William Gilmore Simms's Unfinished Civil War


Book Description

William Gilmore Simms's Unfinished Civil War measures the effects of the Civil War and its aftermath on one of the Old South's foremost intellectuals. Simms's mid-nineteenth-century poems, novels, and essays and the personal and societal trauma and destruction Simms experienced are all portrayed here. Before the war Simms was the most articulate advocate of Southern nationalism. During the war he became a prophetic critic of Confederate policy and poet of cultural ethnogenesis. The defeat of the Confederacy in 1865 shattered Simms's understanding of the working of history and called into question his sense of a moral providence. This collection of essays by historians and literary scholars first explores William Gilmore Simms's antebellum treatment of the role of warfare in America's past and the South's future. The contributors then consider the impact of the secession crisis, the Civil War, and the Confederate defeat on Simms's and other white and black Southerners' perceptions of their much-changed world. Next Simms's life, published writings, and thoughts during the war and its aftermath are examined. Finally Simms's late poetry and fictions, especially explicit and implicit commentaries on the postwar South, are analyzed. His last oration, The Sense of the Beautiful, published shortly before his death in 1870, is the subject of several essays. William Gilmore Simms's Unfinished Civil War reconstructs from both published writings and private letters the conscious and unconscious effects of the Civil War upon the writer and Southern patriot. Drawing on the fields of history, literature, and even archaeology, this interdisciplinary volume demonstrates that the anticipation, course, and consequences of the war were central in shaping Simms's writings from the 1840s to 1870.




Reading William Gilmore Simms


Book Description

Engaging approaches to the vast output of South Carolina's premier man of letters William Gilmore Simms was the best known and certainly the most accomplished writer of the mid-nineteenth-century South. His literary ascent began early, with his first book being published when he was nineteen years old and his reputation as a literary genius secured before he turned thirty. Over a career that spanned nearly forty-five years, he established himself as the American South's premier man of letters—an accomplished poet, novelist, short fiction writer, essayist, historian, dramatist, cultural journalist, biographer, and editor. In Reading William Gilmore Simms, Todd Hagstette has created an anthology of critical introductions to Simms's major publications, including those recently brought back into print by the University of South Carolina Press, offering the first ever primer compendium of the author's vast output. Simms was a Renaissance man of American letters, lauded in his time by both popular audiences and literary icons alike. Yet the author's extensive output, which includes nearly eighty published volumes, can be a barrier to his study. To create a gateway to reading and studying Simms, Hagstette has assembled thirty-eight essays by twenty-four scholars to review fifty-five Simms works. Addressing all the author's major works, the essays provide introductory information and scholarly analysis of the most crucial features of Simms's literary achievement. Arranged alphabetically by title for easy access, the book also features a topical index for more targeted inquiry into Simms's canon. Detailing the great variety and astonishing consistency of Simms's thought throughout his long career as well as examining his posthumous reconsideration, Reading William Gilmore Simms bridges the author's genius and readers' growing curiosity. The only work of its kind, this book provides an essential passport to the far-flung worlds of Simms's fecund imagination.




