Witch Winnie in Venice and the Alchemist's Story (Classic Reprint)


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Excerpt from Witch Winnie in Venice and the Alchemist's Story "Shreds and Patches" is the title of the last chapter of the present volume; and the author is aware that the entire book - with its scraps of history "cut out of whole cloth its numerous quotations; its old characters familiar in former stories; its personal impressions, theories, and moral reflections; its endeavor to be instructive and yet amusing; and all this held together by the most transparent film of plot - is but "a thing of shreds and patches.." My only apology is that this is exactly the process employed in the manufacture of the finest point applique lace. It is the work of many hands. The tiny flowers may have been cut from other and more antique specimens. They are "applied" on a web of cheaper machine-made net, or united by brides or tiny lacets, and bordered more or less elaborately, while the spaces between the sprigs and flowers were filled in with various kinds of stitches. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Witch Winnie in Venice


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WITCH WINNIE IN VENICE & THE A


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Publishers Weekly


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Pump Six and Other Stories


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Paolo Bacigalupi's debut collection demonstrates the power and reach of the science fiction short story. Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience. The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."




The Secret Crown


Book Description

King Ludwig II ruled Bavaria for twenty-two years, commissioning extravagant castles throughout his homeland and exhibiting such bizarre behavior that he was eventually declared insane. According to legend, Ludwig had stockpiled a massive cache of gold and jewels that would finance the construction of the largest castle of all time. But in the years since the king’s mysterious death, no one has found any evidence of such a trove. Until now. Jonathon Payne and David Jones are pulled into the mystery by a colleague, who asks them to investigate the legend. They agree, and quickly find themselves in a life-or-death struggle to uncover the truth about Ludwig’s death, his mythical treasure, and who would be willing to kill for it.




Love Unscripted


Book Description

An A-list movie star just wanted to be an actor. Never in his wildest dreams did he imagine a life where fans would chase him, paparazzi would stalk him, and Hollywood studios would want to own him. While filming in Rhode Island, he ducks into a neighborhood bar for a quick escape and finds much more than he expected.




This Is Falling


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First, I had to remember how to breathe. Then, I had to learn how to survive. Two years, three months and sixteen days had passed since I was the Rowe Stanton from before, since tragedy stole my youth and my heart went along with it. When I left for college, I put a thousand miles between my future and my past. I’d made a choice—I was going to cross back to the other side, to live with the living. I just didn’t know how. And then I met Nate Preeter. An All-American baseball player, Nate wasn’t supposed to notice a ghost-of-a-girl like me. But he did. He shouldn’t want to know my name. But he did. And when he learned my secret and saw the scars it left behind, he was supposed to run. But he didn’t. My heart was dead, and I was never supposed to belong to anyone. But Nate Preeter had me feeling, and he made me want to be his. He showed me everything I was missing. And then he showed me how to fall. *This is a standalone in a three-part series that will focus on different characters. Each book can be read on its own.




Nihilism, Modernism, and Value


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Nihilism, Modernism, and Value consists of three jargon-free lectures addressed to the general reader. It explores a variety of ways in which writers responded to the phenomenon of nihilism in the 19th and early 20th centuries, By "nihilism" here is meant a sense, at times paralyzing, of the instability and perhaps groundlessness of all values. The book goes into some of the factors— psychological, sociological, philosophical—involved in that destabilizing. But its principal focus is on reintegration, and it draws freely on real-world experiences to illuminate concepts and strategies. Among the writers whose names figure in it are Conrad, Nietzsche, Beckett, Woolf, Heidegger, Rhys, Pushkin, Baudelaire, Hemingway, Lessing, Stevens, Valéry, and James (William), with particular attention at one point to Kafka and Borges. But no prior knowledge of them is required for following the argument, with its numerous lively quotations. The author himself is advancing heuristically, not just performing an academic exercise. The problems confronted are as relevant still as they were generations ago. A reviewer of John Fraser's first book spoke of "an extremely agile and incessantly active mind which illuminates almost every subject it touches." A reviewer of the second one, both of them published by Cambridge University Press, called it "a brilliant and utterly absorbing work," and said that "There are not many learned books which have the unputdownable quality of a thriller; this is one of them."