'Le Roman des Eles', and the Anonymous: 'Ordene de Chevalerie'


Book Description

Scholars and students working on the early courtly and chivalric literature of medieval Europe will have often felt the need for contemporary theoretical material with which to illustrate their arguments about courtesy and chivalry in romances, etc. The present volume, which presents critical editions of the two earliest didactic poems of this kind in the vernacular (both date from the first quarter of the thirteenth century), was conceived partly to fill this need. This book will be of interest not only to specialists in Old French literature, but also to those studying other literatures; both texts are known to have circulated in England in the fourteenth century and are therefore of importance for anglicists; L’Ordene de Chevalerie was adapted into Middle Dutch and Italian several times and provides excellent material for comparatists, netherlandists and italianists; moreover, given the germinal place of Old French literature in the culture of the Middle Ages, both poems are worthy of study in the context of the evolution of the ideals of courtesy and chivalry as European literary phenomenon. Each critical text is accompanied by an extensive literary introduction and philological apparatus, and translations into modern English prose have been appended to render the poems more accessible to non-romanists.




Le roman des eles


Book Description

Scholars and students working on the early courtly and chivalric literature of medieval Europe will have often felt the need for contemporary theoretical material with which to illustrate their arguments about courtesy and chivalry in romances, etc. The present volume, which presents critical editions of the two earliest didactic poems of this kind in the vernacular (both date from the first quarter of the thirteenth century), was conceived partly to fill this need. This book will be of interest not only to specialists in Old French literature, but also to those studying other literatures; both texts are known to have circulated in England in the fourteenth century and are therefore of importance for anglicists; L'Ordene de Chevalerie was adapted into Middle Dutch and Italian several times and provides excellent material for comparatists, netherlandists and italianists; moreover, given the germinal place of Old French literature in the culture of the Middle Ages, both poems are worthy of study in the context of the evolution of the ideals of courtesy and chivalry as European literary phenomenon. Each critical text is accompanied by an extensive literary introduction and philological apparatus, and translations into modern English prose have been appended to render the poems more accessible to non-romanists.







Le roman des eles


Book Description

Scholars and students working on the early courtly and chivalric literature of medieval Europe will have often felt the need for contemporary theoretical material with which to illustrate their arguments about courtesy and chivalry in romances, etc. The present volume, which presents critical editions of the two earliest didactic poems of this kind in the vernacular (both date from the first quarter of the thirteenth century), was conceived partly to fill this need. This book will be of interest not only to specialists in Old French literature, but also to those studying other literatures; both texts are known to have circulated in England in the fourteenth century and are therefore of importance for anglicists; L'Ordene de Chevalerie was adapted into Middle Dutch and Italian several times and provides excellent material for comparatists, netherlandists and italianists; moreover, given the germinal place of Old French literature in the culture of the Middle Ages, both poems are worthy of study in the context of the evolution of the ideals of courtesy and chivalry as European literary phenomenon. Each critical text is accompanied by an extensive literary introduction and philological apparatus, and translations into modern English prose have been appended to render the poems more accessible to non-romanists.




The Oxford English Literary History


Book Description

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This book describes and seeks to explain the vast cultural, literary, social, and political transformations which characterized the period 1000-1350. Change can be perceived everywhere at this time. Theology saw the focus shift from God the Father to the suffering Christ, while religious experience became ever more highly charged with emotional affectivity and physical devotion. A new philosophy of interiority turned attention inward, to the exploration of self, and the practice of confession expressed that interior reality with unprecedented importance. The old understanding of penitence as a whole and unrepeatable event, a second baptism, was replaced by a new allowance for repeated repentance and penance, and the possibility of continued purgation of sins after death. The concept of love moved centre stage: in Christ's love as a new explanation for the Passion; in the love of God as the only means of governing the self; and in the appearance of narrative fiction, where heterosexual love was suddenly represented as the goal of secular life. In this mode of writing further emerged the figure of the individual, a unique protagonist bound in social and ethical relation with others; from this came a profound recalibration of moral agency, with reference not only to God but to society. More generally, the social and ethical status of secular lives was drastically elevated by the creation and celebration of courtly and chivalric ideals. In England the ideal of kingship was forged and reforged over these centuries, in intimate relation with native ideals of counsel and consent, bound by the law. In the aftermath of Magna Carta, and as parliament grew in reach and importance, a politics of the public sphere emerged, with a literature to match. These vast transformations have long been observed and documented in their separate fields. The Oxford English Literary History: Volume 1: 1000-1350: Conquest and Transformation offers an account of these changes by which they are all connected, and explicable in terms of one another.




