Women and the Cinema
Author : Karyn Kay
Publisher : Plume
Page : 498 pages
File Size : 33,78 MB
Release : 1977
Category : Fiction
ISBN :
Author : Karyn Kay
Publisher : Plume
Page : 498 pages
File Size : 33,78 MB
Release : 1977
Category : Fiction
ISBN :
Author : Alison Butler
Publisher : Columbia University Press
Page : 133 pages
File Size : 42,91 MB
Release : 2019-07-25
Category : Literary Criticism
ISBN : 0231851359
Women's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the codes and systems of the major cinematic traditions from within. Using canonical directors and less established names, ranging from Chantal Akerman to Moufida Tlatli, as examples, Butler argues that women's cinema is unified in spite of its diversity by the ways in which it reworks cinematic conventions.
Author : Patricia White
Publisher : Duke University Press
Page : 299 pages
File Size : 38,22 MB
Release : 2015-04-20
Category : Performing Arts
ISBN : 0822376016
In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.
Author : Barbara Mennel
Publisher : University of Illinois Press
Page : 374 pages
File Size : 17,60 MB
Release : 2019-01-30
Category : Performing Arts
ISBN : 0252050967
From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first-century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.
Author : Gönül Dönmez-Colin
Publisher : Reaktion Books
Page : 212 pages
File Size : 24,52 MB
Release : 2004-11-04
Category : Performing Arts
ISBN : 9781861892201
The first book to examine the troubled relationships between women, Islam and cinema.
Author : Robin Blaetz
Publisher : Duke University Press
Page : 436 pages
File Size : 44,33 MB
Release : 2007-10-16
Category : Performing Arts
ISBN : 9780822340447
This volume offers introductions to the work of fifteen avant-garde American women filmmakers.
Author : Annette Kuhn
Publisher :
Page : 246 pages
File Size : 30,6 MB
Release : 1993
Category : Performing Arts
ISBN :
Author : Laura Mulvey
Publisher : Reaktion Books
Page : 287 pages
File Size : 28,87 MB
Release : 2019-11-15
Category : Performing Arts
ISBN : 178914163X
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Author : Julia Knight
Publisher : Verso
Page : 244 pages
File Size : 32,93 MB
Release : 1992-06-17
Category : Performing Arts
ISBN : 9780860915683
There were virtually no women film directors in germany until the 1970s. today there are proportionally more than in any other film-making country6, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders. In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women’s film-making in the 1970s and 1980s, in particular the role of the women’s movement, the concern with the notion of a ‘feminine aesthetic’, women’s entry into the mainstream, and the emergence of a so-called post-feminist cinema. This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.
Author : Norma Manatu
Publisher : McFarland
Page : 245 pages
File Size : 18,73 MB
Release : 2014-01-10
Category : Performing Arts
ISBN : 9780786451449
The representation of African American women is an important issue in the overall study of how women are portrayed in film, and has received serious attention in recent years. Traditionally, "women of color," particularly African American women, have been at the margins of studies of women's on-screen depictions--or excluded altogether. This work focuses exclusively on the sexual objectification of African American women in film from the 1980s to the early 2000s. Critics of the negative sexual imagery have long speculated that control by African American filmmakers would change how African American women are depicted. This work examines sixteen films made by males both white and black to see how the imagery might change with the race of the filmmaker. Four dimensions are given special attention: the diversity of the women's roles and relationships with men, the sexual attitudes of the African American female characters, their attitudes towards men, and their nonverbal and verbal sexual behaviors. This work also examines the role culture has played in perpetuating the images, how film influences viewers' perception of African American women and their sexuality, and how the imagery polarizes women by functioning as a regulator of their sexual behaviors based on cultural definitions of the feminine.