That Little Frenchman


Book Description

Reprint of the original, first published in 1874.










Why the Little Frenchman Wears His Hand in a Sling


Book Description

Why the Little Frenchman Wears His Hand in a Sling (+Biography and Bibliography) (5X8po Glossy Cover Finish): It's on my visiting cards sure enough (and it's them that's all o' pink satin paper) that inny gintleman that plases may behould the intheristhin words, "Sir Pathrick O'Grandison, Barronitt, 39 Southampton Row, Russell Square, Parrish o' Bloomsbury." And shud ye be wantin' to diskiver who is the pink of purliteness quite, and the laider of the hot tun in the houl city o' Lonon why it's jist mesilf. And fait that same is no wonder at all at all (so be plased to stop curlin your nose), for every inch o' the six wakes that I've been a gintleman, and left aff wid the bogthrothing to take up wid the Barronissy, it's Pathrick that's been living like a houly imperor, and gitting the iddication and the graces. Och! and wouldn't it be a blessed thing for your spirrits if ye cud lay your two peepers jist, upon Sir Pathrick O'Grandison, Barronitt, when he is all riddy drissed for the hopperer, or stipping into the Brisky for the drive into the Hyde Park. But it's the illigant big figgur that I ave, for the rason o' which all the ladies fall in love wid me.




The Little Frenchman and His Water Lots: George Pope Morris' Comic Odyssey in New York


Book Description

Embark on a whimsical adventure with George Pope Morris' delightful tale, "The Little Frenchman and His Water Lots." Enter a world where imagination knows no bounds, and the boundaries between reality and fantasy blur in the most charming of ways. As Morris' enchanting narrative unfolds, prepare to be whisked away on a journey of discovery and delight. Follow the misadventures of the little Frenchman as he navigates the eccentricities of 19th-century New York City, encountering colorful characters and unexpected twists along the way.But amidst the laughter and merriment, a question arises: What if the true measure of wealth lies not in material possessions, but in the joy of friendship and the beauty of the natural world? Could Morris' whimsical tale remind us of the simple pleasures that make life worth living? Immerse yourself in the whimsy and wonder of Morris' storytelling. His playful prose and lively characters will leave you smiling long after you've turned the final page. Are you ready to embark on a journey of whimsy and wonder with "The Little Frenchman and His Water Lots"?Join the little Frenchman as he discovers the magic that lies hidden in the heart of the city. Let Morris' charming narrative transport you to a world where anything is possible, and adventure awaits around every corner. Here's your chance to not just read, but to embrace the joy of imagination. This is more than a story; it's a celebration of the boundless creativity that lies within us all. Will you dare to explore the water lots?Seize the opportunity to own a treasure trove of whimsy. Purchase "The Little Frenchman and His Water Lots" now, and let Morris' delightful tale spark your imagination and ignite your sense of wonder.




Edgar Allan Poe


Book Description

Most frequently regarded as a writer of the supernatural, Poe was actually among the most versatile of American authors, writing social satire, comic hoaxes, mystery stories, science fiction, prose poems, literary criticism and theory, and even a play. As a journalist and editor, Poe was closely in touch with the social, political, and cultural trends of nineteenth-century America. Recent scholarship has linked Poe's imaginative writings to the historical realities of nineteenth-century America, including to science and technology, wars and politics, the cult of death and bereavement, and, most controversially, to slavery and stereotyped attitudes toward women. Edgar Allan Poe: Beyond Gothicism presents a systematic approach to topical criticism of Poe, revealing a new portrait of Poe as an author who blended topics of intellectual and social importance and returned repeatedly to these ideas in different works and using different aesthetic strategies during his brief but highly productive career. Twelve essays point readers toward new ways of considering Poe's themes, techniques, and aesthetic preoccupations by looking at Poe in the context of landscapes, domestic interiors, slavery, prosody, Eastern cultures, optical sciences, Gothicism, and literary competitions, clubs, and reviewing.




Critical Companion to Edgar Allan Poe


Book Description

Examines the life and career of Edgar Allan Poe including synopses of many of his works, biographies of family and friends, a discussion of Poe's influence on other writers, and places that influenced his writing.




Sixty Million Frenchmen Can’t Be Wrong


Book Description

"Sixty Million Frenchmen does its job marvelously well. After reading it, you may still think the French are arrogant, aloof, and high-handed, but you will know why." --Wall Street Journal




Brazilian Cinema


Book Description

From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' nations.




Every Frenchman Has One


Book Description

Back in print for the first time in decades—and featuring a new interview with the author, in celebration of her centennial birthday—the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman—and then became a Parisian In 1953, Olivia de Havilland—already an Academy Award-winning actress for her roles in To Each His Own and The Heiress—became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on. Still, her transition from Hollywood celebrity to parisienne was anything but easy. And in Every Frenchman Has One, her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the “City of Light.” Paraphrasing Caesar, Ms. de Havilland says, “I came. I saw. I was conquered.”