Yishu


Book Description




Chinese Language, Thought, and Culture


Book Description

This collection of essays by leading sinologists, historians, and philosophers both challenges and extends the work of David Nivison, whose contributions range across moral philosophy, religious thought, intellectual history, and Chinese language. Nivison himself replies to each essay.




Chinese History and Culture


Book Description

The recipient of the Kluge Prize for lifetime achievement in the humanities and the Tang Prize for "revolutionary research" in Sinology, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times? From Ying-shih Yü's perspective, the Dao, or the Way, constitutes the inner core of Chinese civilization. His work explores the unique dynamics between Chinese intellectuals' discourse on the Dao, or moral principles for a symbolized ideal world order, and their criticism of contemporary reality throughout Chinese history. Volume 2 of Chinese History and Culture completes Ying-shih Yü's systematic reconstruction and exploration of Chinese thought over two millennia and its impact on Chinese identity. Essays address the rise of Qing Confucianism, the development of the Dai Zhen and Zhu Xi traditions, and the response of the historian Zhang Xuecheng to the Dai Zhen approach. They take stock of the thematic importance of Cao Xueqin's eighteenth-century masterpiece Honglou meng (Dream of the Red Chamber) and the influence of Sun Yat-sen's Three Principles of the People, as well as the radicalization of China in the twentieth century and the fundamental upheavals of modernization and revolution. Ying-shih Yü also discusses the decline of elite culture in modern China, the relationships among democracy, human rights, and Confucianism, and changing conceptions of national history. He reflects on the Chinese approach to history in general and the larger political and cultural function of chronological biographies. By situating China's modern encounter with the West in a wider historical frame, this second volume of Chinese History and Culture clarifies its more curious turns and contemplates the importance of a renewed interest in the traditional Chinese values recognizing common humanity and human dignity.




February Flowers


Book Description

Set in modern China, February Flowers tells the stories of two young women’s journeys to self-discovery and reconciliation with the past. Seventeen-year-old Ming and twenty-four-year-old Yan have very little in common other than studying in the same college. Ming, idealistic and preoccupied, lives in a world of books, music, and imagination. Yan, by contrast, is sexy, cynical, and wild, with no sense of home. Yet when the two meet, they soon become best friends. Their friendship is brief, almost accidental, but intense, and it changes Ming’s world forever. Insightful, sophisticated, and rich with complex characters, February Flowers captures a society torn between tradition and modernity, dogma and freedom. It is a meditation on friendship, family, love, loss and redemption, and how a background shapes a life.




Contemporary Chinese Art


Book Description

Since the confirmation of Deng Xiaoping’s policy of Opening and Reform in 1978, the People’s Republic of China has undergone a liberalization of culture that has led to the production of numerous forms of avant-garde, experimental, and museum-based art. With a fast-growing international market and a thriving artistic community, contemporary Chinese art is riding a wave of prosperity, though issues of censorship still abound. Shedding light on the current art scene, Paul Gladston’s Contemporary Chinese Art puts China’s recent artistic output into the context of the wider cultural, economic, and political conditions that surround it. Providing a critical mapping of ideas and practices that have shaped the development of Chinese art, Gladston shows how these combine to bind it to the structure of power and state both within and outside of China. Focusing principally on art produced by artists from mainland China—including painting, film, video, photography, and performance—he also discusses art created in Taiwan, Hong Kong, Macau, and diasporic communities. Illustrated with 150 images, Contemporary Chinese Art unravels the complexities of politics, artistic practice, and culture in play in China’s art scene.




When Words Are Inadequate


Book Description

When Words are Inadequate is a transnational history of modern dance written from and beyond the perspective of China. Author Nan Ma extends the horizon of China studies by rewriting the cultural history of modern China from a bodily movement-based perspective through the lens of dance modernism. The book examines the careers and choreographies of four Chinese modern dance pioneers-Yu Rongling, Wu Xiaobang, Dai Ailian, and Guo Mingda-and their connections to canonical Western counterparts, including Isadora Duncan, Mary Wigman, Rudolf von Laban, and Alwin Nikolais. Tracing these Chinese pioneers' varied experiences in Paris, Tokyo, Trinidad, London, New York, and China's metropolises and borderlands, the book shows how their contributions adapted and reimagined the legacies of early Euro-American modern dance. In doing so, When Words are Inadequate reinserts China into the multi-centered, transnational network of artistic exchange that fostered the global rise of modern dance, further complicating the binary conceptions of center and periphery and East and West. By exploring the relationships between performance and representation, choreography and politics, and nation-building and global modernism, it situates modern dance within an intermedial circuit of literary and artistic forms, demonstrating how modern dance provided a kinesthetic alternative and complements to other sibling arts in participating in China's successive revolutions, reforms, wars, and political movements.




Queer Literature in the Sinosphere


Book Description

Queer Literature in the Sinosphere is the most up-to-date English-language study of lesbian, gay, bisexual, transgender and queer (LGBTQ+) themed literature and culture in the Chinese-speaking world. From classical homoerotic texts to contemporary boys' love fan fiction, this book showcases the richness and diversity of queer Chinese literature across the full spectrum of genres, styles, topics and cultural politics. The book features authors and literary works from mainland China, Hong Kong, Taiwan, Singapore and the global Chinese diaspora. Featuring chapters by leading scholars from around the world, this book rewrites literature, history and culture from a queer lens in China and globally.




Intellectual Property Protection of Traditional Cultural Expressions


Book Description

The work reviews issues concerning the protection of folklore through the intellectual property legal system, then explores two main issues in the protection of Chinese folklore. The first issue is the influence of Chinese traditional culture on the Chinese intellectual property legal system and Chinese society. The second concerns the deficiencies of the Chinese intellectual property system with regard to folklore. Both issues are examined through a survey on the weak public recognition of intellectual property law and folklore in Chinese society. The book also reveals the practical issues that have arisen in Southwest China through case studies. After analysing these issues, the work designs a model law specifically for folklore and also provides suggestions for how the current intellectual property legal system could establish a comprehensive legal protection system for folklore. Furthermore, the work shows that its proposed model law is effective in practice by resolving the issues in the case studies presented.




The World of Tao Realm


Book Description

The mysterious youth who came out of the mysterious village had no Dao Heart, no Dao Spirit, no Dao Body, but he insisted on seeking Tao and entering the Dao Seeking Sect. In the end, he had walked on a different cultivation path.




Contemporary Queer Chinese Art


Book Description

Contemporary Queer Chinese Art is the first English-language academic book that explores the intersections of queer culture and contemporary Chinese art from the mid-1980s to the present. This book brings together 15 internationally renowned artists, activists, curators and scholars to explore heterogeneous expressions of Chineseness and queerness in contemporary art from China and Chinese diasporas in Asia, Europe and North America. Examining contemporary visual art, performance and activism, this book offers a rich archive of queer Chinese artistic expressions. It provides valuable insights into the status quo and intersectional struggles of Chinese artists who identify themselves as queer and who have associated their work with queer positionalities and perspectives. By sharing personal experiences, art expressions and critical insights about what it means to be queer and Chinese in a transnational context, the book reveals multiple forms and potentialities of queer politics in the domains of art and activism.