Out of a Far Country


Book Description

Over 100,000 copies sold! Coming Out, Then Coming Home Christopher Yuan, the son of Chinese immigrants, discovered at an early age that he was different. He was attracted to other boys. As he grew into adulthood, his mother, Angela, hoped to control the situation. Instead, she found that her son and her life were spiraling out of control—and her own personal demons were determined to defeat her. Years of heartbreak, confusion, and prayer followed before the Yuans found a place of complete surrender, which is God’s desire for all families. Their amazing story, told from the perspectives of both mother and son, offers hope for anyone affected by homosexuality. God calls all who are lost to come home to him. Casting a compelling vision for holy sexuality, Out of a Far Country speaks to prodigals, parents of prodigals, and those wanting to minister to the gay community. “But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him.” - Luke 15:20 Includes a discussion guide for personal reflection and group use.







Yuan Shikai


Book Description

Statesman or warlord? Yuan Shikai (1859–1916) has been both hailed as China’s George Washington for his role in the country’s transition from empire to republic and condemned as a counter-revolutionary. In any list of significant modern Chinese figures, he stands in the first rank. Yet Yuan Shikai: A Reappraisal sheds new light on the controversial history of this talented administrator, fearsome general, and enthusiastic modernizer. Due to his death during the civil war his actions provoked, much Chinese historiography portrays Yuan as a traitor, a usurper, and a villain. After toppling the last emperor of China, Yuan endeavoured to build dictatorial power and establish his own dynasty while serving as the first president of the new republic, eventually going so far as to declare himself emperor. Drawing on previously untapped primary sources and recent scholarship, Patrick Fuliang Shan offers a lucid, comprehensive, and critical new interpretation of Yuan’s part in shaping modern China.




Holy Sexuality and the Gospel


Book Description

From the author of Out of a Far Country, which details his dramatic conversion from an agnostic gay man who put his identity in his sexuality to a Bible professor who now puts his identity in Christ alone, comes a gospel-centered discussion of sex, desire, and relationships. Dr. Christopher Yuan explores the concept of holy sexuality--chastity in singleness or faithfulness in marriage--in a practical and relevant manner, equipping readers with an accessible yet robust theology of sexuality. Whether you want to share Christ with a loved one who identifies as gay or you're wrestling with questions of identity yourself, this book will help you better understand sexuality in light of God's grand story and realize that holy sexuality is actually good news for all.




The Heart of Ma Yuan


Book Description

"Ma Yuan emerges as an artist who captures the reality of season, time, and mood in a dazzlingly abbreviated style that is nonetheless utterly convincing in its rendering of the natural world.---Maxwell K. Hearn Metropolitan Museum of Art ichard Edwards and Ma Yuan have something in common: both are deeply committed to the work of art and the medium of ink painting. And like Ma Yuan's brushwork, Edwards's prose couples formal restraint with expressive power. This book is a major contribution to the literature on the art of ink painting at the Southern Song court.---Robert Sharf University of California, Berkeley Ma Yuan, one of China's best-known artists, was a key figure in the period widely celebrated as the golden era of Chinese landscape painting. The Heart of Ma Yuan offers a careful discussion of Ma Yuan's painting as it emerged within the sophisticated artistic environment of Hangzhou in the late twelfth and early thirteenth centuries. Beautifully illustrated with more than 300 illustrations from leading museums and private collections around the world, the book includes discussions of Ma Yuan's family of six generations of skillful painters, his many patrons, and his distinctive style in engaging Confucian, Taoist and Buddhist genres and his superb landscapes, including animals, flowers, and detailed studies of water. Widely noted for his own keen eye and masterful stylistic analysis, Richard Edwards cultivates the art of looking for a broad readership, from general art lovers to specialists in art history. As a Western scholar exploring the significance of a highly refined Eastern culture, he draws on natural history, poetry, and relevant contemporary writing as well as the work of other artists.




