(Un)Civil War of Words


Book Description

As the war on terror rages, another battleground has quickly taken shape and is being waged on daily newscasts around the world. In the Arab world, al-Jazeera and Al-Arabiya are leading the fight. But do these news networks simply provide the news? Or, are they, as westerners suspect, tools used by governments and terrorists alike to relay their message to the man on the street as both Arab and Western leaders struggle to win the hearts and minds of millions of people? Fandy examines the impact that these and other news organizations have had on the war on terror, on the Arab world, and on the relationships that Arab nations share with each other, as well as those they share with the West. Focusing on al-Jazeera and other Arab networks, Fandy examines the battle between the Arab world and the West through the popular medium of television. He explores how autocratic governments control the media in order to preserve their own power while simultaneously engaging in a war of words, with their neighbors, the West, or many times, both.




Uncivil Wars


Book Description

In this well researched and carefully argued book, Horowitz traces the origins of the reparations movement and its implications for American education and culture.




America's Uncivil Wars


Book Description

Here is a panoramic history of America from 1954 to 1973, ranging from the buoyant teen-age rebellion first captured by rock and roll, to the drawn-out and dispiriting endgame of Watergate. In America's Uncivil Wars, Mark Hamilton Lytle illuminates the great social, cultural, and political upheavals of the era. He begins his chronicle surprisingly early, in the late '50s and early '60s, when A-bomb protests and books ranging from Catcher in the Rye to Silent Spring and The Feminine Mystique challenged attitudes towards sexuality and the military-industrial complex. As baby boomers went off to college, drug use increased, women won more social freedom, and the widespread availability of birth control pills eased inhibitions against premarital sex. Lytle describes how in 1967 these isolated trends began to merge into the mainstream of American life. The counterculture spread across the nation, Black Power dominated the struggle for racial equality, and political activists mobilized vast numbers of dissidents against the war. It all came to a head in 1968, with the deepening morass of the war, the assassinations of Robert Kennedy and Martin Luther King, Jr., race riots, widespread campus unrest, the violence at the Democratic convention in Chicago, and the election of Richard Nixon. By then, not only did Americans divide over race, class, and gender, but also over matters as simple as the length of a boy's hair or of a girl's skirt. Only in the aftermath of Watergate did the uncivil wars finally crawl to an end, leaving in their wake a new elite that better reflected the nation's social and cultural diversity. Blending a fast-paced narration with broad cultural analysis, America's Uncivil Wars offers an invigorating portrait of the most tumultuous and exciting time in modern American history.




Uncivil Wars


Book Description

With a focus on both national and local levels, Uncivil Wars takes an energetic and critical look at the mechanics of political campaigning through the lens of communication theory.




A Civil Life in an Uncivil Time


Book Description

In the fall of 1862 Julia Wilbur left her family’s farm near Rochester, New York, and boarded a train to Washington, DC. As an ardent abolitionist, the forty-seven-year-old Wilbur left a sad but stable life, headed toward the chaos of the Civil War, and spent the next several years in Alexandria, Virginia, devising ways to aid recently escaped slaves and hospitalized Union soldiers. A Civil Life in an Uncivil Time shapes Wilbur’s diaries and other primary sources into a historical narrative of a woman who was alternately brave, self-pitying, foresighted, and myopic. Paula Tarnapol Whitacre describes Wilbur’s experiences against the backdrop of Alexandria, a southern town held by the Union from 1861 to 1865; of Washington, DC, where Wilbur became active in the women’s suffrage movement; and of Rochester, New York, where she began a lifelong association with Frederick Douglass and Susan B. Anthony. Harriet Jacobs, author of Incidents of a Slave Girl, became Wilbur’s friend and ally. Together, the two women, black and white, fought social convention to improve the lives of African Americans escaping slavery by coming across Union lines. In doing so, they faced the challenge to achieve racial and gender equality that continues today. A Civil Life in an Uncivil Time is the captivating story of a woman who remade herself at midlife during a period of massive social upheaval.




The Un-Civil War


Book Description

A disgusted Black man boldly confronts the dysfunctional and criminal subculture (along with their apologists) that exists within the African-American community. This race-realist endeavor exposes many inconvenient truths, and will certainly become a catalyst for candid conversation. Flooded with statistics, headlines, pictures, and other evidence, this book is not simply an anecdotal tale of a miserable, inner-city existence... it's a war report.




Salvador


Book Description

"Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. Didion "brings the country to life" (The New York Times), delivering an anatomy of a particular brand of political terror—its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, Didion interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear." Here, the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.




Buying and Selling Civil War Memory in Gilded Age America


Book Description

Buying and Selling Civil War Memory explores the ways in which Gilded Age manufacturers, advertisers, publishers, and others commercialized Civil War memory. Advertisers used images of the war to sell everything from cigarettes to sewing machines; an entire industry grew up around uniforms made for veterans rather than soldiers; publishing houses built subscription bases by tapping into wartime loyalties; while old and young alike found endless sources of entertainment that harkened back to the war. Moving beyond the discussions of how Civil War memory shaped politics and race relations, the essays assembled by James Marten and Caroline E. Janney provide a new framework for examining the intersections of material culture, consumerism, and contested memory in the everyday lives of late nineteenth-century Americans. Each essay offers a case study of a product, experience, or idea related to how the Civil War was remembered and memorialized. Taken together, these essays trace the ways the buying and selling of the Civil War shaped Americans’ thinking about the conflict, making an important contribution to scholarship on Civil War memory and extending our understanding of subjects as varied as print, visual, and popular culture; finance; and the histories of education, of the book, and of capitalism in this period. This highly teachable volume presents an exciting intellectual fusion by bringing the subfield of memory studies into conversation with the literature on material culture. The volume’s contributors include Amanda Brickell Bellows, Crompton B. Burton, Kevin R. Caprice, Shae Smith Cox, Barbara A. Gannon, Edward John Harcourt, Anna Gibson Holloway, Jonathan S. Jones, Margaret Fairgrieve Milanick, John Neff , Paul Ringel, Natalie Sweet, David K. Thomson, and Jonathan W. White.




Visions of Glory


Book Description

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child's hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.




Word by Word


Book Description

“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.