Yorkshire Landscapes


Book Description

Yorkshire is by far the largest county in England, taking up most of the land area from Sheffield in the south to Cleveland in the north. Covering such a large area between the North Sea and the Pennine watershed, the variety of landscapes is astonishing, and in this book you will get a taste of much of it. Our tour starts in the rolling, highly urbanised south, then climbs into the Pennines where high heather-clad moorland is bisected by valleys full of industrial heritage. Heading north, the landscape transforms into the limestone pavements and glacial valleys of the Dales where sheep graze peacefully on high grassland. The central Plain of York is the next area with its ancient castles and fertile farmland under a huge sky. To the east rises the scarp of the North Yorkshire Moors where high moorland and remote valleys stretch all the way to the gull-strewn North Sea cliffs. Turning south, we explore the gentle countryside of the Yorkshire Wolds. The final destination is the banks of the River Humber from the industrial plain to Yorkshire's furthest outpost at Spurn Head. Doug Kennedy has roamed Yorkshire's lanes, byways and footpaths, seeking out what makes each place special and applying his photographer’s eye to capture the scene perfectly in sumptuous photographic images. These are complemented by informative text that gets underneath the surface of why things look like they do. It is a book for everyone who loves the Yorkshire to treasure, and a splendid introduction to its landscape for those less familiar with 'God's Own County'.




The Making of the West Yorkshire Landscape


Book Description

'The Making of the West Yorkshire Landscape' is part of the new established 'Making of...' series by Wharncliffe Books. The book holds fascinating and beautiful illustrations that show the West Yorkshire landscape in its entirety. West Yorkshire is a land of great contrast and sudden change. Lonely upland moors rapidly pass into busy valley towns such as Bradford and Halifax. Serene farmland lies close to Huddersfield, Leeds and Wakefield. The cereal lands of the low gently sloping eastern area contrasts sharply with the grasslands of the higher Pennines. 'The Making of the West Yorkshire Landscape' is the story of how West Yorkshire's landscape has changed since the area emerged from under a sea some seventy million years ago. It reveals how, from prehistoric times onwards, people changed an initially wooded landscape into its contemporary pattern of moors, farms, villages and towns. Have a transitional journey through the landscape, from prehistoric times to the present day, as you read 'The Making of the West Yorkshire landscape'.




The Industrial Legacy & Landscapes of Sheffield and South Yorkshire


Book Description

The chapters in the book reflect some of the breadth of industrial development and its effects that took place in and around Sheffield, South Yorkshire from the eighteenth century onwards. It looks at great landowners and at ordinary townsfolk and the impacts that industrial development had on them and their environment. Containing chapters by Professors Ian Rotherham, David Hey and Melvyn Jones; and Dr Leonie Skelton




Yorkshire's Forgotten Fenlands


Book Description

Yorkshire Forgotten Fens is a history of the cultural landscape of the wetlands of the Humber basin and the entire county of Yorkshire stretching from the Humber and north Lincolnshire through the Vale of York, through South Yorkshire and Holderness, to Pickering and beyond. The book draws together the story of a changing landscape, the lost cultures and ways of life, and the wildlife that has gone too.With the final chapter closing on the new wet fenland landscapes which are now emerging and presenting current visions and challenges for these truly evocative of landscapes, this is a book based on our past but with a vision for the future. The book is profusely illustrated with maps, photographs, paintings, and extracts from historic documents.




Yorkshire Landscapes


Book Description

Yorkshire is by far the largest county in England, taking up most of the land area from Sheffield in the south to Cleveland in the north. Covering such a large area between the North Sea and the Pennine watershed, the variety of landscapes is astonishing, and in this book you will get a taste of much of it. Our tour starts in the rolling, highly urbanised south, then climbs into the Pennines where high heather-clad moorland is bisected by valleys full of industrial heritage. Heading north, the landscape transforms into the limestone pavements and glacial valleys of the Dales where sheep graze peacefully on high grassland. The central Plain of York is the next area with its ancient castles and fertile farmland under a huge sky. To the east rises the scarp of the North Yorkshire Moors where high moorland and remote valleys stretch all the way to the gull-strewn North Sea cliffs. Turning south, we explore the gentle countryside of the Yorkshire Wolds. The final destination is the banks of the River Humber from the industrial plain to Yorkshire's furthest outpost at Spurn Head. Doug Kennedy has roamed Yorkshire's lanes, byways and footpaths, seeking out what makes each place special and applying his photographer’s eye to capture the scene perfectly in sumptuous photographic images. These are complemented by informative text that gets underneath the surface of why things look like they do. It is a book for everyone who loves the Yorkshire to treasure, and a splendid introduction to its landscape for those less familiar with 'God's Own County'.




Yorkshire Countryside


Book Description

Yorkshire summons up a distinct mental image in the minds of outsiders - whether of wind-lashed moorland, smoking chimneys or tough, blunt people. This illustrated survey of the changing rural landscapes of the region shows how the quality of 'Yorkshireness' varies greatly between one area and another. Moving chronologically from the Mesolithic period through to the post-medieval era of enclosure and industrialization, it allows the reader to mentally reconstruct the successive landscapes as they appeared and evolved through generations. The key elements - settlement patterns, strongholds, church and vernacular architecture, field systems and communications - are all considered in this fascinating history of one of England's best-known regions.




The Spectator


Book Description

A weekly review of politics, literature, theology, and art.




Steel City


Book Description

Ian D. Rotherham offers an illustrated history of Sheffield, one of Britain's great industrial centres.




David Hockney


Book Description

David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life. Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.




Ted Hughes and Trauma


Book Description

This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet.