black woman living alone, Bernice accepts her brother Floyd’s invitation to join him as a servant for a white family and she enters the web of hostility and deception that is the Kern plantation household. The secrets of the house are plentiful yet the silence that has encompassed it for so many years suddenly breaks with the arrival of the harvest and the appearance of Jesse and Fletcher to the plantation as cotton pickers. These two brothers, the sons of the house servant Silva, awaken a vengeful seed within the Missus of the house as she plots to punish not only her husband but Silva’s family as well. When the Missus starts flirting with Jesse, she sets into motion a dangerous game that could get Jesse killed and destroy the lives of the rest of the servants. Bernice walks the fine line between emissary and accomplice, as she tries her best to draw secrets from the Missus’s heart, while using their closeness to protect the lives of the people around her. Once the Missus’s plans are complete, families will be severed, loyalties will be shattered, and no one will come out unscathed. With a dazzling voice and rich emotional tension, Pale explores the ties that bind and how quickly humanity can fade and return us to primal ways.