Wine, women and song, Mediaeval students songs


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tender and bawdy read this lively and moving translation from the mediaeval Latin originals r to see what students of those days got up to!




Wine, Women, and Song;


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Wine, Women, and Song


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Wine, Women and Song, Op. 333


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Composed in 1869 for the Vienna Men's Choral Association, Strauss' Opus 333 originally included parts for men's chorus. It has since become far more popular in the version he prepared afterward for orchestra only, which is the one presented here in a beautifully engraved new score edited by Clark McAlister. A welcome addition to the libraries of Johann Strauss aficionados, conducting students and music lovers everywhere, this convenient format study score is a reduced-sized reissue of the large score first issued in 2007 by the now-defunct publisher Edwin F. Kalmus. Fortunately. Clark McAlister was able to retrieve his outstanding catalogue of editions and arrangements after the collapse. Serenissima Music is proud to make them all available - including the matching full score and orchestral parts.




Wine, Women, and Song


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Wine, Women, and Song


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Manuscripts and Medieval Song


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This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.




Wine, Women and Song


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Stirring It Up with Molly Ivins


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“A rendering of a deep and lasting friendship . . . Dozens of anecdotes about Sweets and Ivins and their rollicking adventures in cooking and eating.” —Denver Post You probably knew Molly Ivins as an unabashed civil libertarian who used her sharp wit and good ole Texas horse sense to excoriate political figures she deemed unworthy of our trust and respect. But did you also know that Molly was one helluva cook? And we’re not just talking chili and chicken-fried steak, either. Molly Ivins honed her culinary skills on visits to France, often returning with perfected techniques for saumon en papillote or delectable clafouti aux cerises. Friends who had the privilege of sharing Molly’s table got not only a heaping helping of her insights into the political shenanigans of the day, but also a mouth-watering meal, prepared from scratch with the finest ingredients. In Stirring It Up with Molly Ivins, her longtime friend, fellow reporter, and frequent sous-chef Ellen Sweets takes us into the kitchen with Molly and introduces us to the private woman behind the public figure. She serves up her own and others’ favorite stories about Ivins as she recalls the fabulous meals they shared, complete with recipes for thirty-five of Molly’s signature dishes. Friends who ate with Molly knew a cultured woman who was a fluent French speaker, voracious reader, rugged outdoors aficionado, music lover, loyal and loving friend, and surrogate mom to many of her friends’ children, as well as to her super-spoiled poodle. They also came to revere the courageous woman who refused to let cancer stop her from doing what she wanted, when she wanted. This is the Molly you’ll be delighted to meet in Stirring It Up with Molly Ivins. “Ms. Sweets’s anecdotes about the cast of characters who roundtabled Ms. Ivins’s home are as satisfying as the Texas pistol’s concoctions.” ―The Wall Street Journal