Emperor Vikramaditya


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The Cambridge World History of Violence: Volume 1, The Prehistoric and Ancient Worlds


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The first in a four-volume set, The Cambridge World History of Violence, Volume 1 provides a comprehensive examination of violence in prehistory and the ancient world. Covering the Palaeolithic through to the end of classical antiquity, the chapters take a global perspective spanning sub-Saharan Africa, the Near East, Europe, India, China, Japan and Central America. Unlike many previous works, this book does not focus only on warfare but examines violence as a broader phenomenon. The historical approach complements, and in some cases critiques, previous research on the anthropology and psychology of violence in the human story. Written by a team of contributors who are experts in each of their respective fields, Volume 1 will be of particular interest to anyone fascinated by archaeology and the ancient world.




The Poisoned Heart


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'Deftly recreates the world of the Gupta Empire ... widely regarded as the golden period of classical India' - Sanjeev Sanyal461 CE.Skanda Gupta, the grandson of the great emperor Chandragupta Vikramaditya, is at the helm of the still-mighty Gupta Empire. Brave, noble and a living legend, the emperor is fighting hard to save his legacy from wave after wave of invasion, intrigue and insurrection. The borders are restive; the palace is swirling with conspiracies; and the Huns are back.Into this cauldron steps Rohini - an enigmatic half-Hun runaway. She is a riddle Skanda cannot crack. Might she be an assassin, or a spy? Or has she come to the court with an agenda all her own? As ambition crosses swords with affection, Skanda and Rohini must learn a painful lesson: as in war, so in love, victory always comes at a price.The second book in the Gupta Empire Trilogy, The Poisoned Heart is a saga of tragic love, treachery and hard-won battles in the inner reaches of a once-mighty empire.




The Dead Woman Writing


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Devika has an unstable mind, or so the doctors have been saying. While working on her second book, she starts receiving letters from an enigmatic woman who was already dead. While a bewildered police force investigates mysterious cases happening around town, Devika decides to unfold the true story behind these strange psychotic incidents and the purpose of those letters. Is there more to all this than what meets the eye? Is all this real at all, or just a figment of her imagination? In her search for truth, Devika cannot trust anybody, not even herself. Struggling between her volatile mind and a personal crisis that saps every bit of sanity out of her, Devika has to find answers. She has to take the journey which could take her to the doorstep of a complete mental breakdown…a wild ride between the real and the paranormal world to find the truth behind The Dead Woman Writing.










Studies in the Geography of Ancient and Medieval India


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Seeing the radiant face of Ma Anandamayi and hearing her laughter you guess that she is an incarnation of Joy. Touched by the caress of Her glance you know that her heart is overflowing with love for all beings. Listening to Her teaching so simple and clear you understand that She is in possession of all Wisdom. But one cannot say whether it is Joy, Love or Wisdom that is the source of all this for with Her all therr are inextricably and indissolubly mingled one coluld not exist without the others. The joy which Ma anandmayi lives is not that which we know in worldly life, where pleasure and pain, hope, regret and disillusionment, attraction and repulsion follow on each other's heels, born one of another. Nor is it an egocentric calm of stoic rigidity that erects around itself an rampart of indifference. Hers is an overflowing, irrepressible joy that expresses itself in gaiety, that knows no obstacles, because it is deeply rooted in the Absolute, beyond the dualities of good and evil, of 'I' and 'not-I', of pleasant and unpleasant, because its unshakable base is Love and Wisdom.




Ancient Indian Warfare


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