Arbeit Macht Frei


Book Description

On August 26th, 2005, I traveled with my two sons to Auschwitz, the Nazi death camp where over one million Jews were killed. The three of us made the trip by train, just as my parents were forced to do in 1942, first my father, with convoy 4 and later my mother with convoy 24. At the time of their deportation I was 8 and a half years old. I have written this story to ensure that my parents' lives: struggles, triumphs and final journey - as well as that of thousands of others – will be remembered for generations to come.




'Arbeit Macht Frei'


Book Description

Der Spruch "Arbeit Macht Frei" geht auf eine Erzählung (1873) des deutschen Philologen und Schriftstellers Lorenz Diefenbach (1806-1883) zurück. Die Nationalsozialisten eigneten sich diese Phrase an und brachten sie an Eingangstoren von mehreren Konzentrationslagern an, um auf zynische Weise falsche Hoffnungen bei den Inhaftierten zu wecken und Widerstand zu verhindern. Batya Brutin befasst sich mit den Darstellungen, Bedeutungen und Interpretationen des Spruchs "Arbeit Macht Frei" in Kunstwerken. Unter den von ihr betrachteten Künstlerinnen und Künstlern sind Überlebende des Holocaust und Nachkommen der zweiten Generation. Sie widmen sich dem Motiv z.T. auf einer sehr persönlichen Ebene; ihre Werke vermitteln politische Botschaften sowie Werte, Moralvorstellungen oder universelle Wahrnehmungen.




Macht Arbeit Frei?


Book Description

This is the first ever study to address Jewish forced labor in the General Government (Poland) during the Holocaust, and its consequences on the Nazi regime. A fascinating book about mutual dependence of economics and warfare during one of the most difficult periods in human history.




Sources of the Holocaust


Book Description

The Holocaust was the defining trauma of the 20th century. How do we begin to understand the Nazi drive to murder millions of people, or the determination of concentration camp prisoners to survive? This new and improved edition of Sources of the Holocaust brings together over 90 original Holocaust documents and testimonies to put the reader into direct contact with the genocide's human participants. From the origins of Christian antisemitism and the creation of monstrous 'Others' to the immediate aftermath of these crimes against humanity and the rise of right-wing ideologies in the 21st century, this book is structured both chronologically and thematically in order to clearly explain the ideas that made the Holocaust possible, how people mounted resistance at the time, and the Holocaust's legacy today. On top of this unparalleled access to the voices of the Holocaust, Steve Hochstadt's authoritative and scholarly commentaries on each source ensures readers gain a comprehensive understanding of this terrible episode in human history. Shocking and compelling, this carefully curated collection of primary sources is the definitive account of Holocaust experiences and vital reading for all scholars of modern European history.




'Arbeit Macht Frei'


Book Description

Arbeit Macht Frei focuses on the various representations, meanings, and interpretations of the infamous phrase in art. The origin of the expression recalls the novel by German philologist Lorenz Diefenbach (1806-1883) from 1873 and the Weimar Republic, but is most associated with the National Socialists, who used it at the entrances to six of their concentration camps. The Nazis employed the slogan to misdirect with contempt and irony, and to instill false hope in the minds of prisoners to help prevent resistance and insurrection. Batya Brutin discusses Holocaust survivor artists and their descendants who are artists as well as others who use the well-known phrase in their artwork. These artists have used the inscription as a motif from a personal or general point of view to convey political messages, present values, or wrestle with universal perceptions. This is the first booklength treatment of this difficult yet necessary topic in art.







