Wong Sir's Trip:Barcelona, ​​Spain Picasso Museum


Book Description

Wong Sir's Trip:Barcelona, ​​Spain Picasso Museum There are many museums related to Picasso around the world, one located in the coast of Barcelona, ​​Spain. When it opened on March 9, 1963, Picasso was still alive, it was the first museum in the world to specialize in Picasso's works. The museum is located in a narrow alley, in five 13-15th century palaces in Ribeira, with typical Gothic architecture. The building is surrounded by an open-air atrium with an open-air staircase leading to the main floor. In order to protect the works, visitors should keep their bags. The museum can take pictures, but cannot use flashlights. The museum has a collection of 4,251 works by Picasso,many of which were donated by Picasso. It mainly displays Picasso's young age, and it is rare in other museums, including oil paints, drawings, prints, pottery and so on. The museum exhibits more than 4,000 works on two floors. There are two exhibition halls dedicated to Picasso's creations in 1917. The museum spreads Picasso's life course in different periods. Picasso (1881-1973) was born in Malaga, Spain on October 25, 1881. At the age of 14, he moved to Barcelona to study painting, leaving many city paintings. Picasso and later moved to Paris to start a life page. 1890-1897: Early years Picasso's father was an art teacher. He had been involved in painting since he was a child. When he was eight years old, he completed his first oil painting. He painted a spear knight on a bullring. At the age of 12, the style of painting was like Raduelle, one of the three masters of Renaissance art. In 1895, Picasso was 14 years old. His father was sent to work at the well-known Longha Academy of Fine Arts in Barcelona. Picasso sketched in classical art and still life, passed the entrance examination, successfully entered San Fernando in Madrid two years later. Picasso rarely goes to class and always visits art galleries. 1897-1901: period of schooling Moving from her birthplace to Málaga to Barcelona was a turning point in Picasso's style. Picasso's mastery of lines and colors was perfect and his expression was strong. In 1897, Picasso completed the painting "Science and Compassion", his father appeared as a doctor in the painting. Picasso made many friends, and some became lifelong. He painted portraits of many friends, emphasizing the outlines of the characters with strong and solid lines, with a little color on the background. At this time, Picasso painted the first painting with an abstract orientation. 1901-1904: The blue period Picasso was under nineteen when he first entered the world of Paris, when the Impressionist artist played an important role. Influenced by many Impressionist masters, Picasso was keen on color and had the shadow of Cézanne. Later, the style of painting turned to Fauvism. Within a year, Picasso experimented with various forms of painting. The death of a friend stained Picasso's world. Most of the works in the blue period were completed in Barcelona. He has changed color and subject matter a lot, focusing on prisons, mental hospitals or people suffering from sexually transmitted diseases. The prisoner series shows that they are the victims of society and their lives are desperately tortured by disease. 1904-1906: The Pink Period After the blue period, Picasso entered the pink period with Cubism. Picasso is fascinated by pink characters such as circus performances, street performers, jugglers and clowns. Showing their lives, depression, dreams, short-lived happiness, lonely clowns often appear in the works. 1917-1953: the metamorphosis period Picasso followed Cezanne-style Cubism, which indicated that Cubism was coming, it was a revolutionary breakthrough in the history of modern art. The "Avignon Girl" of 1907 is a representative work. The five nudes in the painting surround the foreground still life. In 1909, when analytic cubism appeared, Picasso and Braque influenced each other, and the two became pioneers of cubism. After 1914, Picasso's style of painting began to turn from abstract to concrete. He felt that he wanted to return to the lines of the sketch, but he did not give up cubism. In 1921, Picasso was fascinated by the world of theatre and dance. The "Three Musicians" returned to the classics to rediscover the tradition and to innovate again. 1937 was a watershed moment in Picasso's artistic career. During this period, a series of fancy paintings, including "The Crying Woman", "The Woman in a Hat", "Mary Taylor", etc., these paintings have in common the portrait is vertically asymmetric. When the Nazis captured Paris in 1940, Picasso's little girl neighbour changed the signboard from white to red when she attracted the pigeons, was killed by the Nazis. Picasso drew several white pigeons to mourn the little girl, and since then "white pigeons" have represented peace. 1953-1973: Old age The older Picasso was, the more he painted like a child, the later works were more "rough" than the earlier ones. Following Picasso's words: "I have pursued painting like a child all my life." Picasso has loved many women , Ji Qilian is his last wife. In 1953, Picasso, 72, married his 26-year-old wife, Ji Qilian painted more than 400 portraits for her, the largest number of Picasso's many lovers. Ji Qilian inspired Picasso's new artistic creation. He invented a new printmaking technique, using multiple colors to print on the same plate, breaking the original monolithic frame of each template, which is a breakthrough in the history of printmaking. On April 8, 1973, one day before Picasso's death, he was accompanied by Ji Qilian to take the elevator home. Before going to the bedroom, he stopped in front of a mirror in the lobby and looked at the mirror for a moment. he said : "Tomorrow , I will start drawing me. " The next day, he died forever,throughout his life, Picasso did not have a self-portrait. Picasso museum Address: Carrer de Montcada 15-23, 08003 Barcelona, ​​Spain Admission fee: EUR 12 for adults Concessionary ticket (ages 18 to 25 and over 65): € 7 Free for under 18 years old and college students Opening hours: 10: 00- 20:00 (Closed on Mondays) Closed days: January 1, May 1, June 24, December 25 Note: Free on the first Sunday of every month February 10, May 18, September 24, open days are free Free every Thursday 18: 00- 21:30 Transportation: Metro Line L1 Arc de Triomf Station, Line L3 Liceu Station, Line L4 Jaume I Station Get off and walk for about 10 minutes




Pity and Terror


Book Description

The news of the bombardment of the Basque town of Guernica by German planes during the Spanish Civil War was the inspiration that set Picasso to work on Guernica, the picture that transcended the specific historical moment to wich it refers to become the great icon of the twentieth century. In 2017 we commemorate the eightieth anniversary of the work's creation and the twenty-fifth anniversary of its arrival to the Museo Reina Sofía, with the organization of Pity and Terror: Picasso's Path to Guernica, a new exhibition of more than 170 pieces from the museum's own collection and from other institutions. To coincide with the anniversary of Guernica, the Museo Reina Sofía is publishing two books that are the result of research carried out by the Collections Department. The first is the current volume, Pity and Terror: Picasso's Path to Guernica, while the second will examine Guernica's travels.




The Photomontages of Hannah Höch


Book Description

Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.




The Structural Conservation of Panel Paintings


Book Description

This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.




The J. Paul Getty Museum Journal


Book Description

The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.




Picasso and the War Years, 1937-1945


Book Description

This absorbing book draws upon new research and works that, in some cases were held out of public view in Picasso's own collection, to explore the critically important--but still under-studied--period of his life from the Spanish Civil War through World War II and the Nazi occupation of France. This span of years is marked by some of the most intensely personal and expressive work of his career. The subjects he painted changed dramatically in direct response first to the horrors of war and then the dangers and privations of life in occupied Paris, where, though branded a degenerate artist by the Nazis, he chose to remain until the Liberation.




The Originality of the Avant-Garde and Other Modernist Myths


Book Description

Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.




Art in the Streets


Book Description

A catalog of an exhibition that surveys the history of international graffiti and street art.




Picasso's 'Guernica'


Book Description