William Gilmore Simms's Selected Reviews on Literature and Civilization


Book Description

During William Gilmore Simms's life (1806-1870), book reviews and critical essays became vital parts of American literary culture and intellectual discourse. Simms was an assiduous reviewer and essayist, proving by example the importance of those genres. William Gilmore Simms's Selected Reviews on Literature and Civilization publishes for the first time in book form sixty-two examples of the writer's hundreds of newspaper and periodical reviews and book notes as well as four important critical essays. Together, the reviews and essays reveal the regional, national, and international dimensions of Simms's intellectual interests. To frame the two distinct parts of Selected Reviews, James Everett Kibler, Jr., and David Moltke-Hansen have written a general introduction that considers the development of book reviewing and the authorship of essays in cultural and historical contexts. In part one, Kibler offers an introduction that examines Simms's reviewing habits and the aesthetic and critical values that informed the author's reviews. Kibler then publishes selected texts of reviews and provides historical and cultural backgrounds for each selection. Simms was an early proponent of the critical theories of Romantics such as William Wordsworth, Samuel Taylor Coleridge, and Edgar Allan Poe. Widely read in European history and literature, he reviewed works published in French, German, and classics in original Greek and Latin and in translation. Simms also was an early, ardent advocate of works of local color and of southern "backwoods" humorists of his day. Simms published notices of seven of Herman Melville's novels, the writings of Ralph Waldo Emerson, and favorably reviewed Henry David Thoreau's Walden; or, Life in the Woods. Simms published numerous review essays of twenty thousand or more words in literary journals and also republished two collections in book form. These volumes treated such subjects as Americanism in literature and the American Revolution in South Carolina. Yet, as part two of Selected Reviews demonstrates, Simms ranged much more widely in the intellectual milieu. Such cultural and political topics as the 1848 revolution in France, the history of the literary essay, the roles of women in the American Revolution, and the activities of the southern convention in Nashville in 1850 captured Simms's attention. Moltke-Hansen's introduction to part two examines Simms's roles in, and responses to, the Romantic critical revolution and the other revolutions then roiling Europe and America.




A Southern Writer and the Civil War


Book Description

Historians of the American Civil War have debated a wide range of questions raised by the war and its outcome. None have been more vigorously argued as those surrounding its outcome. One of the leading explanations for Confederate defeat has been the argument that the Civil War South lacked a national identity. Related to and supporting this argument is the contention that the Civil War South failed to produce a distinct and vibrant literary culture. These contentions have been challenged by a growing body of literature which argues that the Civil War South did produce a sense of cultural and national identity. This book adds to this counter current through an examination of the Civil War experiences and writings of the Antebellum South's leading literary figure. Surprisingly, given William Gilmore Simms' well-known status prior to the war, his life and work during the course of the war itself has been understudied. This examination reveals the depth and extent to which Simms not only supported the Confederate war effort but how Simms conceptualized and articulated a vision of Confederate nationalism.




Confederate Cities


Book Description

When we talk about the Civil War, we often describe it in terms of battles that took place in small towns or in the countryside: Antietam, Gettysburg, Bull Run, and, most tellingly, the Battle of the Wilderness. One reason this picture has persisted is that few urban historians have studied the war, even though cities hosted, enabled, and shaped Southern society as much as they did in the North. Confederate Cities, edited by Andrew L. Slap and Frank Towers, shifts the focus from the agrarian economy that undergirded the South to the cities that served as its political and administrative hubs. The contributors use the lens of the city to examine now-familiar Civil War–era themes, including the scope of the war, secession, gender, emancipation, and war’s destruction. This more integrative approach dramatically revises our understanding of slavery’s relationship to capitalist economics and cultural modernity. By enabling a more holistic reading of the South, the book speaks to contemporary Civil War scholars and students alike—not least in providing fresh perspectives on a well-studied war.




Reconstruction beyond 150


Book Description

No period of United States history is more important and still less understood than Reconstruction. Now, at the sesquicentennial of the Reconstruction era, Vernon Burton and Brent Morris bring together the best new scholarship on the critical years after the Civil War and before the onset of Jim Crow, synthesizing social, political, economic, and cultural approaches to understanding this crucial period. Reconstruction was the most progressive period in United States history. Although marred by frequent violence and tragedy, it was a revolutionary era that offered hope, opportunity, and against all odds, a new birth of freedom for all Americans. Even though many of the gains of Reconstruction were rolled back and replaced with a repressive social and legal regime for African Americans, the radical spark was never fully extinguished. Its spirit fanned back into flame with the Civil Rights Movement of the 1950s and 1960s, and its ramifications remain palpable to this day.




