1576 to 1660, Part I
Author : Glynne William Gladstone Wickham
Publisher : Psychology Press
Page : 320 pages
File Size : 13,28 MB
Release : 2002
Category : Theater
ISBN : 9780415197854
Author : Glynne William Gladstone Wickham
Publisher : Psychology Press
Page : 320 pages
File Size : 13,28 MB
Release : 2002
Category : Theater
ISBN : 9780415197854
Author : Glynne Wickham
Publisher : Routledge
Page : 470 pages
File Size : 31,6 MB
Release : 2013-06-17
Category : Performing Arts
ISBN : 1136288325
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author : Glynne William Gladstone Wickham
Publisher :
Page : 470 pages
File Size : 24,17 MB
Release : 1959
Category : Theater
ISBN :
Author : Glynne William Gladstone Wickham
Publisher : Columbia University Press
Page : 408 pages
File Size : 39,1 MB
Release : 1959
Category : English drama
ISBN : 9780231089388
Author : Glynne Wickham
Publisher : Taylor & Francis
Page : 265 pages
File Size : 47,29 MB
Release : 2023-05-09
Category : Performing Arts
ISBN : 1000949540
First published in 2002.This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author : Sidney E. Berger
Publisher : Routledge
Page : 399 pages
File Size : 18,98 MB
Release : 2019-07-05
Category : Literary Criticism
ISBN : 0429514670
Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.
Author : John Fletcher
Publisher : Routledge
Page : 561 pages
File Size : 31,42 MB
Release : 2019-03-07
Category : Literary Collections
ISBN : 0429575238
Published in 1987: This thesis presents an edition of the author’s play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.
Author : Jim Ellis
Publisher : Northwestern University Press
Page : 323 pages
File Size : 10,24 MB
Release : 2023-02-15
Category : Literary Criticism
ISBN : 0810145316
How an early modern understanding of place and movement are embedded in a performative theory of literature How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies’ movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester’s pleasure garden for Queen Elizabeth’s 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden’s visitors: Philip Sidney, who would later contend that literature’s golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser’s Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem’s dreamlike space. Exploring the artistic creations of three of the era’s major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.
Author : Nicholas B. Dirks
Publisher : Princeton University Press
Page : 635 pages
File Size : 48,74 MB
Release : 2021-04-13
Category : Social Science
ISBN : 0691228000
The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of "the political" in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined "roles" in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts--"culture," "power," and "history"--this reader offers an enriching perspective on social theory in the contemporary moment. Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry. The essays are contributed by Linda Alcoff ("Cultural Feminism versus Post-Structuralism"), Sally Alexander ("Women, Class, and Sexual Differences in the 1830s and 1840s"), Tony Bennett ("The Exhibitionary Complex"), Pierre Bourdieu ("Structures, Habitus, Power"), Nicholas B. Dirks ("Ritual and Resistance"), Geoff Eley ("Nations, Publics, and Political Cultures"), Michel Foucault (Two Lectures), Henry Louis Gates, Jr. ("Authority, [White] Power and the [Black] Critic"), Stephen Greenblatt ("The Circulation of Social Energy"), Ranajit Guha ("The Prose of Counter-Insurgency"), Stuart Hall ("Cultural Studies: Two Paradigms"), Susan Harding ("The Born-Again Telescandals"), Donna Haraway ("Teddy Bear Patriarchy"), Dick Hebdige ("After the Masses"), Susan McClary ("Living to Tell: Madonna's Resurrection of the Fleshly"), Sherry B. Ortner ("Theory in Anthropology since the Sixties"), Marshall Sahlins ("Cosmologies of Capitalism"), Elizabeth G. Traube ("Secrets of Success in Postmodern Society"), Raymond Williams (selections from Marxism and Literature), and Judith Williamson ("Family, Education, Photography").
Author : Goran Stanivukovic
Publisher : Edinburgh University Press
Page : 241 pages
File Size : 25,82 MB
Release : 2018-02-01
Category : Literary Criticism
ISBN : 1474419577
A survey of modern cinematic and televisual responses to the concept of the golden age.