A Paradise Lost


Book Description

Noted for its magnificent architecture and extraordinary history, the Yuanming Yuan is China's most famous imperial garden. The complex was begun in the early eighteenth century, and construction continued over the next 150 years. While Chinese historians, and many Chinese in general, view the garden as the paramount achievement of Chinese architecture and landscape design, almost nothing is known about the Yuanming Yuan in the West. A Paradise Lost is the first comprehensive study of the palatial garden complex in a Western language. Written in a broad and engaging style, Young-tsu Wong brings "the garden of perfect brightness" to life as he leads readers on a grand tour of its architecture and history. Wong begins by inspecting the garden's physical appearance and its architectural elements. He discusses the origin and evolution of these structures and the aesthetics of their design and arrangement. Throughout he refers to maps and original models of individual buildings and other existing gardens of the Ming-Qing period, including the well-preserved Yihe Yuan and the Chengde Summer Mountain Retreat in Rehe. A special feature of the book is its exploration of the activities and daily life of the royal household.




The World of Khubilai Khan


Book Description

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2010-Jan. 2, 2011.




Yuan


Book Description

A monumental illustrated survey of the architecture of thirteenth- and fourteenth-century China The Yuan dynasty endured for a century, leaving behind an architectural legacy without equal, from palaces, temples, and pagodas to pavilions, tombs, and stages. With a history enlivened by the likes of Khubilai Khan and Marco Polo, this spectacular empire spanned the breadth of China and far, far beyond, but its rulers were Mongols. Yuan presents the first comprehensive study in English of the architecture of China under Mongol rule. In this richly illustrated book, Nancy Shatzman Steinhardt looks at cities such as the legendary Shangdu—inspiration for Samuel Taylor Coleridge’s Xanadu—as well as the architecture the Mongols encountered on their routes of conquest. She examines the buildings and monuments of diverse faiths in China during the period, from Buddhist and Daoist to Confucian, Islamic, and Christian, as well as unusual structures such as observatories, archways, stone and metal buildings, and sarcophaguses. Steinhardt dispels long-standing views of the Mongols as destroyers of cities and architecture across Asia, showing how the khans and their families built more than they tore down. She demonstrates that the stipulations of the Chinese building system were powerful and resilient enough to guide the architecture that rose under Mongolian rule. Drawing on Steinhardt’s groundbreaking textual research in numerous languages as well as her pioneering fieldwork at sites across East Asia, Yuan will become the standard reference on this critical period of cultural and artistic exchange.




The Mongol Century


Book Description

The Mongol Century explores the visual world of China's Yuan dynasty (1271–1368), the spectacular but relatively short-lived regime founded by Khubilai Khan, regarded as the pre-eminent khanate of the Mongol empire. This book illuminates the Yuan era – full of conflicts and complex interactions between Mongol power and Chinese heritage – by delving into the visual history of its culture, considering how Mongol governance and values imposed a new order on China's culture and how a sedentary, agrarian China posed specific challenges to the Mongols' militarist and nomadic lifestyle. Shane McCausland explores how an unusual range of expectations and pressures were placed on Yuan culture: the idea that visual culture could create cohesion across a diverse yet hierarchical society, while balancing Mongol desires for novelty and display with Chinese concerns about posterity. Although in recent years exhibitions have begun to open up the inherent paradoxes of Yuan culture, this is the first book in English to adopt a comprehensive approach. It incorporates a broad range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. Fresh and invigorating, The Mongol Century explores, in fascinating detail, the visual culture of this brief but captivating era of East Asian history.




The Columbia Anthology of Yuan Drama


Book Description

This anthology features translations of ten seminal plays written during the Yuan dynasty (1279Ð1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of ChinaÕs culture of performance and entertainment in the thirteenth and fourteenth centuries. To date, few Yuan-dynasty plays have been translated into English. Well-known translators and scholars have supervised the making of this collection and add a short description to each play. A general introduction situates all selections within their cultural and historical contexts.