Nothing Makes You Free: Writings by Descendants of Jewish Holocaust Survivors


Book Description

A groundbreaking collection of Holocaust literature by the heirs to the greatest evil of our time. History is preserved in the memories of the survivors of the Holocaust and the imaginations of their children, the so-called Second Generation. Nothing Makes You Free considers the heritage of the descendants of those who faced the horrific lie that adorned the gates of many German concentration camps: "Arbeit Macht Frei" ("Work Makes You Free"). In the words of this groundbreaking anthology's introduction: "Other kids' parents didn't have numbers on their arms. Other kids' parents didn't talk about massacres as easily as baseball. Other kids' parents loved them, but never gazed at their offspring as miracles in the flesh....How do you deal with this responsibility? Well, if you were a writer, you wrote." Gathered here are writings of both fiction and nonfiction, ranging from farce to fantasy to brutal realism, from an international selection of writers, including Art Spiegelman, Eva Hoffman, Peter Singer, and Carl Friedman. Contributors: Lea Aini, David Albahari, Tammie Bob, Lilly Brett, Melvin Jules Bukiet, Leon De Winter, Esther Dischereit, Barbara Finkelstein, Alain Finkielkraut, Carl Friedman, Eva Hoffman, Helena Janaczek, Anne Karpf, Alan Kaufman, Ruth Knafo Setton, Mihaly Kornis, Savyon Liebrecht, Alcina Lubitch Domecq, Gila Lustiger, Sonia Pilcer, Doron Rabinovici, Henri Raczymov, Victoria Redel, Thane Rosenbaum, Goran Rosenberg, Peter Singer, Joseph Skibell, Art Spiegelman, J. J. Steinfeld, Val Vinokurov "Nothing Makes You Free is a wide-ranging, exuberant, and altogether powerful collection. A necessary reminder of the lingering effects of the Holocaust and of all the embers—in each generation—saved from the fire."—Aryeh Lev Stollman, author of The Far Euphrates and The Illuminated Soul "What happens to a generation of writers born after but indelibly shaped by the Holocaust? From the bitterly sardonic title of Bukiet's clear-eyed and refreshingly unsentimental collection to its last words, this volume will cause all to see this past in startlingly new and unexpected ways. This is certainly not their parent's Holocaust. But in all their immense variety, dexterity, oppressed imaginativeness, pain, and wonder, these writings show how even as a 'vicarious past,' the Holocaust continues to shape both inner and outer worlds of the survivors' offspring and now, by extension, our own as well."—James E. Young, author of At Memory's Edge and The Texture of Memory "A superb anthology...tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget."—Kirkus Reviews, starred review "A trenchant array...convincingly demonstrate[s] that the Second-Generation experience and the artistic vision growing from it is not merely a diluted version of the survivors' experience, but a distinct phenomenon and ethos of its own."—Miami Herald "An important book."—Booklist




Holocaust Icons


Book Description

The Holocaust has bequeathed to contemporary society a cultural lexicon of intensely powerful symbols, a vocabulary of remembrance that we draw on to comprehend the otherwise incomprehensible horror of the Shoah. Engagingly written and illustrated with more than forty black-and-white images, Holocaust Icons probes the history and memory of four of these symbolic relics left in the Holocaust’s wake. Jewish studies scholar Oren Stier offers in this volume new insight into symbols and the symbol-making process, as he traces the lives and afterlives of certain remnants of the Holocaust and their ongoing impact. Stier focuses in particular on four icons: the railway cars that carried Jews to their deaths, symbolizing the mechanics of murder; the Arbeit Macht Frei (“work makes you free”) sign over the entrance to Auschwitz, pointing to the insidious logic of the camp system; the number six million that represents an approximation of the number of Jews killed as well as mass murder more generally; and the persona of Anne Frank, associated with victimization. Stier shows how and why these icons—an object, a phrase, a number, and a person—have come to stand in for the Holocaust: where they came from and how they have been used and reproduced; how they are presently at risk from a variety of threats such as commodification; and what the future holds for the memory of the Shoah. In illuminating these icons of the Holocaust, Stier offers valuable new perspective on one of the defining events of the twentieth century. He helps readers understand not only the Holocaust but also the profound nature of historical memory itself.




The Kingdom of Auschwitz


Book Description

A short and thoroughly accurate history of the Auschwitz concentration camp, this compelling book is authoritative in its factual details, devastating in its emotional impact.