The Word is Art


Book Description

A fascinating overview of how contemporary artists incorporate text and language into work that speaks to the most pressing issues of the 21st century. In this new volume celebrated artist and curator Michael Petry, addresses media and marketplace concerns about the state of language and the value of books in the digital age. As words find new modes of transmission in contemporary society, text becomes information, and information strives to become free, Petry asks, what value can text hold in the sphere of visual art? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski, and more, The Word is Art explores this and related questions and demonstrates how words remain critical, powerful, and central to art practice. Presenting major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.




Image to Word


Book Description

CD-ROM contains the digitized images found in the book.




Explodity


Book Description

The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.




Art and Science in Word and Image


Book Description

Art and Science in Word and Image explores how discovery and innovation have functioned inter-dependently across art, literature and the sciences, focusing on engagements with natural forms and forces, and other fields of knowledge across a spectrum of creative media.




Art, Word and Image


Book Description

A highly illustrated survey of the use of words (or language) in art. Art, Word and Image asks what it means when a painting is 'invaded' by language - how do the two forms converse and combine, and what messages are intended for the viewer?




The Painted Word


Book Description

"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).




The Visible Word


Book Description

Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.




Words of Art


Book Description

"Combine the classic party game Apples to Apples with a visit to the fabulous home of a wealthy collector and what do you get? Words of Art."--ARTnews A creative, collaborative card game for art lovers featuring 150 works from renowned collector and philanthropist Agnes Gund's never-before-published private art collection. - Perfect for Family Game Nights: Players feast their eyes and exercise their brains as they challenge friends and family to come up with the art card that best expresses the verbal prompt given by the designated Storyteller. - Expert authors: Created by daughter of famed art collector Agnes Gund and world-class design team Pentagram to excite everybody about contemporary art. - For fans of visually stunning games like Azul and Wingspan: Open your eyes to an astonishing collection of contemporary art by a diverse group of artists from around the globe. The cards feature art from a wide range of artists, from world famous (Jasper Johns, Romare Bearden, Warhol, Louise Bourgeois) to newer stars (Sarah Sze, Nick Cave, Teresita Fernandez). Over half the works are made by women artists and over a third by artists of color. - A different experience in each game: 150 different works of art to draw from creates new collections to explore every time you play. - Fun + Educational: Reinforces language and vocabulary development as well as creativity and imagination. - 4 or more players - Playing time 30 minutes to 1 hour - Contains 150 cards, sample prompt card, 16 tokens and rule book - Ages 8 and up




Word Art + Gesture Art = Tone Art


Book Description

This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of the genuinely vocal and instrumental from their generative deep structure: They derive from and are determined in their production by the duality of voice and hands, and in terms of product as the tone or ‘tonal’ on the one hand, and the percussive, that is noise plus rhythm, on the other. This book succeeds in bringing together perspectives from art, and from natural and social sciences, merging them to offer new explanations about the relationship between the vocal and instrumental, and eventually about the origins of music, arts, and language. It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying and explaining the role of words and gestures in different contexts, such as society and communication, education, and arts.




Wordcraft


Book Description

In Wordcraft, Alex Frankel, a business writer who once briefly worked as a namer, tells the story of how five major brands got their names: BlackBerry, Accenture, Viagra, the Porsche Cayenne, and IBM’s “e-business.” Behind each name is an account of how words and language infuse the products we use every day with meaning, and how great words actually succeed in changing people’s behavior. The book is filled with stories about words that come from every corner of our world: technology, health, sports, food, business, and more.