Animal Encounters


Book Description

Traces of the living animal run across the entire corpus of medieval writing and reveal how pervasively animals mattered in medieval thought and practice. In fascinating scenes of cross-species encounters, a raven offers St. Cuthbert a lump of lard that waterproofs his visitors' boots for a whole year, a scholar finds inspiration for his studies in his cat's perfect focus on killing mice, and a dispossessed knight wins back his heritage only to give it up again in order to save the life of his warhorse. Readers have often taken such encounters to be merely figurative or fanciful, but Susan Crane discovers that these scenes of interaction are firmly grounded in the intimate cohabitation with animals that characterized every medieval milieu from palace to village. The animal encounters of medieval literature reveal their full meaning only when we recover the living animal's place within the written animal. The grip of a certain humanism was strong in medieval Britain, as it is today: the humanism that conceives animals in diametrical opposition to humankind. Yet medieval writing was far from univocal in this regard. Latin and vernacular works abound in other ways of thinking about animals that invite the saint, the scholar, and the knight to explore how bodies and minds interpenetrate across species lines. Crane brings these other ways of thinking to light in her readings of the beast fable, the hunting treatise, the saint's life, the bestiary, and other genres. Her substantial contribution to the field of animal studies investigates how animals and people interact in culture making, how conceiving the animal is integral to conceiving the human, and how cross-species encounters transform both their animal and their human participants.




Conquest and Transformation


Book Description

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume explores the vast cultural, literary, social, and political transformations which characterized the period 1000-1350.




Things and Thingness in European Literature and Visual Art, 700–1600


Book Description

The eleven chapters in this international volume draw on a variety of theoretical and methodological approaches to focus our attention on medieval and early modern things (ca. 700–1600). The range of things includes actual objects (the Altenburg Crucifixion, a copy of Hieronymus Brunschwig’s Liber de arte distillandi, a pilgrim’s letter), imagined objects (a prayed cloak for the Virgin Mary), and narrative objects in texts (the Alliterative Morte Arthure, the Ordene de Chevalerie, Hartmann von Aue’s Erec, Heinrich of Neustadt’s Apollonius of Tyre, Luís de Camões’s Os Lusíadas, and the vita of Saint Guthlac). Each in its own way, the papers consider how things do what they do in texts and art, often foregrounding the intersection between the material and the immaterial by exploring such questions as how things act, how they express power, and how texts and images represent them. Medieval and early modern things are repeatedly shown to be more than symbolic or passive, they are agentive and determinative in both their intra- and extradiegetic worlds. The things that are addressed in this volume are varied and are embedded, or entangled, in different contexts and societies, and yet they share a concerted engagement in human life.




Poetry and Class


Book Description

This study discusses the representation of class in poetry in English from Britain and Ireland between the fourteenth and twenty-first centuries, and the effect of class on the production, dissemination, and reception of that poetry. It looks at the factors which enable and obstruct the production of poetry, such as literacy, education, patronage, prejudice, print, and the various alleged revivals of poetry in Britain, and the relationship between class and poetic form. Whilst this is a survey that cannot be comprehensive, it offers a number of case-studies of poets and poems from each period considered.




The Chivalric Turn


Book Description

The Chivalric Turn examines the medieval obsession with defining and practising superior conduct, and the social consequences that followed from it. Historians since the seventeenth century have tended to understand medieval conduct through the eyes of the writers of the Enlightenment, viewing superior conduct as 'knightly' behaviour, and categorising it as chivalry. Using, for the first time, the full range of the considerable twelfth- and thirteenth-century literature on conduct in the European vernaculars and in Latin, The Chivalric Turn describes and defines what superior lay conduct was in European society before chivalry, and maps how and why chivalry emerged and redefined superior conduct in the last generation of the twelfth century. The emergence of chivalry was only one part of a major social change, because it changed how people understood the concept of nobility, which had consequences for the medieval understanding of gender, social class, violence, and the limits of law.