Women and Russian Culture


Book Description

The image of women in Russian culture has undergone profound changes: from the origins of modern Russian literature in the eighteenth century until the Revolution of 1917, when women were a source of fascination for Russian writers, to the socialist realism period, during which public discussion of the representation of women in literature rapidly declined and the "woman question" was declared to have been "resolved," to a reappraisal of the position of women since the 1980s. This collection of essays by leading western and Russian specialists contains new insights and updates previous research into the role of women in Russian culture in the last two centuries and contributes to two exciting and growing research areas: the feminist critique of work by Russian male authors and the study of Russian women writers. Moreover, whereas most previous studies have concentrated on the aesthetic qualities of works by women writers, this collection includes both close textual analysis and the discussion of biographical, historical, and political questions relating both to the representation of women and women's culture. The aim is not to present aunified manifesto, but rather to bring together a spectrum of approaches and positions within their common focus on the relationship between women and culture in Russia. Contributors: R. Marsh, A. Barker, J. Andrew, D. Greene, I. Kazakova, C. Schuler, S. Graham, K. Hodgson, N. Kolchevska, N. Cornwell, J. Curtis, M. Katz, M. Ledkovsky, P.I. Barta, A. Darmodekhina, D. Gillespie, N. Zhuravkina, B. Lanin, S. Carsten, A. Tait




Women in Russian Culture and Society, 1700-1825


Book Description

Women in Russian Culture and Society, 1700-1825 is a collection of essays by leading researchers shedding new light on women as writers, actresses, nuns and missionaries. It illuminates the lives of merchant and serf women as well as noblewomen and focuses on women's culture in Russia during this period.




Women in Nineteenth-Century Russia


Book Description

"This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.




Gender in Russian History and Culture


Book Description

This volume charts the changing aspects of gender in Russia's cultural and social history from the late seventeenth century to the Stalinist era and the collapse of the Soviet Union. The works, while focusing on women as a primary subject, highlight in particular gender difference, the construction of both femininity and masculinity in a culture that has undergone major transformation and disruptions over the period of three centuries.




Mother Russia


Book Description

"Joanna Hubbs has found the trace of Baba Yaga and the rusalki and Moist Mother Earth and other fascinating feminine myths in Russian culture, and has added richly to the growing interest in popular culture." -- New York Times Book Review "... brave... fascinating... immensely enjoyable... " -- Times Higher Education Supplement "... a stimulating and original study... vivid and readable." -- Russian Review "An immensely stimulating, beautifully written work of scholarship." -- Francine du Plessix Gray "Joanna Hubbs has provided scholars... with a wealth of significant interpretive material to inform if not reform views of both Russian and women's cultures." -- Journal of American Folklore A ground-breaking interpretation of Russian culture from prehistory to the present, dealing with the feminine myth as a central cultural force.




Sexuality and the Body in Russian Culture


Book Description

Twelve groundbreaking essays show the varied and complex ways in which ideas about sexuality, gender, and the body have shaped and been influenced by Russian literature, history, art, and philosophy from the medieval period to the present day.




Russia--women--culture


Book Description

This volume examines areas of cultural production that have offered Russian women new freedoms and have opened commercial and artistic possibilities to them since the 19th century. Key aspects of Russian culture that have been systematically ignored are foregrounded here: Russian women s development of "popular" culture and their ingenious reinventions of "high" literature. The essays analyze women s creativity of every type their products, performances, and collaborative exchanges in sites that range from the bath-house to the ballroom. Contributors are Nadezhda Azhgikhina, Lina Bernstein, Nancy Condee, Darra Goldstein, Helena Goscilo, Gitta Hammarberg, Alison Hilton, Beth Holmgren, Mary B. Kelly, Louise McReynolds, Nadya L. Peterson, Stephanie Sandler, and Ol ga Vainshtein.




Gender and National Identity in Twentieth-century Russian Culture


Book Description

Combining concepts and methodologies from anthropology, history, linguistics, literature, music, cultural studies, and film studies, this collection of ten original essays addresses issues crucial to gender and national identity in Russia from the October Revolution of 1917 to the present. Collectively, these interdisciplinary essays explore how traditional gender inequities influenced the social processes of nation building in Russia and how men and women responded to those developments. Available in both clothbound and paperback editions, Gender and National Identity in Twentieth-Century Russian Culture offers fresh insights to students and scholars in the fields of gender studies, nationhood studies, and Russian history, literature, and culture.




Fruits of Her Plume: Essays on Contemporary Russian Women's Culture


Book Description

The 1980s witnessed the ascendency of Russian women in multiple spheres of artistic creation, including literature, film, and painting. This volume may thus be said to engage not only women's artistic production but, indeed, the best and most colourful of recent Russian culture. Treating contemporary Russian women's creativity, it approaches women's texts, films, and canvasses from a range of perspectives, from anti-gendered to feminist. Some of the essays introduce writers not previously well studied, others challenge conventional interpretations and assumptions, while still others yield original viewpoints through novel juxtapositions. In addition to offering insights into the various artists under analysis, the essays map the wide terrain of issues and methodologies proliferating in cultural criticism today, and mirror the diversity that is one of the most appealing features of women's creativity in contemporary Russia.




Global Russian Cultures


Book Description

Is there an essential Russian identity? What happens when "Russian" literature is written in English, by such authors as Gary Shteyngart or Lara Vapnyar? What is the geographic "home" of Russian culture created and shared via the internet? Global Russian Cultures innovatively considers these and many related questions about the literary and cultural life of Russians who in successive waves of migration have dispersed to the United States, Europe, and Israel, or who remained after the collapse of the USSR in Ukraine, the Baltic states, and the Central Asian states. The volume's internationally renowned contributors treat the many different global Russian cultures not as "displaced" elements of Russian cultural life but rather as independent entities in their own right. They describe diverse forms of literature, music, film, and everyday life that transcend and defy political, geographic, and even linguistic borders. Arguing that Russian cultures today are many, this volume contends that no state or society can lay claim to be the single or authentic representative of Russianness. In so doing, it contests the conceptions of culture and identity at the root of nation-building projects in and around Russia.