Women House


Book Description

Two notions intersect in the 'Women House' exhibition: a gender (female) and a space (the domestic sphere). Architecture and public space have traditionally been male preserves, whereas domestic space has been that of women; this historic fact is not, however, inevitable, as the exhibition demonstrates. Is the 'woman-house' a refuge or a prison, or can it become a space for creativity? The exhibition and accompanying catalogue reflect the complexity of possible points of view on the subject, which are not only feminist but also poetic and nostalgic. Women artists turn the house inside out: a symbol of isolation becomes a symbol of the construction of identity, the intimate becomes political, private space becomes public space, and the body turns into a piece of architecture. According to different cultural contexts and generations of artists, the house becomes a body-house, a homeland-house, or even a world-house.




Women and the Making of the Modern House


Book Description

Investigates how women patrons of architecture were essential catalysts for innovation in domestic architectural design. This book explores the challenges that unconventional attitudes and ways of life presented to architectural thinking, and to the architects themselves.




The Women of Hull House


Book Description

This group biography explores the lives, work, and personal relations of nine white, middle- and upper-middle-class women who were involved in the first decade of Chicago's premier social settlement. This "galaxy of stars"--as they were called in their own day--were active in innumerable political, social, and religious reform efforts. The Women of Hull House refutes the humanistic interpretation of the social settlement movement. Its spiritual base is highlighted as the author describes it as the practical/ethical side of the social gospel movement and as an attempt to transform late nineteenth-century evangelical and doctrinal Christian religion. While the women of Hull House differed from one another in their theological beliefs and were often critical of orthodox Christianity, they were motivated by Christian ideals. By showing the interconnections of spirituality, vocation, and friendship, the author argues that individual actions for social changes must take place within communities which provide a level of uniting vision yet allow for diverse actions and viewpoints.




House of Psychotic Women


Book Description

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. HOUSE OF PSYCHOTIC WOMEN is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and a celebration of female madness, both onscreen and off. This critically-acclaimed publication is packed with rare images that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, Paranormal Activity, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let’s Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more. Prior to this ebook edition, Kier-La's highly acclaimed book has already been issued twice in hardcover and twice in paperback, garnering extensive press coverage. Endorsement including the following: “God, this woman can write, with a voice and intellect that’s so new. The truth in the most deadly unique way I’ve ever read.” – Ralph Bakshi, director of ‘Fritz the Cat’, ‘Heavy Traffic’, ‘Lord of the Rings’, etc. “Fascinating, engaging and lucidly written: an extraordinary blend of deeply researched academic analysis and revealing memoir.” – Iain Banks, author of ‘The Wasp Factory’




House of Women


Book Description

In this graphic novel, science fiction meets psychosexual drama when four women try to bring “civilization” to the natives of a remote planet on the fringes of the known universe. Something dark is growing in Mopu. The only question is whether the danger that will undo the women’s delicate camaraderie is outside the gates―or within. House of Women is Goldstein’s second solo graphic novel, following 2015’s The Oven (AdHouse Books), which appeared on many year-end “Best of ” lists, including Publisher’s Weekly and Slate.




Keeping House


Book Description

This book is a fascinating re-creation of the lives of women in the time of great social change that followed the end of the French and Indian War in western Pennsylvania. Many decades passed before a desolate and violent frontier was transformed into a stable region of farms and towns. Keeping House: Women's Lives in Western Pennsylvania, 1790-1850, tells how the daughters, wives, and mothers who crossed the Allegheny Mountains responded and adapted to unaccustomed physical and psychological hardships as they established lives for themselves and their families in their new homes.Intrigued by late eighteenth and early nineteenth-century manuscript cookbooks in the collection of the Historical Society of Western Pennsylvania, Virginia Bartlett wanted to find out more about women living in the region during that period. Quoting from journals, letters, cookbooks, travelers' accounts - approving and critical - memoirs, documents, and newspapers, she offers us voices of women and men commenting seriously and humorously on what was going on around them.The text is well-illustrated with contemporaneous art- engravings, apaintings, drawings, and cartoons. Of special interest are color and black-and-white photographs of furnishings, housewares, clothing, and portraits from the collections of the Historical Society of Western Pennsylvania.This is not a sentimental account. Bartlett makes clear how little say women had about their lives and how little protection they could expect from the law, especially on matters relating to property. Their world was one of marked contrasts: life in a log cabin with bare necessities and elegant dinners in the homes of Pittsburgh's military and entrepreneurial elite; rural women in homespun and affluent Pittsburgh ladies in imported fashions. When the book begins, families are living in fear of Indian attacks; as it ends, the word "shawling" has come into use as the polite term for pregnancy, referring to women's attempt to hide their condition with cleverly draped shawls. The menacing frontier has given way to American-style gentility.An introduction by Jack D. Warren, University of Virginia, sets the scene with a discussion of the early peopling of the region and places the book within the context of women's studies.




The Women's House of Detention


Book Description

This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century. The Women's House of Detention, a landmark that ushered in the modern era of women's imprisonment, is now largely forgotten. But when it stood in New York City's Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates--Angela Davis, Andrea Dworkin, Afeni Shakur--were famous, but the vast majority were incarcerated for the crimes of being poor and improperly feminine. Today, approximately 40 percent of the people in women's prisons identify as queer; in earlier decades, that percentage was almost certainly higher. Historian Hugh Ryan explores the roots of this crisis and reconstructs the little-known lives of incarcerated New Yorkers, making a uniquely queer case for prison abolition--and demonstrating that by queering the Village, the House of D helped defined queerness for the rest of America. From the lesbian communities forged through the Women's House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of one building and much more: the people it caged, the neighborhood it changed, and the resistance it inspired.




A Woman's Place


Book Description

This focused look at women in the household context discusses the importance of issues of space and visibility in shaping the lives of early Christian women. Several aspects of women's everyday existence are investigated, including the lives of wives, widows, women with children, female slaves, women as patrons, household leaders, and teachers. In addition, several key themes emerge: hospitality, dining practices, and the extent of female segregation.




Lolas' House


Book Description

During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.” M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture. Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.




Tin House


Book Description

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