Journal of the Civil War Era


Book Description

The Journal of the Civil War Era Volume 3, Number 4 December 2013 TABLE OF CONTENTS SPECIAL ISSUE: PROCLAIMING EMANCIPATION AT 150 Articles Introduction Martha S. Jones, Guest Editor History and Commemoration: The Emancipation Proclamation at 150 James Oakes Reluctant to Emancipate? Another Look at the First Confiscation Act Stephen Sawyer & William J. Novak Emancipation and the Creation of Modern Liberal States in America and France Thavolia Glymph Rose's War and the Gendered Politics of a Slave Insurgency in the Civil War Martha Jones Emancipation Encounters: The Meaning of Freedom from the Pages of Civil War Sketchbooks Book Reviews Books Received Notes on Contributors




Hans Christian Andersen in American Literary Criticism of the Nineteenth Century


Book Description

In Hans Christian Andersen in American Literary Criticism of the Nineteenth Century, Herbert Rowland argues that the literary criticism accompanying the publication of Hans Christian Andersen’s works in the United States compares favorably in scope, perceptiveness, and chronological coverage with the few other national receptions of Andersen outside of Denmark. Rowland contends that American commentators made it abundantly evident that, in addition to his fairy tales, Andersen wrote several novels, travelogues, and an autobiography which were all of more than common interest. In the process, Rowland shows that American commentators “naturalized” Andersen in the United States by confronting the sensationalism in the journalism and literature of the time with the perceived wholesomeness of Andersen’s writing, deploying his long fiction on both sides of the debate over the nature and relative value of the romance and the novel, and drawing on three of his works to support their positions on slavery, the Civil War, and Reconstruction.




The Field of Honor


Book Description

Current research on the history and evolution of moral standards and their role in Southern society For more than thirty years, the study of honor has been fundamental to understanding southern culture and history. Defined chiefly as reputation or public esteem, honor penetrated virtually every aspect of southern ethics and behavior, including race, gender, law, education, religion, and violence. In The Field of Honor: Essays on Southern Character and American Identity, editors John Mayfield and Todd Hagstette bring together new research by twenty emerging and established scholars who study the varied practices and principles of honor in its American context, across an array of academic disciplines. Following pathbreaking works by Bertram Wyatt-Brown, Dickson D. Bruce, and Edward L. Ayers, this collection notes that honor became a distinctive mark of southern culture and something that—alongside slavery—set the South distinctly off from the rest of the United States. This anthology brings together the work of a variety of writers who collectively explore both honor's range and its limitations, revealing a South largely divided between the demands of honor and the challenges of an emerging market culture—one common to the United States at large. They do so by methodologically examining legal studies, market behaviors, gender, violence, and religious and literary expressions. Honor emerges here as a tool used to negotiate modernity's challenges rather than as a rigid tradition and set of assumptions codified in unyielding rules and rhetoric. Some topics are traditional for the study of honor, some are new, but all explore the question: how different really is the South from America writ large? The Field of Honor builds an essential bridge between two distinct definitions of southern—and, by extension, American—character and identity.




Pirates and Devils


Book Description

Two of the final short novels from the literary manuscripts of William Gilmore Simms, unfinished before his death Pirates and Devils, edited by Nicholas G. Meriwether and David W. Newton, presents two of the most significant unfinished works by William Gilmore Simms, a prominent public intellectual of the antebellum South and one of the most prolific literary writers of the nineteenth century. These two incomplete works—the pirate romance, "The Brothers of the Coast," and the folk fable, "Sir Will O' Wisp"—are representative of the some of the last major primary texts of Simms's expansive career. Recent scholarship about Simms, including William Gilmore Simms's Unfinished Civil War, reasserts the significance of Simms's postwar writing and makes this volume's contribution timely. Left unfinished at his death, these two substantial fragments represent the last of the major primary texts from the final phase of Simms's life to be published. Together, the texts provide greater insight into Simms's creative process, but more importantly, they show Simms continuing to wrestle with the issues he faced in the aftermath of the Civil War, and they document the creativity and courage that commitment represented—and required. The publication of these fragments makes possible a complete picture of this last phase of Simms's life, as he struggled with the consequences of a conflict that had become the defining event of his life, career, and region.