Women's Scenes and Monologues


Book Description




2009


Book Description

This year Smith and Kraus has decided to combine its annual best monologues and best scenes anthologies. The scenes included in this book are either for two men or for one man and one woman. The latter are scenes in which the male role is predominant.Here you will find a rich and varied selection of monologues and scenes from plays that were produced and/or published in the 2008-2009 theatrical season. Most are for younger performers (teens through thirties), but there are also some excellent pieces for men in their forties and fifties, and even a few for older performers. Some are comic (laughs), some are dramatic (generally, no laughs). Some are rather short, some are rather long. All represent the best in contemporary playwriting.Several of the monologues are by playwrights whose work may be familiar to you, such as Don Nigro, A. R. Gurney, Sam Bobrick, Terrence McNally, Adam Rapp, Steven Dietz, Itamar Moses, Stephen Belber, Keith Reddin, Naomi Iizuka, Michael Weller, Roberto Aguirre-Sacasa, Richard Vetere, Bruce Graham, Jacquelyn Reingold, Sam Shepard, and Nicky Silver; others are by exciting up-and-comers like Octavio Solis, Lydia Stryk, Michael Vukadinovich, Liz Flahive, John Kolvenbach, Sylvia Reed, Barton Bishop, Padraic Lillis, Michael Golamco, and Lucy Thurber.The scenes are by master playwrights, such as Itamar Moses, Noah Haidle, Aguirre-Sacasa, and Silver, and by exciting new writers, such as Saviana Stanescu, E. M. Lewis, Jonathan Rand, Kolvenbach, Golamco, Larry Kunofsky, and Susan Bernfield. About the AuthorFor over thirty years Lawrence Harbison was in charge of new play acquisition for Samuel French, Inc., during which time his work on behalf of playwrights resulted in the first publication of such subsequent luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jose Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as Smoke of the Mountain, A...My Name Is Alice, Little Shop of Horrors and Three Guys Naked from the Waist Down. He is a now a free-lance editor, primarily for Smith and Kraus, Inc., for whom he edits annual anthologies of best plays by new playwrights and women playwrights, best ten-minute plays and best monologues and scenes for men and for women. For many years he wrote a weekly column on his adventures in the theater for two Manhattan Newspapers, the Chelsea Clinton News and The Westsider. His new column, On the Aisle with Larry, is a weekly feature at the Smith and Kraus website. He works with individual playwrights to help them develop their plays (visit Lawrence's website for details). He has also served as literary manager or literary consultant for several theatres, such as Urban Stages and American Jewish Theatre. He is a member of the NYC press corps and is an Outer Critics Circle member. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities. He holds a B.A. from Kenyon College and an M.A. from the University of Michigan. He is currently working on a book, Masters of the Contemporary American Drama.




Random Women


Book Description

A SECRET WEAPON ~ Finding good monologues and scenes can be a challenge for actors. Yet monologues are an essential tool of the trade. Having an arsenal of monologues is like having a secret weapon, giving actors a way to work on their craft every day. Monologues for women are especially hard to find. Hence, the creation of RANDOM WOMEN, a book of monologues and scenes written by an actor for actors.




Scenes and Monologues from Steinberg/ATCA New Play Award Finalists, 2008-2012


Book Description

(Applause Acting Series). Culled from the finalists for the prestigious Steinberg/American Theatre Critics New American Play Award from the years 2008-2012, Scenes and Monologues from Steinberg/ATCA New Play Award Finalists, 2008-2012 presents some of the finest, sharpest, and most immediate scenes and monologues from contemporary American drama. The book is divided into male-female, male-male, female-female scenes as well as male and female monologues and multiple character scenes. Actors, teachers, students of drama, as well as theater lovers will be thrilled by entries from such recent hits as Time Stands Still , Superior Donuts , Detroit , Water by the Spoonful , and Dead Man's Cell Phone , as well as material from such lesser known-but soon to be widely celebrated plays as 9 Circles , Becky's New Car , Perfect Mendacity , Splinters , and On the Spectrum . All are superbly constructed dramas told with ferocity, passion, wit, and supreme insight. Collectively, these scripts by our most promising and creative playwrights including Sarah Ruhl, Tracy Letts, Lee Blessing, Rebecca Gilman, Donald Margulies, Naomi Iizuka, Bill Cain, Rinne Groff, Quaira Alegria Hudes, and Yussef El Guindi reflect a collective vision of today's America that is startling in its ability to reveal the pressing circumstances and realities, the diverse characters and conflicts, and the "forms and pressures" of our emerging millennial era.




The Ultimate Scene and Monologue Sourcebook, Updated and Expanded Edition


Book Description

All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. This unique format is ideal for acting teachers who want their students to understand each monologue in context. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book also includes the author’s own assessment of each monologue.




