Wired to Hear


Book Description

Bob Hasson and Shawn Bolz have come together to help infuse you with hope, truth, and perspective about your God-given role in the marketplace. Whether you own or manage a business, have spent decades in your career, or are simply trying to find value in the work that you do, this book is for you. As you walk this journey with us, you'll have an opportunity to build spiritually driven goals for both your own career as well as the industry you are called to. Throughout the book, we explore real-life examples of what it looks like to hear God and follow His leading within marketplace roles. We also discuss where our understanding of God, Church, and the marketplace has been immature or broken. The goal is that you are empowered to do it differently, getting a greater result in your relationship to God's voice impacting the way you partner to your career.




Hearing God


Book Description

Easy-to-follow guide to two-way communication with God, who still speaks today, whose voice can be heard and distinguished from Satan's, whose will can be known.




Wired for Sound


Book Description




When God Speaks


Book Description

Hearing the voice of God is not as difficult as some might think. It may even happen without our realization. As God has spoken throughout the ages, He continues to speak today in many different ways, including through an impression in a person's spirit or through a passage of Scripture or via a prophetic dream. Since we were created to commune with God, He longs for us to draw near to Him so that we can know His heart and understand His will for our lives.




Wired for Sound


Book Description

Winner of the Society for Ethnmusicology's Klaus Wachsmann Award (2006) Wired for Sound is the first anthology to address the role of sound engineering technologies in the shaping of contemporary global music. Wired sound is at the basis of digital audio editing, multi-track recording, and other studio practices that have powerfully impacted the world's music. Distinctions between musicians and engineers increasingly blur, making it possible for people around the globe to imagine new sounds and construct new musical aesthetics. This collection of 11 essays employs primarily ethnographical, but also historical and psychological, approaches to examine a range of new, technology-intensive musics and musical practices such as: fusions of Indian film-song rhythms, heavy metal, and gamelan in Jakarta; urban Nepali pop which juxtaposes heavy metal, Tibetan Buddhist ritual chant, rap, and Himalayan folksongs; collaborations between Australian aboriginals and sound engineers; the production of "heaviness" in heavy metal music; and the production of the "Austin sound." This anthology is must reading for anyone interested in the global character of contemporary music technology. CONTRIBUTORS: Harris M. Berger, Beverley Diamond, Cornelia Fales, Ingemar Grandin, Louise Meintjes, Frederick J. Moehn, Karl Neunfeldt, Timothy D. Taylor, Jeremy Wallach.




Livewired


Book Description

"Eagleman renders the secrets of the brain’s adaptability into a truly compelling page-turner.” —Khaled Hosseini, author of The Kite Runner “Livewired reads wonderfully like what a book would be if it were written by Oliver Sacks and William Gibson, sitting on Carl Sagan’s front lawn.” —The Wall Street Journal What does drug withdrawal have in common with a broken heart? Why is the enemy of memory not time but other memories? How can a blind person learn to see with her tongue, or a deaf person learn to hear with his skin? Why did many people in the 1980s mistakenly perceive book pages to be slightly red in color? Why is the world’s best archer armless? Might we someday control a robot with our thoughts, just as we do our fingers and toes? Why do we dream at night, and what does that have to do with the rotation of the Earth? The answers to these questions are right behind our eyes. The greatest technology we have ever discovered on our planet is the three-pound organ carried in the vault of the skull. This book is not simply about what the brain is; it is about what it does. The magic of the brain is not found in the parts it’s made of but in the way those parts unceasingly reweave themselves in an electric, living fabric. In Livewired, you will surf the leading edge of neuroscience atop the anecdotes and metaphors that have made David Eagleman one of the best scientific translators of our generation. Covering decades of research to the present day, Livewired also presents new discoveries from Eagleman’s own laboratory, from synesthesia to dreaming to wearable neurotech devices that revolutionize how we think about the senses.




When God Talks Back


Book Description

A New York Times Notable Book A Kirkus Reviews Best Book of 2012 A bold approach to understanding the American evangelical experience from an anthropological and psychological perspective by one of the country's most prominent anthropologists. Through a series of intimate, illuminating interviews with various members of the Vineyard, an evangelical church with hundreds of congregations across the country, Tanya Luhrmann leaps into the heart of evangelical faith. Combined with scientific research that studies the effect that intensely practiced prayer can have on the mind, When God Talks Back examines how normal, sensible people—from college students to accountants to housewives, all functioning perfectly well within our society—can attest to having the signs and wonders of the supernatural become as quotidian and as ordinary as laundry. Astute, sensitive, and extraordinarily measured in its approach to the interface between science and religion, Luhrmann's book is sure to generate as much conversation as it will praise.




