Wireless Writing in the Age of Marconi


Book Description

Wireless technology has become deeply embedded in everyday life, but its impact cannot be fully understood without probing the contributions of the Italian inventor Guglielmo Marconi (1874-1937), who ushered in the beginning of wireless communication. Marconi produced and detected sound waves over long distances, using the curvature of the earth for direction, and laid the foundations for what we know as radio—the original mobile, voice-activated, and electronic media community. Timothy C. Campbell demonstrates that Marconi’s invention of the wireless telegraph was not simply a technological act but also had an impact on poetry and aesthetics and linked the written word to the rise of mass politics. Reading influential works such as F. T. Marinetti’s futurist manifestos, Rudolf Arnheim’s 1936 study Radio, writings by Gabriele D’Annunzio, and Ezra Pound’s Cantos, Campbell reveals how the newness of wireless technology was inscribed in the ways modernist authors engaged with typographical experimentation, apocalyptic tones, and newly minted models for registering voices. Wireless Writing in the Age of Marconi presents an alternative history of modernism that listens as well as looks and bears in mind the altered media environment brought about by the emergence of the wireless. Timothy C. Campbell is associate professor of Italian at Cornell University.




Wireless


Book Description

A new look at the early history of wireless communication.




Wireless Writing in the Age of Marconi


Book Description

Wireless technology has become deeply embedded in everyday life, but its impact cannot be fully understood without probing the contributions of the Italian inventor Guglielmo Marconi (1874-1937), who ushered in the beginning of wireless communication. Marconi produced and detected sound waves over long distances, using the curvature of the earth for direction, and laid the foundations for what we know as radio—the original mobile, voice-activated, and electronic media community. Timothy C. Campbell demonstrates that Marconi’s invention of the wireless telegraph was not simply a technological act but also had an impact on poetry and aesthetics and linked the written word to the rise of mass politics. Reading influential works such as F. T. Marinetti’s futurist manifestos, Rudolf Arnheim’s 1936 study Radio, writings by Gabriele D’Annunzio, and Ezra Pound’s Cantos, Campbell reveals how the newness of wireless technology was inscribed in the ways modernist authors engaged with typographical experimentation, apocalyptic tones, and newly minted models for registering voices. Wireless Writing in the Age of Marconi presents an alternative history of modernism that listens as well as looks and bears in mind the altered media environment brought about by the emergence of the wireless. Timothy C. Campbell is associate professor of Italian at Cornell University.




Thunderstruck


Book Description

A true story of love, murder, and the end of the world’s “great hush.” In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time. Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world transformed; and the rich outdid one another with ostentatious displays of wealth. Against this background, Marconi races against incredible odds and relentless skepticism to perfect his invention: the wireless, a prime catalyst for the emergence of the world we know today. Meanwhile, Crippen, “the kindest of men,” nearly commits the perfect murder. With his unparalleled narrative skills, Erik Larson guides us through a relentlessly suspenseful chase over the waters of the North Atlantic. Along the way, he tells of a sad and tragic love affair that was described on the front pages of newspapers around the world, a chief inspector who found himself strangely sympathetic to the killer and his lover, and a driven and compelling inventor who transformed the way we communicate.




Marconi and Tesla


Book Description

Introduces readers to the inventors of wireless communication equipment and the Tesla coil used in today's radios and television sets through an examination of their childhood years, education, inspirations, and groundbreaking discoveries.




Making Contact!


Book Description

As a boy, Marconi loved science and invention. Born in 1874 in Bologna, Italy, to a wealthy family, Marconi grew up surrounded by books in his father's library. He was fascinated with radio waves and learned Morse code, the language of the telegraph. A retired telegraph operator taught him how to tap messages on the telegraph machine. At the age of twenty, Marconi realized that no one had invented a wireless telegraph. Determined to find a way to use radio waves to send wireless messages, Marconi found his calling. And, thanks to his persistence, on December 12, 1901, for the first time ever, a wireless signal traveled between two continents. The rest is history. Monica Kulling's playful, informative text, combined with the compelling illustrations of artist Richard Rudnicki, bring an amazing inventor and his times to life.




Being Modern


Book Description

In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.




Edinburgh Companion to Virginia Woolf and the Arts


Book Description

The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts




Radio Modernism


Book Description

Weaving together the BBC's institutional history and developments in ethical philosophy, Todd Avery shows how the involvement of writers like T. S. Eliot, H. G. Wells, E. M. Forster, and Virginia Woolf with radio helped to shape the ethical contours of literary modernism. His book recaptures for a twenty-first-century audience the interest, fascination, excitement, and often consternation that British radio induced in its literary listeners following its inception in 1922.




James Joyce and Cinematicity


Book Description

In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.