Cloud-capped Towers


Book Description




'The Cloud-capped Towers'


Book Description

This book of essays, ‘The cloud-capped towers:’ Shakespeare in Soane’s Architectural Imagination, is published to coincide with an exhibition with the same title to be shown at Sir John Soane’s Museum (21 April to 21 October 2016) as part of the nationwide commemoration of the 400th anniversary of the death of the great English playwright William Shakespeare.Sir John Soane (1753-1837) was a highly literary architect, who appears to have valued Shakespeare for the architectural pictures he conjured up, and also as a moral teacher. He had a deep knowledge of Shakespeare’s work, quoting (and misquoting) it often, notably in his Royal Academy lectures. His fascination with Shakespeare is evident both in his library and in the Shakespearian references throughout his house-museum, the most obvious being the Shakespeare Recess, a shrine to the bard on the staircase.The four essays in this volume look at the influence of Shakespeare on Soane’s architecture, against the wider background of the eighteenth-century Shakespearean revival; at Soane as a ‘bardolator’ and bibliophile and at contemporary performance and theatre-going, with a particular focus on the plays seen by Soane and his wife Eliza.The essays are illustrated by a number of illustrations in full colour, the majority drawn from Soane’s own collection -- Back cover.




The Cloud-Capped Star (Meghe Dhaka Tara)


Book Description

Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema history' (Serge Daney). A striking blend of modernist aesthetics and melodramatic force, it is arguably the best-known film by Ghatak, widely considered to be one of the most original, politically committed, and formally innovative film-makers from India. The film's focus on a family uprooted by the Partition of India and its powerful exploration of displacement and historical trauma gives it a renewed relevance in the midst of a global refugee crisis. Manishita Dass situates the film in its historical and cultural contexts and within Ghatak's film-making career, and connects it to his theatrical work and his writings on film and theatre. Her close reading of the film locates its emotional and intellectual power in what she describes as its 'cinematic theatricality,' and brings into focus Ghatak's modernist experiments with melodramatic devices, his deliberate departures from cinematic realism, and distinctive use of sound and music. The book draws on extensive archival research, excavates new layers of meaning, and offers fresh insights into the cosmopolitan cinematic sensibility of a director described as 'one of the most neglected major film-makers in the world' (Jonathan Rosenbaum).




The Tempest


Book Description

Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.




Hag-Seed


Book Description

NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle







The Translator’s Mirror for the Romantic


Book Description

The Translator’s Mirror for the Romantic: Cao Xueqin’s Dream and David Hawkes’ Stone is a book that uses precious primary sources to decipher a master translator’s art in Stone, a brilliant English translation of the most famous Chinese classic novel Dream. This book demonstrates a bilingual close reading which sheds light on both the original and its translation. By dividing the process of translation into reading, writing, and revising, and involving the various aspects of Sinological research, textual criticism, recreation, and literary allusions, this book ventures to emphasise the idea of translation as a dialogue between the original and the translated text, between the translator and his former self, and a learning process both for the translator and the reader of his translation. Any student of Chinese language and literature, or Chinese–English translation, will benefit from this book; for students and scholars who want to study David Hawkes and his Stone, this book is an indispensable aid. Readers will be interested to see how a non-theoretical analysis could be used to evaluate this translation, for it makes an extremely important and useful contribution to this subject.




Selected Stories of Alice Munro, 1968-1994


Book Description

NEW YORK TIMES EDITORS’ CHOICE • Twenty-eight “heart-stopping [and] utterly beautiful” (Newsday) stories that locate moments of love and betrayal, desire and forgiveness, from Nobel Prize–winning author Alice Munro “Her stories are like few others. One must go back to Tolstoy and Chekhov . . . for comparable largeness.”—John Updike, The New York Times Book Review A traveling salesperson during the Depression takes his children with him on an impromptu visit to a former girlfriend. A poor girl steels herself to marry a rich fiancé she can’t quite manage to love. An abandoned woman tries to choose between opposing pleasures of seduction and solitude. To read these stories is to succumb to the spell of a true narrative sorcerer, a writer who enchants her readers utterly even as she restores them to their truest selves.




Working Words


Book Description

Writing can be learned but can't be taught. What can be taught is how to read as a writer and how to use what that tells us in our own writing. By reading in this way we will put our hand on Leo Tolstoy's, Ernest Hemingway's, Flannery O'Connor's, and others' as they create in order to discover what they did to make us believe in the worlds that explode out of their pages, worlds that conjured in us the passion that brought us to our own attempt at the art of writing. Creative writing teacher and author Christopher Davis discusses the craft of the best writers in order to understand how they did their work, helps students to become good writers by finding the right way to read, and encourages good teachers to be better shepherds. Brilliant and inspirational, Working Words is a must for every student and teacher of writing. "The artistry of novelist Christopher Davis is one of the secrets of contemporary fiction."-Don Gold, Chicago Sun-Times




Shakespeare and Comics


Book Description

From their inception, 'low culture' comics have intersected with the 'high culture' of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess's 'A Midsummer Night's Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth, among many others. As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions. Shakespeare and Comics argues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called 'great works' exist alongside and in equal conversation with marginalized writers, topics and forms.