Xibalba Songs


Book Description

From cosmogonies and half-remembered memories, to mythical mandalas from the ancient past, this collection of surreal and unsettling poetry charts the soul's journey from daylight into the dark recesses of Xibalba, the Realm of the Dead and the Archetypal. But in doing so, it also mirrors the death of mythical and non-rational modes of experience in our modern society: the grey emptiness of Xibalba is experienced here as a bleak realm whose mythological heart is steadily disppearing to be replaced by muted whispers on the archetypal breeze. The house of torment in Orpheus Junior is the rationalising but dehumanised urban space, yet there are signs of hope: flashes of life remind us that we are alive on this cold road downwards, and the collection culminates in a face-off with a nameless Underworld deity who simultaneous takes us apart as it reassembles us. Xibalba Songs asks a simple question: can we honestly say that if we let our ancestral mythological heritage pass into permanent nightfall, that we will be able to retain the true depth of our humanity? Should we simply stand by, record its demise and allow it to pass quietly into the night as we greet a cold, purposeless future without the colourful mythforms of our ancestors to guide us onwards?




The Fernal Songs


Book Description

What would a positive, life-affirming, cosmos-embracing and transcendent Queer mythology look like? In the years 2013-15, artist and poet Bruce Rimell got a chance to find out when he was invited to participate in a collaborative project to create an international art publication, ‘The Encyclopaedia of Fernal Affairs’. Although this was principally an art-oriented initiative, Bruce quickly went off on his own tangent, inventing a complete constructed language and two song-cycles of fernal mythology which resonated with his own burgeoning sense of his Queer identity. ‘The Fernal Songs’ are the shimmering results of that literary side project. Centred around Lucaion, a Queer Hero whose exploits around an animistic cosmos showcase a more compassionate, interactive masculine images than the traditional subduer of enemies, and Afer, an all-gendered Cosmic Creatrix, whose song reverberates across the Fernal World, these are sacred songs which move beyond satirical ‘queering’ of traditional religious forms into a transcendent queer space which simultaneously resonates with ancient memories and indigenous lifeways as well as with possible queer futures of intense beauty and humanism. The ‘Song of Lucaion’, the ‘Thirteen Songs’ and the supplemental ‘Daiarzan’ come with several essays, personal recollections and honest expressions of Bruce’s envisioning of what he calls the ‘sacred and pristine jewel of queeritude within.’




Bloodhoney Songs


Book Description

Iceland is often labelled ‘a land of ice and fire’ – these days it has become something of a cliché – but when artist and poet Bruce Rimell visited with his husband in 2023, he felt plunged into a world of blood and honey, a place of poetry and song, recalling the Old Norse mythic images, as well as the magma which underlies and sculpts the vistas of this volcanic country… “to which I will say: I am a poet, I pray to waterfalls, let it outpour like rain…” Simultaneously a journey through Iceland’s natural, cultural and human landscapes, as well as a dreaming fall into the frenetic soul of a hyperactive poet, ‘Bloodhoney Songs’ takes in scenes from Reykjavik, ekphrastic verses springing from Icelandic music – from Björk to múm, Sigur Rόs to Ólafur Arnalds – and geological wonders, to evoke a sublime process of emergence from lifelong traumas as a Queer/ADHD person into a more hopeful place… “breathe out: you are coming to an end of your grief, a closing of time…” Moving from the waking world, through fractured dreams of love in Loki’s arms, into an eternal moment of stillness – the beginning of a fragile new world – this unique outsider’s view of Iceland is possibly the most unusual perspective on the country and its fascinating people you’ve ever read!




Ta Sba Balamil Ta Ch'ulel ~ On The Face Of The Earth And In The Soul


Book Description

In 2014, artist and poet Bruce Rimell visited the city of San Cristóbal de las Casas, Chiapas, Mexico as part of a programme of arts cultural events and indigenous ceremonies. To prepare for this journey, Bruce chose not to learn Spanish but Tzotzil, the local Maya language, and to explore the indigenous people’s beliefs, worldviews and ways of life. During these researches, he learned that the Tzotzil pay close attention to their dreams, and they consider that Westerners and non-Maya Mexicans who ignore these night-time voyages live only half a life. This philosophy is expressed in the succinct Tzotzil phrase ta sba balamil ta ch’ulel, ‘on the face of the Earth, and in the soul’, meaning that human life must be lived in both waking life and dreams. This little book of strange verse accompanied by surreal sketches is an attempt to bridge the gap between the Mayan cosmovision and the Western world, and represents an integrated reflection of Bruce’s journey to Chiapas. Featuring visits to contemporary highland Maya villages, archaeological sites and time spent with indigenous people – on the face of the Earth – as well as ceremonies, visions and dreams – and in the soul – that became increasingly influenced by Tzotzil insights into how to live, this collection of poetry expresses Bruce’s effort to intimate something of that fuller dreaming human life which for the indigenous people of Chiapas is as natural as events in the waking world. This delightfully designed volume features poems in both English and selected translations into the Tzotzil language, and it is the fourth in the new Xibalba Books Poetry Series aimed at republishing selected highlights from Bruce's vast poetry archive.