You Can’t Say You Can’t Play


Book Description

Who of us cannot remember the pain and humiliation of being rejected by our classmates? However thick-skinned or immune to such assaults we may become as adults, the memory of those early exclusions is as palpable to each of us today as it is common to human experience. We remember the uncertainty of separating from our home and entering school as strangers and, more than the relief of making friends, we recall the cruel moments of our own isolation as well as those children we knew were destined to remain strangers. In this book Vivian Paley employs a unique strategy to probe the moral dimensions of the classroom. She departs from her previous work by extending her analysis to children through the fifth grade, all the while weaving remarkable fairy tale into her narrative description. Paley introduces a new rule—“You can’t say you can’t play”—to her kindergarten classroom and solicits the opinions of older children regarding the fairness of such a rule. We hear from those who are rejected as well as those who do the rejecting. One child, objecting to the rule, says, “It will be fairer, but how are we going to have any fun?” Another child defends the principle of classroom bosses as a more benign way of excluding the unwanted. In a brilliant twist, Paley mixes fantasy and reality, and introduces a new voice into the debate: Magpie, a magical bird, who brings lonely people to a place where a full share of the sun is rightfully theirs. Myth and morality begin to proclaim the same message and the schoolhouse will be the crucible in which the new order is tried. A struggle ensues and even the Magpie stories cannot avoid the scrutiny of this merciless pack of social philosophers who will not be easily caught in a morality tale. You Can’t Say You Can’t Play speaks to some of our most deeply held beliefs. Is exclusivity part of human nature? Can we legislate fairness and still nurture creativity and individuality? Can children be freed from the habit of rejection? These are some of the questions. The answers are to be found in the words of Paley’s schoolchildren and in the wisdom of their teacher who respectfully listens to them.




Nobody Wants to Read Your Sh*t


Book Description

There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with ev­ery sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?




Mystically Wired


Book Description

We are designed to make connections to God through prayer in more ways than we can imagine. Prayer can be so much more than a simple conversation. It can be a wordless connection with God, a step beyond the boundary of the separated self. It can be a way to listen to the silence. And it can be learned. We can learn how to pray in ways we never thought possible. It doesn't take more effort; it takes more understanding. Wilson's book shows how the brain is designed by God: To calm itself To relax into love To become increasingly aware of how connected everything is in God To experience a deeper intimacy with our Creator Prayer is something that our brains want to do with a little help. Ken Wilson tells us how. Praise for Mystically Wired: “Smart, savvy, candid, credible, unafraid, self-effacing, and shot through with passionate love of Jesus . . . yes, hands down, this is the best book on prayer that I have ever read. — Phyllis Tickle, Compiler, The Words of Jesus: A Gospel of the Sayings of Our Lord “I confess, I don’t normally like books on prayer, but Mystically Wired is a big exception. While this book is incredibly practical, I was routinely blown away by the intuitive genius of Ken’s view and application of prayer. Page after page, thinking I knew what was next, I was surprised with fresh insight and unique perspectives on connecting with God. Being an evangelist, I was excited to realize I could also send this to spiritual friends who don’t follow Jesus as a way to introduce him.” — R. York Moore, National Evangelist InterVarsity Christian Fellowship USA “It began the day Jesus’ disciples came to him and asked, ‘Lord, teach us to pray.’ Ever since, Christ-followers have been wanting to learn the ways of prayer. Ken Wilson’s Mystically Wired is an extraordinary contribution to that learning tradition. It’s a wonderful read that leaves you feeling, ‘Yes, this is for me. Yes, I can do this. Yes, it’s within reach.’” — Brian McLaren, Author/Speaker/Activist “I wandered away from religion because religion thought it had all the answers. Pastor Ken Wilson, though, understands that life and faith are really about having the right questions. If you want to pray for favors, put this book down now. If you want the answers, the help here is only partial. But if you’re looking for a wide-ranging inquiry, and a path that can bring you closer to the mystery—without the mumbo-jumbo—delve within.” — Carl Safina, Author, Song for the Blue Ocean and The View From Lazy Point “Mystically Wired was a breath of fresh apologetic air for me. I pray and I experience God, and I find fixed hour prayer deeply meaningful, but this book shows that God made us to do such things and our brain is wired to communicate with God.” — Scot McKnight, Karl A. Olsson Professor in Religious Studies, North Park University “In my library there are scores of books on prayer—by legends and modern guides as well. It is not easy to make a genuine contribution to this body of literature. But Ken Wilson has done so. Mystically Wired manages to bring together the best of the sciences and philosophies of mind, brain, and consciousness with deep spirituality and candid personal reflection. While it will happily fit my on my shelf, it fits best in a heart yearning to pray.” — Todd Hunter, Anglican Bishop