Yearbook of the Brooklyn Institute of Arts and Sciences


Book Description

Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of laws relating specifically to the corporation ...




Year-book of the Brooklyn Institute of Arts and Sciences


Book Description

Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of laws relating specifically to the corporation ...




Yearbook of the Brooklyn Institute of Arts and Sciences


Book Description

Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of the laws relating specifically to the corporation.




Yearbook of the Brooklyn Institute of Arts and Sciences


Book Description

Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of laws relating specifically to the corporation ...




Yearbook of the Brooklyn Institute


Book Description

Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of laws relating specifically to the corporation ...







Yearbook of the Brooklyn Institute of Arts and Sciences;


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Yearbook of the Brooklyn Institute of Arts and Sciences


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Manuscript Lectures


Book Description

This final volume of The Works of William James provides a full record of James's teaching career at Harvard from 1872-1907. It includes working notes for lectures in more than 20 courses. Because his teaching was closely involved with the development of his thought, this material adds a new dimension to our understanding of his philosophy.




Making Movies into Art


Book Description

Focusing on early cinema's relationship with the pictorial arts, this pioneering study explores how cinema's emergence was grounded in theories of picture composition, craft and arts education – from magic lantern experiments in 1890s New York through to early Hollywood feature films in the 1920s. Challenging received notions that the advent of cinema was a celebration of mechanisation and a radical rejection of nineteenth-century traditions of representation, Kaveh Askari instead emphasises the overlap between craft traditions and modernity in early film. Opening up valuable new perspectives on the history of film as art, Askari links American silent cinema with the practice of teaching the public how to appreciate fine art; charts its entrance into arts education via art schools and university film courses; shows how concepts of artistic production entered films through a material interest in the studio; and examines the way in which Maurice Tourneur and Rex Ingram made early art films by shaping an image of the film director around the idea of the fine artist.