Annual Bibliography of Modern Art


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The Nightcrawler King


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While growing up in rural Indiana during World War II, William Fagaly began his first venture—collecting and selling earthworms to locals—from which he was christened with a childhood moniker. The Nightcrawler King: Memoirs of an Art Museum Curator is a narrative of Fagaly’s life told in two parts: first, his childhood experiences and, second, his transformation into an adult art museum curator and administrator in Louisiana. With a career that coincided with the dramatic growth of museums in the United States, Fagaly adds a unique perspective to New Orleans history, which highlights Louisiana history and establishes how it resonates around the nation and world. Offering a rare and revealing inside look at how the art world works, Fagaly documents his fifty years of experience of work—unusually spent at a single institution, the New Orleans Museum of Art. During this past half century, he played an active role in the discovery and appreciation of new areas of art, particularly African, self-taught, and avant-garde contemporary. He organized numerous significant art exhibitions that traveled to museums across the country and authored the accompanying catalogs. Fagaly’s cherished memories and the wonderful people who have touched his life are showcased in this memoir—friends, family, university professors, museum colleagues, art historians, visual artists, musicians, art dealers, art collectors, patrons, and partners—even his cats.




Contemporary Art in Texas


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Since the 1960s the contemporary art scene in Texas has developed impressively and the exciting new artforms from this State have reached a growing and appreciative audience. Museums have expanded the scope of their exhibitions, more artists and art patrons have come to live in the metropolitan areas, and the fierce independence of Texas art has been increasingly recognized. Now, in the 1990s, and for the first time, three generations of artists are working simultaneously alongside each other. Artists in Texas work in multiple modes and frequently with unorthodox materials, away from the theoretical and commercial art world epicenters of New York and Los Angeles. But the sheer size of Texas underscores the complexity of the art scene taken as a whole: contemporary art in Texas has a nuance that is all its own and reflects it historical myths, the dreams of its heroes, and the social and political realities which pertain in the 1990s. This book addresses all of these themes and provides an insightful overview of contemporary art in this unique part of the country.




Encyclopedia Of Freemasonry


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Dr. Albert G. Mackey, also the author of The Lexicon of Freemasonry appears as author of this " Encyclopedia of Freemasonry and its Kindred Sciences," which, being a library in inself, superseded most of the Masonic works which have been tolerated by the craft—chiefly because none better could be obtained. Here, in one giant volume is a work which fulfils the hope which sustained the author through ten years' literary labor, that, under one cover he "would furnish every Mason who might consult its pages the means of acquiring a knowledge of all matters connected with the science, the philosophy, and the history of his order." For more than thirty years Dr. Mackey has devoted earnest and constant study and research to the history, the objects, and the condition of Masonry. In the present work, the crowning and successful result of a life's labors, he has received no assistance from any one. He says, " Every article was written by myself," and he adds, which would extenuate errors, had he fallen into any, "For twelve months, too, of the time occupied upon this work, I suffered from an affection of the sight, which forbade all use of the eyes for purposes of study. During that time, now happily passed, all authorities were consulted by the willing eyes of my daughters—all writing was done by their hands. I realized for a time the picture so often painted of the blind bard dictating his sublime verses to his daughters," and his preface closes with the words, "Were I to dedicate this work at all, my dedication should be—To Filial Affection." Up to the present time the modern literature of Freemasonry has been diffuse, lumbering, unreliable, and, out of all reasonable proportions.




Who's Who in American Art


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