Book Description







Armenian Folk-tales and Fables


Book Description

These folk-tales were told by simple people--vine-dressers, farm-laborers, millers--and were preserved by word of mouth, to be repeated for entertainment in the coffee-house, or at home during the long, hard winters. There are fables here, too, selected from the collections of medieval scholars and philosophers, while the expressive and often humorous proverbs show the ways of the world through shrewd Armenian eyes.




Armenian Folklore Bibliography


Book Description

00 This bibliography, with annotations, consists of almost 1380 citations derived from libraries in Berkeley, California, notably at the University of California. Most of the articles and books listed are in Armenian, but items in English, French, German, and Russian are also included. This book covers an area of study not heretofore presented in substantial length and will be of interest to folklorists throughout the world. This bibliography, with annotations, consists of almost 1380 citations derived from libraries in Berkeley, California, notably at the University of California. Most of the articles and books listed are in Armenian, but items in English, French, German, and Russian are also included. This book covers an area of study not heretofore presented in substantial length and will be of interest to folklorists throughout the world.




An Armenian Sketchbook


Book Description

An NYRB Classics Original Few writers had to confront as many of the last century’s mass tragedies as Vasily Grossman, who wrote with terrifying clarity about the Shoah, the Battle of Stalingrad, and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun. After the Soviet government confiscated—or, as Grossman always put it, “arrested”—Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there. This is by far the most personal and intimate of Grossman’s works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia—its mountains, its ancient churches, its people—while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.




Armenian Tales


Book Description

A collection of the finest classic Armenian folk tales and legends, passed down through the generations. These tales are "captivating," entertaining and full of wisdom, true-to-tradition, and easy to read.




The Flower of Paradise and Other Armenian Tales


Book Description

This enchanting sampling of traditional Armenian tales was gathered by the author in her travels and translated from Russian sources. A broad selection of more than 50 tales are organized by type-myths and legends, animal tales, fairy tales, stories of everyday life, and wits and dimwits. Readers (and listeners) of all ages will delight in stories such as The Invincible Rooster, The Donkey Who Swallowed the Moon, Seven Stars, and a sampling of tales about Silly Pugi, the Armenian trickster. Many of the stories are short and humorous, making them perfect for storytime programs and read-alouds. Stories are supplemented by background information on the people and their culture, including a brief history, discussion of folk traditions and food, recipes, photographs, and a bibliography. A great resource for educators, students, folklorists, and anyone interested in Armenian culture! All grade levels. This enchanting sampling of traditional Armenian tales was gathered by the author in her travels and translated from Russian sources. A broad selection of more than 50 tales are organized by type-myths and legends, animal tales, fairy tales, stories of everyday life, and wits and dimwits. Readers (and listeners) of all ages will delight in stories such as The Invincible Rooster, The Donkey Who Swallowed the Moon, Seven Stars, and a sampling of tales about Silly Pugi, the Armenian trickster. Many of the stories are short and humorous, making them perfect for storytime programs and read-alouds. Stories are supplemented by background information on the people and their culture, including a brief history, discussion of folk traditions and food, recipes, photographs, and a bibliography. A great resource for educators, students, folklorists, and anyone interested in Armenian culture! All grade levels.




The Shamanic Themes in Armenian Folktales


Book Description

“In Marxist anthropological theory, shamanism represented one of the early forms of religion that later gave rise to more sophisticated beliefs in the course of human advancement … The premise of Marxism was that eventually, at the highest levels of civilization, the sacred and religion would eventually die out” (Znamenski, 2007, p.322). Though history has of course since disproved this, the theory clearly had a great bearing on what was written in the former Soviet Union about shamanism, and also on people’s attitudes in the former Soviet Republics towards such practices. On the other hand, it has been suggested that “all intellectuals driven by nationalist sentiments directly or indirectly are always preoccupied with searching for the most ancient roots of their budding nations in order to ground their compatriots in particular soil and to make them more indigenous” (Znamenski, 2007, p.28). Although this might apply to searching for the roots of Christianity in Armenia, when it comes to searching for the roots of pagan practices, interest on the part of the people of Armenia is generally speaking not so forthcoming. This impasse, coupled with the effects of the repressions against religions, including shamanism, unleashed by the Soviet government between the 1930s and 1950s, along with the recent surge of interest in the Armenian Orthodox church, a backlash to the seventy years of officially sanctioned atheism, makes research into the subject no easy business. However, hopefully this study will at least in some small way help to set the process in motion.