Wanderer: Songs of Solitude, Fragility, and Change


Book Description

What do you do when life seems overwhelming, the world seems alienating and physical injury has become debilitating? For artist and poet Bruce Rimell, the answer was to turn away from the world, and to seek solace in landscape, astronomy and poetry. Written over a period of four years, ‘Wanderer: Songs of Solitude, Fragility, and Change’ emerged from this challenging time: the poetry addresses grief and memory, as well as slow-burn changes in the course of a human life. It mourns the passing of a once-cherished friendship, stands in sorrow before waterfalls, celebrates the passing of the seasons visible in the natural world. Framed as a journey across the heavens, the collection is interspersed with deeply personal, and idiosyncratic, hymns to various planets and stars, before returning home to Earth. ‘Wanderer…’ takes in diverse shifts in identity and lifelong movements through walks in moorlands and the wilds, as well as dreams, otherworldly encounters at secluded falls, and the night sky, all sprung from a somewhat hyperactive perspective. A free verse diary of some dark and difficult days punctuated with shards of light, ‘Wanderer’ takes the reader through a time of lost illusions, but a magical journey nonetheless. Sometimes, sorrow is as beautiful as joy: this collection seeks out exactly that kind of beauty.




Reveries, Dreams, Refractions


Book Description

In 2021, British artist Bruce Rimell realised that he had also been a poet for much longer than he had been an artist, and decided to bring this other creative practice into the foreground. Delving through his many collections of poetry, he began to publish the best as part of a small series of books. However, some of his unpublished collections were of much lower quality, yet contained within them what he felt were occasional shards of beautiful light. He decided to gather these disparate poems into a single volume of assorted works. This retrospective book is the result, mapping the transformations of Bruce's poetic voice over nearly thirty years, from formative and youthful compositions into the confident, eclectic, and eccentric poet with a mythical edge that he is now. The diverse collection ranges from satirical to magical, playful to visionary. Longform psychedelic texts sit alongside quick bursts of poetic inspiration, while poems which accompanied artworks, along with random social media compositions, all add their unique voices to the throng of the anthology. ‘Reveries, Dreams, Refractions’ is an unconventional volume charting a course across decades of a poet's inner life. Come and see...!




Songs of Broken Clay


Book Description

As a very young girl, I became slowly aware that I was living through a childhood that was atypical. Self-expression through writing and music became both a way to survive and a resounding yet unanswered cry for help. This collection is meant to explore trauma, survival, and ultimately healing through an intensive therapeutic process and an overwhelming amount of self-reflection. Songs of Broken Clay touches on traumas associated with race, gender, sexual violence, chronic illness, and child abuse while finding a way to use these traumas to be of service to those who might feel alone or isolated in these experiences.




Elegies And Dirty Truths


Book Description

A dark, brutally honest, and sometimes sordid voyage, written with a wired, savage voice, into the promiscuous heart of a gay/Queer and hyperactive/ADHD outsider who has internalised a world of pain, but still finds himself, standing, still surviving... "don’t freak if this all goes horribly wrong: it’s fine…" Trigger warnings run their gauntlets everywhere, but there are moments of beauty and sorrow, which is beauty in another guise... "don’t see my eagerness, my tears, or if my eyes blank: it’s fine…" Not for the faint-hearted perhaps, this collection jumps frenetically from elegiac tributes for queer heroes to self-destructive sexual acts in a kind of shadowy no-place and no-time, confronting casual encounters, abuse and queerphobic hate towards a poetic self attempting to act as an antenna for Queer suffering everywhere... "don’t stop: I’ll be your willing sacrifice…"




Uji no Shi


Book Description

In the late 1990s, artist and poet Bruce Rimell travelled halfway across the world to live and work in Japan. There in his new home city of Uji, just south of Kyoto, he discovered a wonderful new world of Buddhist temples and Shinto shrines, as well as evocative myths and folktales, beautiful rivers and forested mountains. Losing himself in this ancient landscape, where the Uji River emerges from the mountains into a picturesque cultural scene, he soon discovered the traditional Japanese artform of the 短歌 tanka, the ‘short song’ arranged in five lines of 5-7-5-7-7 syllables, and he began writing these brief poems to reflect upon his emotional life, and to note his personal impressions of the historical region in which he lived. After two years in the country, he decided to return home to Britain, initiating a transformative period in his life. The 短歌 tanka struck him as an appropriate way to record these changes, particularly as the medium commonly evokes traditional Japanese cultural ideas of impermanence, transience and the fleeting nature of moments in time. As he departed from Japan, and settled back slowly into British life, sorrows of a life left behind, impressions of natural beauty, and failed love affairs, are all enfolded into a collection of poems – in Japanese, but with English translations and notes – that represents an emotionally sensitive work of memory, of reminiscence, and of もののあわれ mono no aware, the ‘sigh of things’, the delicate knowledge that everything in this fleeting, floating world eventually fades and passes away.




Echoes For Aphrodite


Book Description

Artist and poet Bruce Rimell brings another strange and colourful poetic travelogue, springing from eight inspiring days and nights on the Greek island of Milos in the Cyclades… "everything is touched by fingers of gales, all’s in motion: sea, air, land shivers" …walking through a volcanic terrain buffeted by strong winds from the tail end of an Aegean storm, with his perception transformed by calls for the return of the world famous ‘Venus de Milo’ – more properly ‘Aphrodite of Milos’ – back to her home island, the sight of her in the mountains… "hey Paris…! Aphrodite wants to go home" …as if Aphrodite herself was whispering in the breezes, her truest melody, feeling her way into the poet’s heart, his words, his dreams… "I’ve been hearing her voice, the one who smiles, who persuades into the human heart, and mine so easily opened, so swayed by heaven on earth, and shadows" …these verse notes are echoes, fragments of a song, as much from Aphrodite as for her, as well as an elegy to a unique and stunning island landscape… "ask how and why all day and all night upon the Melian isle…"