The Ultimate Scene and Monologue Sourcebook, Updated and Expanded Edition


Book Description

All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. The unique format of the book is ideal for acting teachers who want their students to understand each monologue in context. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book includes the author’s own assessment of each monologue.




Play the Scene


Book Description

A collection of over a hundred scenes and monologues from plays from the Elizabethan period to contemporary Tony Award winners.




American Theatre Book of Monologues for Women


Book Description

Audition monologues selected from plays first published in American theatre magazine since 1985.




The Kilroys List, Volume One


Book Description

"The superheroines of the theater are back—and better and bolder than ever."— Backstage "These plays have been developed and vetted for artistic excellence; they just happen to possess the added bonus of representing a voice that's currently being underproduced. It's part of a larger movement to say: There's an embarrassment of riches here."— Sheila Callaghan for the Kilroys Not your typical book of monologues, this new collection embodies the mission of the Kilroys, an advocacy group founded in 2013 to raise awareness for the underutilized work of female and trans* playwrights. The collection is comprised of ninety-nine monologues, each from a different play off "The List" from 2014 and 2015, featuring the most unproduced (or under-produced), yet highest-recommended, plays by women in the United States. The monologues selected for this volume serve to highlight the talents of these writers in a wide array of pieces that vary in genre, style, and gender. As it says on their website, the Kilroys "Make Trouble and Plays." The Kilroys are a gang of playwrights and producers in Los Angeles, California, who advocate for the visibility of women playwrights in theatre. Founded in 2013, the Kilroys are named after the iconic graffiti tag "Kilroy Was Here" that was first left by WWII soldiers in unexpected places, a playfully subversive way of making their presence known. The members include Zakiyyah Alexander, Bekah Brunstetter, Sheila Callaghan, Carla Ching, Annah Feinberg, Sarah Gubbins, Laura Jacqmin, Joy Meads, Kelly Miller, Meg Miroshnik, Daria Polatin, Tanya Saracho, and Marisa Wegrzyn.




The Ultimate Scene and Monologue Sourcebook


Book Description

Preparing for an audition and unsure of what you want to do?The Ultimate Scene and Monologue Sourcebookis the book you've been waiting for. Unlike “scene books” that reprint 50 to 75 monologues excerpted from plays but don't include any background information, this annotated guide tells you what you really need to know about audition material from more than 300 contemporary plays. Here is how the book works. Suppose that you're looking for a dramatic male/female scene. When you scan “Part One: Play Synopses and Analyses,” you come across an entry forThe Middle of the Nightby Paddy Chayefsky. This is what you see: The Middle of the Night by Paddy Chayefsky (Samuel French) Synopsis: A kindly 53-year-old widower falls in love with a 23-year-old woman who is unhappily married to a musician. No one in their circle of acquaintances approves of this union, but their love is true. Analysis: Excellent human drama, frequently touching. Actors who play the widower need to have a good feel for New York City/Brooklyn speech patterns. This sensitivity isn't as essential for the part of the woman. All levels. Scenes/Monologues: Male Monologues (1), Female/Female Scenes (1), Male/Female Scenes (2) In addition to basic information about the play (author and publisher), the entry provides you with the story line, a critique of the play, and the number of audition-worthy monologues and scenes it contains. If the description of this particular play piques your interest, your next step is to turn to “Part Six: Male/Female Scenes” for specifics about the selection. This is what you'll see there: The Middle of the Night by Paddy Chayefsky (Samuel French) Drama: Act II, Scene 2, pp. 40-44; The Manufacturer (53) and The (23). After an unsatisfactory attempt at lovemaking, The Manufacturer feels awful that he wasn’t able to perform ually. The is very understanding. He then asks her to marry him. The actor playing The Manufacturer must have a good feel for regional New York speech patterns. This skill is less critical for the actress playing The . Start, The Manufacturer: “I’m sorry, Betty.” End, The Manufacturer: “Oh, my sweet , I love you so much you don’t know. If you change your mind tomorrow, I won’t be angry with you. I won’t lie to you, Betty. I’m afraid.” This entry tells you what type of scene this is (dramatic), where you'll find the selection (act, scene, and page numbers), the length of the scene, the names and ages of the characters, the context in which the characters are speaking, and the first and last lines of the scene. If the material seems appropriate, all you have to do is get a copy of the play and get to work. BecauseThe Ultimate Scene and Monologue Sourcebookenables you to make informed decisions about the suitability of more than 1,000 monologues and scenes-which you can find easily through the book's extensive cross indexes—you’ll gain a critical edge in the auditioning process.