There Was and There Was Not


Book Description

National Book Critics Circle Award Finalist: A young Armenian-American moves to Istanbul to confront questions of history, loyalty, and loving your enemy. Meline Toumani grew up in a close-knit Armenian community in New Jersey where Turkish restaurants were shunned and products made in Turkey were boycotted. The source of this enmity was the Armenian genocide of 1915 at the hands of the Ottoman Turkish government, and Turkey’s refusal to acknowledge it. A century onward, Armenian and Turkish lobbies spend hundreds of millions of dollars to convince governments, courts, and scholars of their clashing versions of history. Frustrated by her community’s all-consuming campaigns for genocide recognition, Toumani leaves a promising job at the New York Times and moves to Istanbul. Instead of demonizing Turks, she sets out to understand them, and in a series of extraordinary encounters over the course of four years, she tries to talk about the Armenian issue, finding her way into conversations that are taboo and sometimes illegal. Along the way, we get a snapshot of Turkish society in the throes of change, and an intimate portrait of a writer coming to terms with the issues that drove her halfway across the world. In this far-reaching quest, Toumani probes universal questions: how to belong to a community without conforming to it, how to acknowledge a tragedy without exploiting it, and most importantly how to remember a genocide without perpetuating the kind of hatred that gave rise to it in the first place. “Although this book offers plenty of insight—funny, affectionate, often frustrated—into a unique diasporic culture, Toumani is ultimately less interested in what makes a person Armenian, Turkish or anything else than in what can happen when we start to think beyond those national identities.” —The Washington Post “A remarkable memoir.” —Kirkus Reviews (starred review) “An unusual book: courageous, intriguing, and at moments, despite its subject, unexpectedly funny. And [Toumani’s] determination to understand and put behind her a century of hatred has echoes for more peoples than just Turks and Armenians.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 “This deft combination of political and personal narrative is an attempt to cross one of the modern world’s most sensitive divides. With warmth and feeling, it shows why so many people and nations are imprisoned by the past, and what can happen when they set themselves free.” —Stephen Kinzer, author of Crescent and Star: Turkey Between Two Worlds




The Hundred-year Walk


Book Description

A Finalist for the Dayton Literary Peace Prize A New York Post Must-Read "Part family heirloom, part history lesson, The Hundred-Year Walk is an emotionally poignant work, powerfully imagined and expertly crafted."--Aline Ohanesian, author of Orhan's Inheritance "This book reminds us that the way we treat strangers can ripple out in ways we will never know . . . MacKeen's excavation of the past reveals both uncomfortable and uplifting lessons about our present."--Ari Shapiro, NPR Growing up, Dawn MacKeen heard from her mother how her grandfather Stepan miraculously escaped from the Turks during the Armenian genocide of 1915, when more than one million people--half the Armenian population--were killed. In The Hundred-Year Walk MacKeen alternates between Stepan's courageous account, drawn from his long-lost journals, and her own story as she attempts to retrace his steps, setting out alone to Turkey and Syria, shadowing her resourceful, resilient grandfather across a landscape still rife with tension. Dawn uses his journals to guide her to the places he was imperiled and imprisoned and the desert he crossed with only half a bottle of water. Their shared story is a testament to family, to home, and to the power of the human spirit to transcend the barriers of religion, ethnicity, and even time itself. "I am in awe of what Dawn MacKeen has done here . . . Her sentences sing. Her research shines. Her readers will be rapt--and a lot smarter by the end."--Meghan Daum, author of The Unspeakable: And Other Subjects of Discussion "Harrowing."--Us Weekly